The Best Albums Of 1974

December 17, 2024

The Best Albums, From All Genres, Of 1974

In 1974, the world of music stood at the junction of cultural shifts and creative exploration, producing a vibrant and eclectic mix of sounds that captured the spirit of the era. The early 70s had seen the continued rise of rock, as a dominant force, and by 1974, the genre was branching out in exciting new directions. Progressive rock pushed the boundaries of musical complexity, while glam rock brought theatrical flair and an unapologetic sense of style to the forefront. At the same time, disco's infectious rhythms began laying the groundwork for a cultural phenomenon that would soon dominate dance floors worldwide.

Folk, soul, and funk continued to thrive, reflecting the social and political undercurrents of the time with poignant lyrics and irresistible grooves. Meanwhile, hard rock and the early rumblings of punk hinted at the rebellious energy that would shape the coming decades. 1974 was, ultimately, an era of bold experimentation, genre-defying collaborations, and timeless classics. The albums released this year remain an enduring testament to the creativity and ingenuity of artists who redefined what was possible in recorded music.

Ranked from best to almost the best, but not quite. Although, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music from 1974.

1. Skyhooks – Living In The 70’s

Skyhooks’ Living In The 70s is a genre-defying classic that captures the irreverent spirit of its time with sharp wit and a bold sense of identity. With its satirical lyrics, infectious hooks, and a uniquely Australian perspective, the album blends glam rock with a touch of rebellious swagger, creating a soundscape that feels both nostalgic and timeless. From the cheeky commentary of "Horror Movie" to the reflective title track, Living In The 70s remains a testament to Skyhooks' audacious artistry and cultural relevance.

Check out the full review for a more detailed overview of Skyhooks’ Living In The 70’s.

2. Millie Jackson – Caught Up

Millie Jackson’s Caught Up is a soul masterpiece, weaving a raw, emotionally charged narrative of love, betrayal, and heartbreak. With her powerhouse vocals and unapologetic delivery, Jackson takes listeners on a journey through the complexities of relationships, brought to life by lush arrangements and impeccable production. Tracks like "If Loving You Is Wrong (I Don’t Want to Be Right)" showcase her ability to balance vulnerability with fiery confidence, making Caught Up an enduring classic in the annals of soul music.

Check out the full review for a more detailed overview of Millie Jackson’s Caught Up.

3. Ringo Starr – Goodnight Vienna

Ringo Starr’s Goodnight Vienna is a charming blend of pop-rock and lighthearted fun, showcasing the former Beatle’s knack for infectious melodies and an easygoing vibe. Featuring contributions from an impressive roster of collaborators, including John Lennon and Elton John, the album balances upbeat tracks like the title song with heartfelt moments such as "Only You (And You Alone)." Ultimately, Starr’s charismatic personality shines throughout, making Goodnight Vienna an enduring favourite in his solo catalogue.

Check out the full review for a more detailed overview of Ringo Starr’s Goodnight Vienna.

4. Kansas- Kansas (Self-Titled)

Kansas’ self-titled debut is a striking introduction to their signature blend of progressive rock and heartland sensibilities. Packed with intricate arrangements, virtuosic musicianship, and evocative lyrics, the album sets the stage for the band's storied career. Tracks like "Journey From Mariabronn" and "Can I Tell You" showcase their knack for balancing complexity with accessibility, crafting a sound that’s both ambitious and deeply rooted in Americana. Kansas is, subsequently, a powerful opening statement from a band that was destined to become legends.

Check out the full review for a more detailed overview of Kansas’ self-titled debut Kansas.

5. Aerosmith – Get Your Wings

Aerosmith’s Get Your Wings is a gritty, swagger-filled sophomore effort that solidified their place in the pantheon of hard rock. Bursting with bluesy riffs, raw energy, and Steven Tyler’s unmistakable vocals, the album delivers classics like "Same Old Song And Dance" and "Train Kept A-Rollin’." With its mix of attitude and artistry, Get Your Wings captures a band on the brink of superstardom, laying the foundation for their legendary status in rock history.

Check out the full review for a more detailed overview of Aerosmith’s Get Your Wings.

6. Lou Reed – Sally Can't Dance

Lou Reed’s Sally Can’t Dance is an unapologetically raw and sardonic exploration of life. Filled with biting commentary and Reed’s signature deadpan delivery, the album showcases his ability to craft compelling narratives against a backdrop of funky, polished production. Tracks like "Kill Your Sons" and the title track blend sharp wit with a sense of vulnerability, making Sally Can’t Dance a standout in Reed’s eclectic discography.

Check out the full review for a more detailed overview of Lou Reed’s Sally Can't Dance.

7. KISS – Hotter Than Hell

KISS’s Hotter Than Hell turns up the heat with its raw energy, heavy riffs, and anthemic choruses. Packed with hard rock staples like "Parasite" and the title track, this album captures the band’s larger-than-life persona and relentless drive. While the production is gritty, it complements the unfiltered intensity of their sound, making Hotter Than Hell a fiery follow-up that cemented KISS as a powerhouse within the hard rock genre.

Check out the full review for a more detailed overview of KISS’ Hotter Than Hell.

8. KISS – KISS (Self-Titled)

KISS’s self-titled debut is a bold opening statement that introduced the world to their larger-than-life theatrics and high-octane rock ’n’ roll. Featuring enduring classics like "Strutter" and "Deuce," this album combines gritty riffs, infectious hooks, and the band’s undeniable charisma. With its raw energy and unapologetic swagger, KISS laid the groundwork for their meteoric rise and remains a cornerstone of their legendary career.

Check out the full review for a more detailed overview of KISS’ self-titled debut KISS.

9. Elton John – Caribou

Elton John’s Caribou is a vibrant showcase of his versatility and flair, blending pop, rock, and heartfelt balladry with effortless charm. Highlights like "The Bitch Is Back" and "Don’t Let The Sun Go Down On Me" demonstrate his ability to craft chart-topping anthems alongside deeply emotional tunes. Backed by Bernie Taupin’s evocative lyrics and an impeccable production, Caribou captures the energy and brilliance of Elton John at the height of his career.

Check out the full review for a more detailed overview of Elton John’s Caribou.

10. Bee Gees – Mr. Natural

The Bee Gees’ Mr. Natural marks a pivotal moment in their evolution, bridging their early baroque pop style with the soulful sound that would later define their career. Tracks like "Throw a Penny" and the title song showcase their signature harmonies and introspective songwriting, infused with a newfound maturity and depth. Mr. Natural is, subsequently, an underrated gem that captures the Bee Gees’ transition into a more contemporary and polished musical direction.

Check out the full review for a more detailed overview of the Bee Gees’ Mr. Natural.

11. Lynyrd Skynyrd – Second Helping

Lynyrd Skynyrd’s Second Helping is a Southern rock classic, packed with swagger, soul, and unforgettable anthems. Featuring the iconic "Sweet Home Alabama" alongside deeper cuts like "Don’t Ask Me No Questions," this album captures the band’s tight musicianship and storytelling prowess. With its mix of fiery rockers and reflective ballads, Second Helping solidifies Lynyrd Skynyrd’s place as trailblazers within the rock genre.

Check out the full review for a more detailed overview of Lynyrd Skynyrd’s Second Helping.

12. Captain Beefheart & His Magic Band – Bluejeans & Moonbeams

Captain Beefheart’s Bluejeans & Moonbeams takes a surprising turn, trading his usual avant-garde chaos for a smoother, more accessible sound. While it polarised longtime fans, the album offers moments of understated beauty, with tracks like "Observatory Crest" showcasing a softer, melodic side. Though less experimental, Bluejeans & Moonbeams remains a unique entry in Captain Beefheart’s storied discography, blending his eccentricity with a touch of mainstream charm.

Check out the full review for a more detailed overview of Captain Beefheart & His Magic Band’s Bluejeans & Moonbeams.

13. Eagles – On The Border

The Eagles’ On The Border strikes a perfect balance between their country-rock roots and a burgeoning rock edge, marking a pivotal evolution in their sound. Featuring timeless hits like "Already Gone" and the hauntingly beautiful "Best Of My Love," this album showcases the band’s impeccable harmonies and masterful songwriting. On The Border, ultimately, captures the Eagles in transition, setting the stage for their ascent to legendary status in the years to come.

Check out the full review for a more detailed overview of the Eagles’ On The Border.

14. ABBA – Waterloo

ABBA’s Waterloo is a dazzling burst of pop brilliance that catapulted the Swedish quartet to international fame. With its infectious title track, which won the Eurovision Song Contest, and gems like "Honey, Honey," the album brims with vibrant melodies, lush harmonies, and undeniable charm. Waterloo, subsequently, marks the beginning of ABBA’s reign as pop royalty, showcasing their knack for crafting timeless, feel-good anthems.

Check out the full review for a more detailed overview of ABBA’s Waterloo.

15. Blue Magic – Blue Magic (Self-Titled)

Blue Magic’s self-titled debut is a silky smooth showcase of their impeccable harmonies and heartfelt soul. Featuring the iconic ballad "Sideshow" and the lush "Stop To Start," the album captures the essence of 1970s Philadelphia soul. With its seamless blend of romance and sophistication, Blue Magic stands as a timeless gem in the era of classic R&B.

Check out the full review for a more detailed overview of Blue Magic’s self-titled debut Blue Magic.

16. Neil Diamond – Serenade

Neil Diamond’s Serenade is a masterful collection of heartfelt ballads and soaring anthems that highlight his rich storytelling and emotive vocals. Featuring classics like "Longfellow Serenade" and "I've Been This Way Before," the album blends introspection with grandeur. Serenade, ultimately, captures Diamond’s knack for crafting timeless, emotionally resonant songs that continue to inspire and captivate.

Check out the full review for a more detailed overview of Neil Diamond’s Serenade.

Honourable Mentions (In Alphabetical Order)

These are albums from 1974 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Barclay James Harvest – Everyone Is Everybody Else

Frank Sinatra – Some Nice Things I've Missed

Glen Campbell – Houston (I'm Comin' to See You)

Glen Campbell Reunion – The Songs of Jimmy Webb

Jimmy Buffett – Living And Dying In 3/4 Time

Joan Baez – Gracias a la Vida (Here's To Life)

Ray Manzarek – The Whole Thing Started With Rock & Roll Now It's Out Of Control

Return to Forever – Where Have I Known You Before

Richard Thompson & Linda Thompson – I Want to See the Bright Lights Tonight

Ricky Nelson & The Stone Canyon Band – Windfall

The Charlie Daniels Band – Whiskey (Way Down Yonder)

The Rolling Stones – It's Only Rock 'N' Roll

The Sensational Alex Harvey Band – The Impossible Dream

Tina Turner – Tina Turns The Country On!

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The Best Albums Of 1984

October 3, 2024

The Best Albums, From All Genres, Of 1984

In 1984, the world of music underwent a transformative shift, fuelled by the intersection of artistic innovation and advancing technology on both the creative and consumer sides of the spectrum. The rise of the Compact Disc (CD) was just beginning, hinting at the future of music consumption, while vinyl records and cassette tapes still reigned supreme. At the same time, MTV had firmly established itself as a cultural powerhouse, elevating the importance of music videos in shaping artists' images and directly influencing chart success. This era saw musicians embrace visual storytelling alongside their sonic creations, making style and presentation as vital as the music itself.

Musically, 1984 was a year of diversity and experimentation. Synth-pop and new wave had come to the forefront, with electronic sounds dominating the charts, while rock, metal, and punk retained their stronghold with rebellious energy. At the same time, pop music reached new heights with slick, radio-friendly hits that defined the decade’s mainstream sound. Ultimately, 1984 was a year where innovation met tradition, resulting in a rich array of timeless albums that appealed to a broad audience.

1. Metallica – Ride the Lightning

Metallica’s Ride The Lightning stands as a monumental step in the evolution of thrash metal. The album saw the band push beyond the raw aggression of their debut, incorporating more intricate song structures, deeper lyrical themes, and refined production values. Tracks like Fade To Black showcased their ability to blend melody with heaviness, while For Whom The Bell Tolls and the blistering title track cemented their place in metal history. This sophomore effort not only expanded Metallica's sound but also helped solidify the band’s role as pioneers in the genre, making Ride The Lightning a timeless classic.

Check out the full review for a more detailed overview of Metallica’s Ride The Lightning.

2. Joe Jackson – Body And Soul

With Body And Soul, Joe Jackson fused his eclectic blend of jazz, pop, and Latin influences into a sophisticated and polished masterpiece. Paying homage to classic big band and swing sounds, the album is anchored by the iconic single You Can't Get What You Want (Till You Know What You Want), showcasing Jackson’s knack for catchy, thoughtful songwriting. The album’s lush production and ambitious arrangements highlight Jackson’s ability to traverse genres effortlessly, making Body and Soul a classic work that continues to stand out in his varied discography.

Check out the full review for a more detailed overview of Joe Jackson’s Body And Soul.

3. Bruce Springsteen – Born In The U.S.A.

Born In The U.S.A. remains one of Bruce Springsteen’s most commercially successful and culturally resonant albums. Tracks like Dancing In The Dark, Glory Days, and the title track became instant classics, pairing Springsteen’s heartfelt lyrics with radio-friendly hooks. The album's fusion of accessible pop-rock with deeper social commentary helped cement Springsteen's status as both a musical and lyrical icon, making Born In The U.S.A. a defining record of the decade.

Check out the full review for a more detailed overview of Bruce Springsteen’s Born In The U.S.A..

4. Julio Iglesias – 1100 Bel Air Place (Album Review)

Julio Iglesias' 1100 Bel Air Place marked his successful crossover into the English-speaking market, blending his romantic Latin style with a polished pop sensibility. The album’s standout duet with Willie Nelson, To All The Girls I’ve Loved Before, became an international hit, introducing Iglesias to a broader audience. The record features a lush production and smooth balladry, showcasing Iglesias' signature warmth and charisma and, subsequently, remains a defining album for Iglesias, solidifying his status as a global pop icon.

Check out the full review for a more detailed overview of Julio Iglesias’ 1100 Bel Air Place.

5. Billy Ocean – Suddenly

Billy Ocean’s Suddenly catapulted him to international stardom, blending infectious pop hooks with soulful R&B flair. The album’s megahit Caribbean Queen (No More Love On The Run) dominated the charts, with its irresistible groove and smooth production. Ocean’s emotive vocal delivery shines on ballads like the title track Suddenly, further showcasing his versatility as an artist. Add to that a seamless blend of upbeat tracks and tender moments and Suddenly is one of the defining albums of Ocean’s career, leaving an indelible mark on 80s pop music.

Check out the full review for a more detailed overview of Billy Ocean’s Suddenly.

6. Bruce Cockburn – Stealing Fire

Stealing Fire finds Bruce Cockburn blending his poetic lyricism with politically charged themes, set against a backdrop of worldwide and folk-rock influences. Cockburn’s signature guitar work and introspective songwriting shine throughout the record, making Stealing Fire one of his most impactful and enduring works.

Check out the full review for a more detailed overview of Bruce Cockburn’s Stealing Fire.

7. Dan Fogelberg – Windows And Walls

Dan Fogelberg's Windows And Walls is a thoughtful and introspective album that highlights his mastery of storytelling through music. Blending folk, rock, and soft pop, this album offers deeply personal reflections on love, life, and nostalgia. Tracks like The Language Of Love showcase Fogelberg’s ability to craft catchy melodies, while songs such as Windows And Walls capture his poetic sensitivity. With its heartfelt lyrics and lush arrangements, Windows And Walls is a timeless entry in Fogelberg’s catalogue that resonates with emotional depth and sincerity.

Check out the full review for a more detailed overview of Dan Fogelberg’s Windows And Walls.

8. Bon Jovi – Bon Jovi (Self-Titled)

Bon Jovi’s self-titled debut album laid the foundation for the band’s future arena rock success. Packed with anthemic hooks and raw energy, the album introduced their signature blend of hard rock and pop. Runaway became an instant hit, showcasing Jon Bon Jovi’s powerful vocals and the band’s knack for crafting catchy, guitar-driven melodies. While not as polished as their later releases, Bon Jovi captures the raw potential of a band on the rise, marking the start of a career that would eventually take the world by storm.

Check out the full review for a more detailed overview of Bon Jovi’s Self-Titled debut.

9. Scorpions – Love At First Sting

Love At First Sting catapulted the Scorpions into hard rock superstardom, blending electrifying riffs with anthemic choruses. Featuring the iconic hit Rock You Like A Hurricane, the album showcases the band’s mastery of arena rock, pairing soaring vocals with dynamic guitar work. From the power ballad Still Loving You to the hard-hitting Big City Nights, Love At First Sting offers a perfect balance of raw intensity and melodic craftsmanship, solidifying the Scorpions’ place among the legends of 80s rock.

Check out the full review for a more detailed overview of the Scorpions’ Love At First Sting.

10. Julian Lennon – Valotte

Julian Lennon’s Valotte marked an impressive debut, showcasing his undeniable talent and drawing inevitable comparisons to his father, John Lennon. The album’s title track, Valotte, is a beautifully crafted ballad, while Too Late For Goodbyes became an infectious hit, highlighting Lennon’s knack for melodic pop. With its polished production and introspective lyrics, Valotte balances both vulnerability and charm, establishing Julian Lennon as a distinct artist with his own voice, separate from his legendary lineage.

Check out the full review for a more detailed overview of Julian Lennon’s Valotte.

11. Joe Cocker – Civilized Man

Civilized Man finds Joe Cocker blending his signature gravelly voice with polished production, creating a refined yet soulful album. Featuring a mix of powerful ballads and upbeat tracks, the album showcases Cocker’s ability to balance raw emotion with a more accessible pop-rock sound. With its smooth arrangements and heartfelt performances, Civilized Man remains a testament to Cocker’s enduring appeal and versatility as a vocalist.

Check out the full review for a more detailed overview of Joe Cocker’s Civilized Man.

12. Van Halen – 1984

1984 is a defining album in Van Halen’s career, blending their signature hard rock sound with an unexpected but effective embrace of synthesisers. Jump became an instant classic, pairing Eddie Van Halen’s iconic guitar riffs with catchy synth melodies. Meanwhile, Panama and Hot For Teacher capture the band’s high-octane energy and playful spirit. David Lee Roth’s dynamic vocals, combined with the band's musicianship, made 1984 a commercial juggernaut, cementing Van Halen’s place as one of the greatest rock bands of the 80s.

Check out the full review for a more detailed overview of Van Halen’s 1984.

13. INXS – The Swing

The Swing saw INXS refining their blend of new wave, rock, and a touch of funk, crafting a sound that would define their future success. The album’s infectious grooves, slick production, and Michael Hutchence’s charismatic vocals helped solidify INXS as a dominant force in the 80s music scene, with The Swing marking the start of their global rise.

Check out the full review for a more detailed overview of INXS’s The Swing.

14. Iron Maiden – Powerslave

Powerslave is a masterclass in heavy metal, showcasing Iron Maiden at the peak of their creativity. With its intricate guitar work, galloping rhythms, and Bruce Dickinson’s commanding vocals, the album delivers iconic tracks like Aces High and 2 Minutes To Midnight. The epic, nearly 14-minute Rime Of The Ancient Mariner exemplifies the band’s ambition and storytelling prowess. Powerslave is, subsequently, a monumental album that solidified Iron Maiden’s status as one of the most influential bands in metal history.

Check out the full review for a more detailed overview of Iron Maiden’s Powerslave.

15. Meat Loaf – Bad Attitude

Bad Attitude sees Meat Loaf embracing his theatrical rock style with a harder edge. The album blends bombastic anthems and emotional ballads, driven by his powerful vocals and dramatic delivery. Tracks like Piece Of The Action and the title track Bad Attitude showcase his larger-than-life persona, while duets with Roger Daltrey add another layer of depth. Though not as commercially successful as Bat Out Of Hell, Bad Attitude captures Meat Loaf’s unwavering commitment to his signature over-the-top sound.

Check out the full review for a more detailed overview of Meat Loaf’s Bad Attitude.

Honourable Mentions (In Alphabetical Order)

These are albums from 1984 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

A Flock of Seagulls – The Story of a Young Heart

Christine McVie – Christine McVie (Self-Titled)

Hagar Schon Aaronson Shrieve – Through the Fire

Honeymoon Suite – Honeymoon Suite (Self-Titled)

Nitty Gritty Dirt Band – Plain Dirt Fashion

Red Hot Chili Peppers – The Red Hot Chili Peppers

Roger Daltrey – Parting Should Be Painless

Roger Waters – The Pros and Cons of Hitch Hiking

Russ Ballard – Russ Ballard (Self-Titled)

The Alan Parsons Project – Ammonia Avenue

I'm curious—what are your favourite albums from 1984? Share in the comments!

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The Best Albums Of 1978

August 6, 2024

The Best Albums, From All Genres, Of 1978

In 1978, the music industry was a vibrant and eclectic space, reflecting the cultural spirit and tastes of the era. Riding high on a wave of creativity and innovation, with artists pushing the boundaries of their craft and producing timeless classics, the music released in 1978 represents some of the very best, and most diverse, to come out of the 70s.

It was also a year of remarkable diversity in musical styles. Disco fever was at its peak, filling dance floors with its infectious beats and glamorous vibes. Rock and roll maintained its stronghold with powerful anthems and guitar-driven melodies, while singer-songwriters continued to captivate audiences with their poignant lyrics and emotive performances. Reggae, funk, soul, punk, new wave, and country crossovers also made significant contributions, adding rich layers to the year's musical tapestry.

Of course, no matter how exceptional the music was it would all be for nil if it failed to make it into the homes of music lovers the world over. As such, music distribution was dominated by the Vinyl record, but Compact Cassettes were also gaining in popularity as they provided a more flexible alternative; one that also permitted home recording. Radio also remained a crucial medium for discovering music throughout the era ensuring that the popular sounds of 1978 melded into the zeitgeist.

1. Willie Nelson – Stardust

The strength of Stardust is that Willie Nelson wasn’t merely recording an album of covers, done in the same style as the originators, for Stardust may remind you of the classic recordings but make no mistake about it, Nelson made these songs his own and in many cases, if not all, I’d go as far as saying these renditions are superior to the original recordings.

Check out the full review for a more detailed overview of Stardust.

2. Bonnie Tyler – Natural Force

Natural Force is one of the best albums released in the 70s and is a landmark record from 1978 that showcases Bonnie Tyler in her prime; captivating audiences with her powerful vocal and rock-infused musical styling. Full of energetic rock anthems, and emotion-filled ballads, Natural Force will appeal to just about any classic rock fan and music lover alike.

Check out the full review for a more detailed overview of Natural Force.

3. Chic – C'est Chic

Some records define a generation, even a genre, and C'est Chic is one such release that sounds as fresh today as it did when it was released in 1978. It’s a classic album, filled with disco, funk, and R&B grooves, that humanity will be gleefully enjoying till the end of time.

Check out the full review for a more detailed overview of C'est Chic.

4. The Jacksons – Destiny

As their third album on Epic Records, Destiny cemented The Jacksons' legacy and is without a doubt their strongest and most enjoyable record. The song selection, musicality, and production values make Destiny not only a landmark disco-pop album, but an incredible example of the merging of electronic, funk, and soul.

Check out the full review for a more detailed overview of Destiny.

5. Leo Sayer – Leo Sayer (Self-Titled)

Released in 1978, Leo Sayer’s self-titled album, his sixth studio recording, is a timeless classic that showcases the singer’s vocal prowess and musical talents. With its blend of pop, rock, and disco, this album offers a diverse range of musical styles that are guaranteed to captivate listeners from start to finish.

Check out the full review for a more detailed overview of Leo Sayer (Self-Titled).

6. Gerry Rafferty – City To City

Released in 1978, Gerry Rafferty’s second solo studio album, City To City, is a classic release that showcases the singer-songwriter's distinctive vocal and skillful songwriting. With a perfect blend of pop, rock, and folk, City To City is not only a timeless record but is amongst the best of Rafferty’s career, particularly considering it features the hits Baker Street and Right Down The Line.

Check out the full review for a more detailed overview of City To City.

7. Dan Hill – Frozen In The Night

Dan Hill's Frozen In The Night is an astonishing release and is not only one of the best albums from 1978, but it’s one of the greatest records released in the 70s. It is truly underrated; a timeless classic!

Check out the full review for a more detailed overview of Frozen In The Night.

8. England Dan & John Ford Coley – Some Things Don't Come Easy

When you think of classic albums, England Dan & John Ford Coley’s Some Things Don't Come Easy probably doesn’t spring to mind, but this 1978 release, their sixth studio album, is a musical masterpiece that showcases the duo's extraordinary musical skills. With a mix of soft rock, pop, and country styles, this album becomes a timeless classic and one of the best recordings of the 70s.

Check out the full review for a more detailed overview of Some Things Don't Come Easy.

9. The Moody Blues – Octave

Released in 1978, Octave is the ninth studio album from The Moody Blues and dare I say one of their greatest, if not their greatest release. Certainly, that perspective is heavily based on subjectivity, for Octave isn’t often at the top of everyone’s list, but when music sounds this good, it is difficult to overlook the addictive mix of upbeat rockers and moving ballads.

Check out the full review for a more detailed overview of Octave.

10. Dire Straits – Dire Straits (Self-Titled)

As far as overall enjoyment and flow are concerned, Dire Straits is up there with their greatest releases and is not only one of the best debut albums of all time but is one of the best albums from 1978. In my mind, it is only bested by their second album, Communiqué; thereby offering a double punch of magnificent rock music that still, to this day, offers a unique experience.

Check out the full review for a more detailed overview of Dire Straits.

11. Alice cooper – from the inside

The songs, either on their own or as a collective, are amongst Cooper’s greatest and while they may get displaced in his illustrious back catalogue, if you take the time to listen to this 1978 masterpiece, you’ll likely position them more prominently in your own Alice Cooper playlist as From The Inside is an exceptional, but criminally underrated album.

Check out the full review for a more detailed overview of From The Inside.

12. Bob Seger & The Silver Bullet Band – Stranger In Town

Stranger In Town is a must-listen classic rock album, from 1978, that contains some of Bob Seger’s greatest hits. With its intentionally meaningful lyrics, and a blues-based rock sound signature, it is also Seger’s most accessible creative endeavour and offers newcomers a wonderful introduction to the American singer/songwriter.

Check out the full review for a more detailed overview of Stranger In Town.

13. Bob Dylan – Street Legal

Street-Legal is compelling and if you give it a chance, without necessarily comparing it to his landmark 60s works, I’ve no doubt you’ll come to a similar conclusion. Sometimes we can be too judgemental in our comparisons and we tend to forget that the aim is to simply enjoy the music. Street-Legal, Dylan's 18th studio album from 1978, allows just that.

Check out the full review for a more detailed overview of Street–Legal.

14. Bruce Springsteen – Darkness On The Edge Of Town

Springsteen and The E Street Band were at the top of their game on Darkness On The Edge Of Town and the album’s so good that if you’re trying to introduce someone to Bruce Springsteen, I don’t believe there is a better album, other than a Greatest Hits compilation, that fully showcases his influences and the origins of the behemoth that Bruce Springsteen would ultimately become.

Check out the full review for a more detailed overview of Darkness On The Edge Of Town.

15. The Angels (Angel City) – Face to Face (International Version)

Known in some regions as Angel City, The Angels’ second studio album from 1978, Face To Face, is memorable for not only the homage paid to AC/DC but to the diversity of music heard throughout. This energetic and diverse collection of rock songs with catchy melodies and hard-hitting rock instrumentation is a timeless classic and is deserving of a place in every respectable rock collection.

Check out the full review for a more detailed overview of Face to Face (International Version).

16. Bob Marley & the wailers – Kaya

Kaya is a timeless reggae classic that showcases Marley's prowess as a singer, songwriter, and performer. With its upbeat, feel-good, tunes and Marley's unique blend of political and spiritual themes, combined with his smooth, soulful voice and catchy melodies, Kaya becomes a must-listen for any reggae music fan.

Check out the full review for a more detailed overview of Kaya.

17. Andy Gibb – Shadow Dancing

Shadow Dancing is an exceptional release that had it been an album released by the Bee Gees, it would have been an absolute chart topper similar to that of Spirits Having Flown. Nevertheless, this classic 70s album, from 1978, is nothing short of a masterpiece and is most certainly a hidden gem. It is Andy Gibb at his very best.

Check out the full review for a more detailed overview of Shadow Dancing.

18. AC/DC – Powerage

Powerage, while underrated, is amongst AC/DC’s greatest recordings as it highlights the raw power and energy of their music. It’s all killer, no filler, pure blues-based rock and roll. If you’re a fan you already know this, but when was the last time you spun this 1978 hard rock classic?

Check out the full review for a more detailed overview of Powerage.

19. Rick James – Come Get It!

Rick James and the Stone City Band were certainly a breath of fresh air to both funk and soul genres when they launched this debut studio album in 1978. Come Get It! is nothing short of a musical masterpiece and is rightfully deserving of its position as not only one of the best records from the 70s, but one of the best albums released in recorded music history.

Check out the full review for a more detailed overview of Come Get It!.

20. The Cars – The Cars (Self-Titled)

The Cars’ debut album is the epitome of new wave, pop rock, and power pop genres and while the band would go on to unveil other exceptional albums, such as Candy-O and Heartbeat City, this self-titled debut can be seen as their most cohesive body of work. It’s all killer, with no filler. A classic 70s masterpiece!

Check out the full review for a more detailed overview of The Cars.

21. The Bar-Kays – Money Talks

Money Talks is a groove-infested, funk, album that you’ll find yourself putting on repeat. Why it wasn’t more successful, and more well-known, is likely due to a lack of marketing, but there is no doubt at all that this is one of those hidden gems that deserves more respect than it is given. It really should be in every music lover’s collection; even yours!

Check out the full review for a more detailed overview of Money Talks.

22. Billy Joel – 52nd Street

52nd Street is the most unique of all of Billy Joel’s albums, in that it doesn’t conform to a natural progression from his previous releases, yet it simultaneously offers music lovers an album filled with infectious melodies, intricate arrangements, and insightful lyrics. It isn't perfect, however, yet I’ll be damned if I don’t admit to thoroughly enjoying it every time I listen to it.

Check out the full review for a more detailed overview of 52nd Street.

Honourable Mentions (In Alphabetical Order)

These are albums from 1978 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Ashford & Simpson – Is It Still Good To Ya

Chris Rea – Whatever Happened to Benny Santini?

Dan Fogelberg – Twin Sons of Different Mothers

Elvis Costello & The Attractions – This Year's Model

Johnny Cash – I Would Like To See You Again

Neil Diamond – You Don’t Bring Me Flowers

Pat Metheny Group – Self-Titled Album Cover

REO Speedwagon – You Can Tune A Piano, But You Can’t Tuna Fish

Rick Derringer – If I Weren’t So Romantic, I’d Shoot You

Status Quo – If You Can’t Stand The Heat

Steve Reich Ensemble – Reich: Music For 18 Musicians

Village People – San Francisco Macho Man

I'm curious—what are your favourite albums from 1978? Share in the comments!

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The Best Albums Of 1989

July 30, 2024

The Best Albums, From All Genres, Of 1989

In 1989, the music industry was at a crossroads, characterised by a dynamic mix of genres and technological advancements that reshaped how music was created and consumed. The Compact Disc (CD) had firmly established itself as the dominant format, offering what was touted (and sometimes challenged) as superior sound quality and durability compared to vinyl records and cassette tapes. This transition to digital formats was accompanied by the continued rise, and importance of, music videos and television performances that continued to influence popular music trends by emphasising visual elements alongside exceptional music.

Speaking of trends, the period was notable for the blending of genres and the emergence of new musical styles. Hard rock and heavy metal bands enjoyed widespread popularity, while pop artists continued to dominate the charts with catchy, radio-friendly hits. The influence of funk, soul, and R&B was evident in many releases, and with such diversity in musical tastes, the rich tapestry of music released in 1989 catered to a broad audience.

Ranked from best to almost the best, but not quite. However, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music from 1989.

1. Mötley Crüe – Dr. Feelgood

Released on August 28, 1989, Dr. Feelgood marked a high point for the band, both creatively and commercially. With a polished production and hard-hitting tracks like Kickstart My Heart and the album's title track, Mötley Crüe showcased their ability to blend catchy melodies with a gritty rock sound. Add to that the sensational power ballad Without You and there is no doubt as to why Mötley Crüe is, and was, one of the leading acts in the glam metal genre; particularly in 1989.

Check out the full review for a more detailed overview of Mötley Crüe’s Dr. Feelgood.

2. Billy Joel – Storm Front

Released on October 17, 1989, Storm Front features introspective and socially conscious lyrics. The album's combination of rock and pop elements, along with Joel's storytelling prowess, made it a critical and commercial success. With musical highlights, such as the lush and bluesy Shameless, the jazzy upbeat When In Rome, as well as the masterpiece that is Leningrad, there is little doubt as to why Storm Front is not only one of the best albums released in 1989, but one of Billy Joel’s greatest career releases. Oh, and I forgot to mention the hit single We Didn't Start The Fire. Storm Front, really, is an album experience without a dull moment to be heard.

Check out the full review for a more detailed overview of Billy Joel’s Storm Front.

3. Aerosmith – Pump

Released on September 12, 1989, Pump continued the band's resurgence in the late ‘80s with hits such as Love In An Elevator, Janie's Got A Gun, and What It Takes. Pump further demonstrated Aerosmith's knack for combining bluesy rock riffs, with the occasional power ballad, and contemporary production values, all of which reaffirmed their status as rock icons.

Check out the full review for a more detailed overview of Aerosmith’s Pump.

4. Bob Dylan – Oh Mercy

Released on September 12, 1989, Oh Mercy is amongst Bob Dylan’s greatest recordings, following a somewhat lacklustre series of releases throughout the 80s. Featuring a highly polished sound and the introspective lyrics that the singer/songwriter is renowned for, tracks like Most Of The Time and Man In The Long Black Coat are standouts that ensure Oh Mercy is an essential listen and one of the best albums from 1989.

Check out the full review for a more detailed overview of Bob Dylan’s Oh Mercy.

5. Lenny Kravitz – Let Love Rule

Released on September 6, 1989, Let Love Rule, introduced Lenny Kravitz's eclectic mix of rock, funk, and soul. The album's title track along with songs like Mr. Cab Driver and I Build This Garden For Us showcased Kravitz's retro-inspired sound, with a modern and timeless twist, earning him a place as a distinctive new voice within the music industry.

Check out the full review for a more detailed overview of Lenny Kravitz’s Let Love Rule.

6. Faith No More – The Real Thing

Released on June 20, 1989, The Real Thing was a groundbreaking work that blended metal, funk, and alternative rock. Featuring the hit single Epic, a song that became a defining track of the late 80s and early 90s, The Real Thing has it all with a selection of incredible songs, making it an essential listen for any music enthusiast.

Check out the full review for a more detailed overview of Faith No More’s The Real Thing.

7. Electric Boys – Funk-O-Metal Carpet Ride (Re-Release)

Delivering a unique fusion of funk and metal, Funk-O-Metal Carpet Ride is an exceptional debut from Electric Boys that features a playful and energetic sound. Each track offers something unique, from high-energy anthems to soulful ballads, yet the album’s fluidity is to be praised as there isn’t a dull moment to be heard with its eclectic mix of funk, metal, and rock.

Check out the full review for a more detailed overview of Electric Boys’ Funk-O-Metal Carpet Ride.

8. Alice Cooper – Trash

Released on July 25, 1989, Trash saw the shock-rock legend embracing a more mainstream, glam-metal sound. The album's lead single, Poison, became a major hit, introducing a new generation to Cooper's theatrical style. However, Trash is an album experience that goes beyond a single song. With songs such as the hard rocking Bed Of Nails and the exceptional power ballad, Only My Heart Talkin’, there is little doubt as to why Trash became a career comeback release for the shock rocker and is amongst the greatest albums of 1989.

Check out the full review for a more detailed overview of Alice Cooper’s Trash.

9. Michael Bolton – Soul Provider

Released on June 19, 1989, Soul Provider features a mix of pop, soft rock, and soul-styled songs that culminate in, arguably, Michael Bolton’s greatest release. Featuring the hits How Am I Supposed To Live Without You, How Can We Be Lovers, and From Now On, Soul Provider, as an album, encapsulates Michael Bolton's strengths as a vocalist and songwriter and is worthy of inclusion amongst the best recordings of 1989.

Check out the full review for a more detailed overview of Michael Bolton’s Soul Provider.

10. Elton John – Sleeping With the Past

Released on August 29, 1989, Sleeping With The Past was a tribute to the rhythm and blues sounds of the '60s and ‘70s with a late-80s twist and high production values. Featuring hits like Sacrifice and Healing Hands, this exceptional release showcased John's ability to blend emotional depth with soulful melodies. The result is that Sleeping With The Past is another of John’s timeless classics.

Check out the full review for a more detailed overview of Elton John’s Sleeping With The Past.

11. Cher – Heart Of Stone

Released on June 19, 1989, Heart Of Stone saw Cher achieve a successful career resurgence with a collection of powerful pop-rock ballads. While most casual fans will point to the iconic If I Could Turn Back Time, Cher's distinctive vocal and dramatic flair resonated throughout, ensuring that this release was one of her most successful.

Check out the full review for a more detailed overview of Cher’s Heart Of Stone.

12. Nazareth – Snakes 'n' Ladders

Snakes 'N' Ladders continued the band's legacy with a mix of hard rock and blues influences and tunes. Although not as commercially successful as some of their earlier works, the album showcased the band's enduring talent and ability to adapt to changing musical landscapes and is a hidden gem, within their extensive back catalogue.

Check out the full review for a more detailed overview of Nazareth’s Snakes 'n' Ladders.

13. Queen – The Miracle (Album Review)

Released on May 22, 1989, The Miracle is a remarkable, significant, and memorable musical achievement by Queen that includes the well-known hits I Want It All, Breakthru, and the hidden gem, Scandal. Whichever way you look at it, with a blend of rock, pop, and operatic influences, The Miracle is one of Queen’s greatest records and is a landmark release from the era.

Check out the full review for a more detailed overview of Queen’s The Miracle.

14. Spandau Ballet – Heart Like A Sky

Released on September 18, 1989, Heart Like A Sky is an often-overlooked gem that encapsulates the band's sophisticated pop and new wave sound. Successfully blending these styles with smooth melodies and reflective lyrics, songs such as Be Free With Your Love and Raw add to the overall timeless appeal of the record.

Check out the full review for a more detailed overview of Spandau Ballet’s Heart Like A Sky.

15. Tracy Chapman – Crossroads

Released on October 3, 1989, Crossroads followed Tracy Chapman’s successful debut with a collection of songs that delved into social issues and personal introspection, thereby making it not only an essential listen but a timeless one. Chapman's powerful vocal is most certainly a highlight, as are the production qualities and the backing band. When combined, it becomes one of the best albums from 1989 for Crossroads isn’t just a collection of songs, but an album experience; one that should be in every music lover’s collection.

Check out the full review for a more detailed overview of Tracy Chapman’s Crossroads.

16. Chris Rea – The Road To Hell

Released on October 30, 1989, The Road To Hell combines Chris Rea's blues-influenced rock with insightful lyrics. The album's title track is one of Rea's most iconic songs, reflecting themes of societal disillusionment and introspection, but each track contributes to the album's cohesive narrative, making it a standout in Rea's career and one of the strongest releases from 1989.

Check out the full review for a more detailed overview of Chris Rea’s The Road To Hell.

17. Belinda Carlisle – Runaway Horses

Released on October 3, 1989, Runaway Horses confirmed Belinda Carlisle’s successful transition from the lead singer of The Go-Go's to a well-respected solo artist. Featuring hits like Leave A Light On and Summer Rain, the blending of pop-rock sensibilities with Carlisle's distinctive vocal ensures that this quintessential 80s album is not only memorable but offers fans and newcomers a rewarding listening experience.

Check out the full review for a more detailed overview of Belinda Carlisle’s Runaway Horses.

18. Resurrection Band – Innocent Blood

Resurrection Band's Innocent Blood is notable for its blend of blues-based rock and roll with deep, meaningful lyrics. The album's gritty sound and socially conscious themes set it apart in the rock landscape of the era. However, don’t let the lyrical direction and Christian rock values deter you for Innocent Blood represents some of the very best rock and roll you’re ever likely to hear.

Check out the full review for a more detailed overview of the Resurrection Band’s Innocent Blood.

19. Don Henley – The End of the Innocence

Released on June 27, 1989, The End Of The Innocence highlights Don Henley’s lyrical prowess, solo rock chops, and ability to address complex themes with sensitivity and depth. With memorable tunes such as New York Minute and the title track, amongst many others, this record stands out as not only a timeless work but one that offers a cohesive album experience from start to finish.

Check out the full review for a more detailed overview of Don Henley’s The End Of The Innocence.

Honourable Mentions (In Alphabetical Order)

These are albums from 1989 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Alannah Myles – Alannah Myles (Self-Titled)

Enuff Z'Nuff – Enuff Z'Nuff (Self-Titled)

Faster Pussycat – Wake Me When It's Over

Fine Young Cannibals – The Raw & the Cooked

Jefferson Airplane – Jefferson Airplane (Self-Titled)

Kenny Rogers – Something Inside So Strong

Kool G Rap & DJ Polo – Road to the Riches

Linda Ronstadt – Cry Like a Rainstorm, Howl Like the Wind

Love and Rockets – Love and Rockets (Self-Titled)

Ministry – The Mind Is a Terrible Thing to Taste

Pop Will Eat Itself – This Is the Day...

Rage of Angels – Rage of Angels (Self-Titled)

Stevie Nicks – The Other Side of the Mirror

Stevie Ray Vaughan & Double Trouble – In Step

I'm curious—what are your favourite albums from 1989? Share in the comments!

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The Worst (And Most Disturbing) Album Covers Of All Time

July 16, 2024

While you should never judge an album by its cover, some album artwork is so atrocious that one can only wonder why, how, and who thought that it was representative of the music within.

While there are numerous examples of truly cringeworthy artwork, this list will only consist of albums that I have in my physical collection or digital library. Hence, you likely won’t find many of the common ones found in other lists such as The Beatles’ Yesterday And Today or John Lennon and Yoko Ono’s Two Virgins: Unfinished Music Vol. 1. Nor will you find the oddities that no one cares to even listen to. No need to worry, however, as Black Sabbath’s Born Again is most certainly featured in this list.

Keep this page bookmarked for the list, in alphabetical order, will be updated regularly.

A$AP Rocky – AT.LONG.LAST.A$AP

AT.LONG.LAST.A$AP is a sonic masterpiece, but that distorted album artwork gives me the heebie-jeebies.

It's a homage to the late A$AP Yams, but there are many better ways to honor the dead.

Albert King & Otis Rush – Door to Door

Well, Otis Rush is missing from the album cover while Albert King looks as if he’s in agony.

Look, I know this is the blues, and the intent is to show emotion, but it’s one of the worst album covers in my collection as a shot up someone's nose has never been appealing.

Alice Cooper – Dirty Diamonds

For a musician of Alice Cooper’s status, Dirty Diamonds is pathetically bad. It is as if Cooper couldn’t be bothered trying. Sure, Dirty Diamonds is far from Cooper's greatest album, and it was released on an independent label, but it simply doesn’t live up to the shock-rock hype that is Cooper's trademark.

Alice Cooper – Hey Stoopid

The shock rocker didn’t disappoint with Hey Stoopid but this album artwork most certainly falls into the disturbing category.

I’ve got a copy on vinyl that thankfully sounds fantastic for the skull doll, mimicking Alice, looks hauntingly into your soul every time I pull the album out. It’s like a grown-up Chucky doll!

Anne-Marie – UNHEALTHY

There are moments in every artist's career when an ideal stands above and beyond common sense. This is one such example and while I understand and respect Anne-Marie's approach to buck the visual expectations associated with the music industry and stardom, I can't help but feel this is the album cover that she'll come to regret as her career progresses and she wishes to be taken more seriously.

Barenaked Ladies – Stunt

While there’s fundamentally nothing wrong with the artwork for Barenaked Ladies’ album Stunt, it’s creepy and is only marginally better than their 1996 album cover for Born On A Pirate Ship.

If you’re after a really good piece of cover art, from the Barenaked Ladies, check out Maybe You Should Drive.

Baroness - Yellow & Green

Okay, so those artists within the sludge metal genre need to shock audiences a little, from time to time, but the sacrificial suggestion here is a little over-the-top.

It simply doesn’t send a positive message to those from outside of the genre and that’s a shame considering it's a solid album.

Bee Gees – Cucumber Castle

The Bee Gees sans Robin Gibb was always going to be a tough sell, but Cucumber Castle has just about the worst cover that could have ever been created for a mainstream artist.

Cucumber Castle may have been a soundtrack to the associated quirky comedy film but a lot of people really didn’t think it through.

Billie Holiday – Recital

Released as a compilation of songs from Billie Holiday and An Evening With Billie Holiday the artwork shares its core with the 1953 release of An Evening With… but it makes the songstress look like a demonic vampire.

I get the art style, but this is disturbing and one of the worst album covers I’ve ever come across.

Black Sabbath – Born Again

Ian Gillan apparently threw up when he saw the album artwork that Sabbath maestro Tony Iommi approved. Well, I don’t know about you, but I back Gillan’s attempt to expel the devil for this is one nasty piece of cover art.

Yes, it’s Black Sabbath, but this is one step too far, even for them.

Blind Melon – Blind Melon

I do not doubt that some people will find the eponymous cover art for Blind Melon adorable; it isn’t!

You’ve got to feel for drummer Glen Graham’s younger sister, the Bee Girl, for that is the most embarrassing photo forever encroached upon her life through the success of the album.

Bret Michaels – Songs Of Life

Okay, so Poison never had the most appealing album covers but this is a truly cringeworthy cover from Poison’s frontman, especially considering the album was released in 2003.

Hey, I’m all for a good physique but it looks like it was put together by an internet-based fan club page…from 2003.

Bruce Dickinson – Tyranny Of Souls

Dickinson is a legend as the Iron Maiden frontman and while his solo output is musically fantastic, the album artwork is nothing compared to Maiden’s. While some may point to Accident At Birth being creepier, the sagging Devil’s man boobs, if it is a man, seriously creep me out.

I wouldn’t look into the album cover for too long, it will steal your soul!

Bryan Adams – Get Up

When you’ve sold more than 100 million records you can pretty much do anything you like but this has to be Bryan Adams’ worst cover for no other reason than it simply doesn’t make sense.

The covering of the face, is that some kind of new Illuminati sign?

Carly Simon – Never Been Gone

How do you go from the beauty and elegance of No Secrets to this monstrosity?

Never Been Gone is, without a doubt, one of the worst album covers of all time. What was she thinking?

Cerrone – 3 - Supernature

There’s a reason why you should never judge a book by its cover and that reason extends to albums; particularly Cerrone’s 3 - Supernature. Released in 1977, 3 - Supernature would have terrified older generations, and it still does, for you need to get past the album artwork before you can enjoy the addictive, and sonically impressive, disco vibe.

While Cerrone’s artwork is often interesting, 3 - Supernature is the most bizarre and disturbing. It is without a doubt one of the worst album covers I’ve ever come across.

Chuck Berry – Berry Is On Top

The 50s are littered with questionable album artwork and this is no exception.

Yes, we all get the pun, but jeez this is a shocking piece of cover art. I’d even go as far as saying that it’s insulting to Berry himself for the Father of Rock and Roll deserved far more.

Cliff Richard – 40 Golden Greats

The idea is sound. It works as a reflective piece of art depicting Cliff Richard’s legacy, but every time I look at this album artwork I think of the T-1000 shapeshifting assassin from Terminator 2: Judgment Day.

Yes, dear reader, once you see it you can’t unsee it. Sorry!

Coil – Scatology

It’s a little cheeky, isn’t it?

Interestingly, the buttocks meets an inverted cross and the implication of excrement wasn’t the initially chosen cover for the album when released in 1984, for it was initially released with an anal staircase that arose from what could be considered the bottom of a toilet bowl.

Regardless of the original intent, the revised artwork that is now prevalent is still in poor taste. Even agnostics would have to agree that there is a line that shouldn't be crossed when it comes to an inverted cross and while the album is a solid release from 1984, one could argue that this electronica release could have been well served with different artwork.

Corey Taylor – CMFT

To put it mildly, I was in shock when I saw the album artwork for CMFT. It’s underwhelming for someone of his stature and as a living legend, he quite frankly deserved better.

Plus, I can’t quite figure out if it’s a new design for a WWE wrestling belt or a biker’s patch.

Crash Test Dummies – Give Yourself A Hand

This album artwork is wrong on so many levels but more importantly, it’s just a bad piece of visual art. God Shuffled His Feet is significantly better.

Plus, is it just me, or do stuffed and blown-up dolls, creep you out too? It’s not quite Chucky but it isn’t far off either.

David Bowie – Toy (Toy:Box)

Posthumous releases are generally controversial and this shocking artwork is no exception. While it has been said that Bowie himself greenlit the artwork, it goes into the category of what was he thinking? Similarly, his estate should have reconsidered the artwork upon release but I guess it is true to his artistic experimentation, even if it is disturbing.

Elton John – One Night Only

Longtime readers will note my admiration for Elton John, but this album’s artwork makes me cringe every time I see it.

Perhaps Billy Joel was right when he suggested that John should stop releasing albums for his cover art is getting worse as he ages. All one needs to do is look at The Lockdown Sessions to know that the Elton we know and love is no longer at the helm.

Elvis Presley – Elvis Country

Okay, so some may proclaim the artwork as being cute. Nope, no, I’m not one of them.

I get it, they wanted to take us back to the origins of Elvis and while the album artwork in this case works, it is cliché and I’d argue that it would have been embarrassing for the King of Rock and Roll!

Escape The Fate – Chemical Warfare

Gas masks, by their very nature, are creepy and with what we’ve all been through over the last couple of years, the last thing we need to see is artwork that depicts such despair.

While I’d love to say this disturbing artwork is from a time before our current zeitgeist, Chemical Warfare was released in 2021.

Fat Boys – Fat Boys (Self-Titled)

If you thought muckbang was merely a modern trend, thanks to consumer-created social media, then you’ll be in for a surprise for the Fat Boy’s 1984 self-titled debut is, arguably, a predecessor.

Granted, they’re not actually stuffing themselves with food, but it is somewhat implied. Now, you can either be for or against fat shaming but that doesn’t really factor in here as the Fat Boy’s debut is a really solid Hip Hop release from 1984, one that didn’t need a gimmick to get them noticed.

Fleetwood Mac – Heroes Are Hard To Find

Fleetwood Mac is no stranger to quirky cover art designs. All you need to do is look at Mr. Wonderful and English Rose to see their unique artistic expression. Yet, when it comes to Heroes Are Hard To Find, one can’t fathom what was going through the collective minds (of the band and the record label) for the cover art featuring Mick Fleetwood and his three-year-old daughter Amelia is beyond creepy.

Galantis – Pharmacy

What a cute little…ahhhh!!!

Okay, so it’s kinda cute, when it’s not creepy, but let’s be honest and ask ourselves where the actual cat’s face went? Cringeworthy? Yes!

No doubt an interesting concept, but the meaning and relationship to the music are somewhat lost on me.

Graeme Connors – The Best...'til Now

So cringeworthy!

Seriously, if this is the best that Graeme Connors could release then you certainly aren’t going to be tracking down this album based on the artwork. A shame considering he’s a very talented musician with otherwise exceptional album artwork.

Horisont – Sudden Death

Yes, dear reader, this album artwork needs no interpretation for it is literal to the album’s title.

Horisont has some incredible album artwork, such as that seen on About Time. I truly believe that they could have been more inventive here and that a little less death, in our current time, would be appreciated.

Iggy Pop – Beat Em Up

Who doesn’t like a little Iggy Pop?

While I don’t dislike this cover art per se, it’s one that I feel awkward looking at or displaying when playing the album, especially in front of my family. Yes, that likely says more about me than the album artwork, but I’ve no doubt many will find this disturbing, hence its inclusion.

Jimmy Barnes – Out In The Blue

When you think of the Cold Chisel frontman, this most certainly isn’t the artwork that you’d immediately think of.

There is no doubt in my mind that an artist of Barnes’ stature deserves better album artwork and it’s artwork such as this that detracts from the music itself.

John Wesley – A Way You'll Never Be

Yes, dear reader, it reminds me of Pink Floyd’s cover art for Wish You Were Here but perhaps even more disturbing is the lack of correlation with the album’s title, song names, and the music.

I’m not saying the artwork is bad, but it’s mildly disturbing in a way that Pink Floyd’s isn’t.

Johnnie Taylor – Super Taylor

Johnnie Taylor didn't pass away until the 31st of May, 2000, yet that didn't stop his record label from reissuing his 8th studio album (in 1993) with a cover art design that one would expect to see at the man's funeral or memorial service.

It's, by far, his worst album cover, which is a shame considering this 1974 release contains a stellar lineup of soul-based tunes that fans of the genre and Taylor will thoroughly enjoy.

Let's hope that someone, at the record label, addresses this and returns the album to its former glory.

Kadavar – Rough Times

Okay, so whoever this was is having a very hard time.

As with many of the album covers featured here, I can see the intent they were going towards but as I age, I become increasingly aware of my own mortality, and art such as this becomes disturbing rather than simply being cool; a killer album nonetheless.

Kesha – Gag Order

Asphyxiation should never be presented in this manner as Gag Order reminds me of a suicide bag; a very real device used for such a purpose. It amazes me that the record label would let this go out. While I believe in art as a form of expression, when suicide is a key issue in our modern society, the last thing we need is to be exposed to imagery like this. Music should empower, and uplift us, and while the music contained within Gag Order is solid, the album cover is so disturbing that I have no intention to ever listen to it again.

Korn – Korn (Self-Titled)

Korn is one of my favourite bands. Their music is infectious but their artwork is often creepy as hell.

I get it, their lyrics tell similar stories and delve deep into the twisted human psyche, but as a father, Korn’s Self-Titled artwork creeps me out.

Korn – Life Is Peachy

You’ve gotta love the concept Korn went for on their second studio album but you can’t look at it without getting a shiver up and down your spine.

I don’t know about you, but I may never look into a mirror the same way again, for who knows what I may see.

Korn – Requiem

Korn’s latest release has to be the worst album cover they’ve ever approved. It’s so disturbing that I’m surprised it got past the censors.

Does it tarnish the music, YES!

If you’ve got any doubt about how bad this artwork is, check out the animated art on Apple Music; truly disturbing!

Marilyn Manson – Holy Wood

Manson, like Korn, is controversial but the sacrificial imagery goes a little too far for many people.

Don’t get me wrong, the design is great and works well within Manson’s persona and the intended purpose of criticising censorship and martyrship, but it is nevertheless disturbing.

Marilyn Manson – Portrait of an American Family

Yeah, the Manson family!

By this stage, we all shouldn’t be shocked by Marilyn Manson but this is one piece of nasty album artwork. That said, what a better way to launch one’s self with artwork that would shock.

Still, I don’t wish to own this on vinyl. It gives me the heebie-jeebies!

Metallica – Load

Frank from Channel 33 RPM put it perfectly, “you can’t unsee this”!

Yes, dear reader, the artist entitled this piece: "Semen and Blood III" and guess what, that is the literal interpretation for it really is the artist’s bodily fluids. I’m unsure if this comes under worst, or disturbing, but maybe interesting would be a more valid category!

Metallica – Reload

Reload continues the interesting aspect for Andres Serrano was at it again, melding bovine blood and urine on this one.

Of course, when I think of reload, in context with the previous album cover, I see a scrotum that has been in the tighty-whities for too long. My interpretation certainly plays into the Load artwork but either way, it’s disturbing.

Michael Henderson – Slingshot

Okay, I swear this wasn’t planned to follow Load and Reload but sometimes things just fall into place.

Seriously, Slingshot is a great album but the artwork is cringeworthy; even with Henderson’s buffed physique.

It's another questionable piece of album artwork from the 80s.

Midnight Oil – Breathe

It isn’t just the shock rockers that want to be noticed for the politically charged environmentalist band, Midnight Oil, absolutely wished to send a message with this artwork and while I agree with their intent, it’s disturbing to look at.

This is most certainly one piece of their catalogue that I don’t wish to own on vinyl. Yes, music comes first but I have to look at the artwork!

Ministry – Dark Side of the Spoon

Yes, Dark Side Of The Spoon’s album artwork created controversy. So much so that the album was pulled from some retailers upon release.

Obviously, one can’t appreciate Dark Side Of The Spoon without seeing the correlation to Pink Floyd’s Dark Side Of The Moon, but Dark Side Of The Spoon has multiple meanings. Yes, the artwork presents another perspective but the album’s title was more closely aligned to their addiction to heroin at the time, thereby making the album title a logical choice.

Neil Young – Everybody’s Rockin’

It was the 80s. Everything was pink. Knee-high socks were in style and, yes, I grew up in the 80s. All I can be thankful for is that my formative years were positioned firmly in the 90s.

Seriously, Neil, what were you thinking? Pink really isn’t your colour! Great album though!

The Notorious B.I.G. – Ready To Die

Maybe it’s just me but kids should never be associated with the word die. I’d even go one step further and suggest that kids shouldn’t be included in album artwork as they lack the ability to make individual and informed choices.

That, of course, is a discussion for another day!

One Less Reason – Precursors, Vol. 1

Over the years I’ve seen my fair share of horror films but the grotesque parts are often shown in the blink of an eye. Well, album artwork, unless it is the animated album artwork on Apple Music, doesn’t move and you have to look at it.

Plus, let’s be honest, this album’s art isn’t even very good so it falls into both the worst and disturbing categories.

Orleans – Waking & Dreaming

They may be a bunch of good-looking guys, but this is one album that you'll want to listen to with your ears for it is near impossible to take Orleans seriously with this cover art. Seriously, who thought this was a good idea?

Otep – Atavist

Okay, so this is a really cool piece of artwork but it’s included here because I’m certain that it will disturb many of you.

There’s plenty to unpack here, but it is the overarching satanic meaning and interpretation that will bring many to shy away from Otep’s Atavist.

Ringo Starr – Stop And Smell The Roses

Okay, so the 80s was a cringe-worthy time that even nostalgia can't remedy, but what was the former Beatle thinking when he agreed to the album artwork for Stop And Smell The Roses? Granted it isn't as bad as Old Wave as it looks like a mugshot was chosen for the cover, but it simply doesn't synchronise with Ringo's legacy. Although, when I think about it, the Fab Four did release Yesterday And Today; some really disturbing album artwork! Click on the link if you dare, for once you see it, you can't unsee it.

The Rolling Stones – Undercover

The Stones have certainly had some interesting and inventive album artwork that took advantage of the vinyl format. Released initially with peel-off stickers, I’ve no doubt this cover is a bit of a novelty but it simply isn’t good.

Imagine getting a first pressing home to only find that peeling the stickers resulted in more geometric shapes. What a tease!

The Rolling Stones – Goats Head Soup

Is it Jagger in the womb? Or does he have pointy ears on top of his head? It’s unique, I’ll give it that.

Still, when you look at the artwork it’s a little disturbing, isn’t it?

That said, it’s better than Dirty Work; an album that didn’t make the list but is one of The Stones’ worst album covers.

Rod Stewart – An Old Raincoat Won’t Ever Let You Down

Rod, what were you thinking?

Okay, so it was his debut release but a cover such as this had the potential to bury a career the moment it was released.

It simply doesn’t work on any level and really showcases just how banal artwork was in the era; especially for new artists.

Rose Tattoo – Assault & Battery

Come on guys, let’s hug it out!

When you think of Rose Tattoo, and the hard rock genre in general, you really aren’t thinking about embracing anyone, for you want to get loose as you rock out. Of course, this wasn’t an isolated incident as they’d hug it out again on Scarred for Life.

Shakira – Oral Fixation, Vol. 2

It’s funnier than it is disturbing or simply bad. Seriously, we all know that the baby doesn’t want the Apple but the implication and how it relates to biblical aspects is where humour can be derived from it.

Of course, I’m certain that some people will find it disturbing but sometimes you have to see the funny side of things.

Slash – World On Fire

What a mishmash!

Slash’s album artwork keeps getting worse. It’s as if he’s lost his mojo. While not as boring as Living The Dream or 4, it’s simply bad and uninspiring.

Disappointingly, the music isn’t much better on this particular release.

Soft Cell – The Art of Falling Apart

Visually, splitting faces, amongst a smorgasbord of trash, makes this album cover one of the most hideous on this list. That said, Soft Cell’s The Art Of Falling Apart is musically enjoyable, but this is one album that you really wouldn't want to pick up on vinyl for the larger canvas would only worsen things.

I will concede, however, that the artwork represents the thematic elements of the album and its title. It's just that it's horrid to look at and in this instance, I'm grateful that we listen with our ears and not our eyes.

Spiderbait – Grand Slam

I swear some artists are popular because of their album covers and, in this case, Spiderbait has instantly recognisable artwork. Although, it doesn’t mean it’s great.

Arguably, Shashavaglava is worse but it isn’t in my music library, hence it’s not on this list. Either way, Spiderbait’s artwork is just weird!

Three Dog Night – Hard Labor

If there is a case to be made for album artwork that simply doesn’t associate itself well with the music contained within the record, it is Three Dog Night’s 1974 release, Hard Labor.

Granted, artwork such as this, particularly on the larger vinyl format, would have stood out from the crowd in your local record store, but many people would be instantly turned off by the artwork. It’s a shame considering it’s a solid B-grade 70s-era release featuring some lovely music that would appeal to fans of not only Three Dog Night but similar artists such as the Eagles and America.

It may represent the birth of a record, something that should appeal to all music fans, but it’s in poor taste and is questionable at best.

Timothy B. Schmit – Playing’ It Cool

I’m not afraid to admit that I have a man-crush for Timothy B. Schmit, but this album artwork turns me cold.

Seriously, it’s so bad that you can see Schmit questioning his life choices as the photograph is being taken.

Tom Jones - Praise And Blame

While the music is extraordinarily good, the artwork is absolutely horrid. I get it, it shows a place of worship that links into the overall themes of the album, but the chosen design elements and the photograph itself, aren’t exactly compelling. Seriously, if you saw that on display at your local record store, you’d give it a miss, wouldn’t you?

In my mind, all Tom Jones albums should feature Jones on the cover and while Jones may have wanted the songs to speak for themselves, I feel the artwork on this particular album takes away from the incredible musical experience you’ll have when listening to the record.

Toni Basil – Mickey: The Very Best of Toni Basil

Forever known for the teen-pop hit, Mickey, Toni Basil never stood a chance when it comes to being accepted as a serious musician and this artwork certainly does her no favour in that regard.

Young Fathers – Cocoa Sugar

It’s striking and once you see it you can’t unsee it, but if we’re being honest, it isn’t very good and is a little disturbing.

Yes, it’s creative but this is one piece of album artwork that is not going to age well; at least the music will!

I'm curious—which album covers do you find the most disturbing? Share in the comments!

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The Best Albums Of 1975

June 15, 2024

The Best Albums, From All Genres, Of 1975

The music industry in 1975 was thriving, fuelled by the creativity of artists and the growing appetite for new sounds. Record labels were far more eager to sign diverse acts that reflected the eclectic tastes of the music-loving public at the time. The concert scene was also vibrant, with stadium tours becoming more common, allowing fans to experience their favourite artists live and on an unprecedented scale as music festivals continued to gain popularity, further establishing live performances as a crucial component of the music experience.

While the music industry was buzzing with creativity and innovation, Vinyl records remained the primary medium through which music was consumed as their warm analog sound provided a tangible connection to the artists and their work. Radio continued to deliver music via the airwaves to listeners around the world and the increasing popularity of the Compact Cassette began to offer new, and more flexible, ways for audiences to engage with the music they held dear and near.

Popular Sounds of 1975

1975 was a year marked by a rich diversity of musical genres, each carving its unique niche in the cultural zeitgeist. Rock music continued to dominate, with sub-genres like hard rock, glam rock, and progressive rock capturing the imaginations of listeners. Disco was on the rise, bringing its infectious rhythms and dance-floor anthems to the forefront of popular culture while folk and country influences also remained strong, reflecting the era's penchant for storytelling and emotional expression through music.

Rock Legends, Innovative Albums, And New Horizons

Queen’s A Night At The Opera, released on November 21, 1975, stood out as a monumental album, blending rock, opera, and progressive elements into a cohesive and groundbreaking work while Elton John’s autobiographical Captain Fantastic And The Brown Dirt Cowboy (May 19, 1975) provided an introspective look into his life and career, showcasing his ability to weave personal narrative with complex musical arrangements.

The Bee Gees reinvented themselves with Main Course (June 1975), marking their foray into disco and showcasing their versatility and adaptability while ABBA's self-titled album (April 21, 1975) further cemented their status as pop royalty with infectious melodies and a polished production, demonstrating their knack for creating timeless pop anthems.

Nazareth's Hair Of The Dog (April 3, 1975) presented a gritty, hard rock sound that would influence countless bands to come and Moxy’s self-titled debut (n.d.) introduced fresh, hard rock energy to the 70s.

The Eagles continued their ascent with One Of These Nights (June 10, 1975), combining rock with country influences to create timeless hits while America's Hearts (March 19, 1975) continued the band's tradition of harmonious folk-rock, delivering smooth, melodious tracks that resonated with a broad audience.

Fleetwood Mac’s self-titled album (July 11, 1975) introduced the world to the classic lineup that would soon become legendary while Linda Ronstadt’s Prisoner In Disguise (September 15, 1975) showcased her vocal prowess and versatility across genres, further solidifying her status as a major force in rock and country music.

Alice Cooper’s theatrical concept album, Welcome To My Nightmare (March 11, 1975), pushed the boundaries of rock performance with its elaborate and dark themes while Neil Young & Crazy Horse delivered raw, unfiltered rock with Zuma (November 10, 1975).

Eloy's Power And The Passion (October 1975) ventured into the realm of progressive rock with the concept album format, presenting intricate compositions and thematic depth while Journey's self-titled debut (April 1, 1975) marked the beginning of their path toward becoming rock giants, blending progressive rock with jazz fusion.

Finally, Art Garfunkel’s Breakaway (October 14, 1975) showcased his delicate vocal delivery in a collection of beautifully crafted songs, including thoughtful covers that highlighted his emotive delivery.

In this dynamic landscape, 1975 emerged as a year of innovation and enduring musical contributions. The albums released during this period have left an indelible mark on the industry and have influenced generations of musicians while continuing to captivate listeners.

This list is ranked from best to almost the best, but not quite. However, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music that 1975 has to offer.

1. QUEEN – A NIGHT AT THE OPERA

Queen's fourth studio album, A Night At The Opera, is a masterpiece that solidified the band's place in rock history. With Freddie Mercury's flamboyant vocals soaring above intricate instrumental arrangements, it stands as one of the most coherent and ambitious works by these British rockers. The album's theatricality and eclectic style, ranging from hard rock anthems to operatic ballads, showcase Queen's unparalleled versatility and creativity. This release isn't just one of the greatest albums of 1975 or the 70s; it is one of the greatest albums of all time!

Check out the full review for a more detailed overview of Queen’s A Night At The Opera.

2. Bee Gees – Main Course

Main Course is a landmark release that captured the Bee Gees during one of their most creative periods. With its irresistible grooves, magnificent vocals, and captivating lyrics, this album remains a classic and a testament to the enduring legacy of one of the world's most iconic groups. Main Course was also the album that saw the Bee Gees' successfully transition to a more disco-oriented sound, featuring hits like Jive Talkin' and Nights on Broadway, which not only defined their new direction but also left an indelible mark on the music landscape of the late 70s.

Check out the full review for a more detailed overview of the Bee Gees’ Main Course.

3. NAZARETH – HAIR OF THE DOG

Hair Of The Dog’s combination of hard-hitting rockers and heartfelt ballads makes it a timeless classic that continues to resonate with audiences decades after its release. Featuring Nazareth’s signature gritty sound and powerful vocals, this is one album that is more than a standout in their discography for it has become a cornerstone of 70s rock music.

Check out the full review for a more detailed overview of Nazareth’s Hair Of The Dog.

4. Eagles – One Of These Nights

One Of These Nights, the fourth studio album from the Eagles, is their greatest achievement in the era prior to Hotel California’s release. It would also become the Eagles’ first number-one record, and without a B-side to be found and featuring hits like Lyin’ Eyes and Take It To The Limit, it’s best described as a masterpiece.

Check out the full review for a more detailed overview of the Eagles’ One Of These Nights.

5. Elton John – Captain Fantastic And The Brown Dirt Cowboy

As a complete body of work, Elton John and Bernie Taupin masterfully crafted a sonic journey that spans the highs and lows of their careers and personal lives. Each track contributes to the album's overarching narrative, showcasing the duo's ability to seamlessly blend rock, pop, and introspective ballads. With Captain Fantastic And The Brown Dirt Cowboy, they don't just tell a story—they invite listeners into an immersive, deeply personal experience that stands as a testament to their unparalleled creative partnership.

Check out the full review for a more detailed overview of Elton John’s Captain Fantastic And The Brown Dirt Cowboy.

6. FLEETWOOD MAC – FLEETWOOD MAC (SELF-TITLED, 1975)

With a blend of catchy hooks, heartfelt lyrics, and masterful musicianship, Fleetwood Mac stands as one of the greatest albums ever released. This landmark record not only rejuvenated the band's career but also introduced the iconic lineup that included Lindsey Buckingham and Stevie Nicks. Together, they crafted some of the most enduring music of the 20th century, cementing Fleetwood Mac's legacy as one of the most influential bands in rock history.

Check out the full review for a more detailed overview of Fleetwood Mac’s self-titled 1975 release.

7. Alice Cooper – Welcome To My Nightmare

Welcome To My Nightmare is not only one of Alice Cooper’s best albums, but it’s one of the greatest records, concept or otherwise, from the 70s; particularly 1975. It really is a triumph of creativity and innovation that pushed the boundaries of the concept album to the very limits of what such a release could achieve. After more than four decades, it remains a timeless classic that continues to captivate and inspire music lovers and Alice Cooper fans alike.

Check out the full review for a more detailed overview of Alice Cooper’s Welcome To My Nightmare.

8. Eloy – Power And The Passion

Eloy’s Power And The Passion, their fourth studio album, is a masterpiece of progressive symphony rock that has to be heard firsthand to be fully appreciated. Its complex compositions and thematic depth are to be marvelled at; even if the drug-fueled time traveller's encounter with a wizard isn’t the most easy-to-follow narrative. Nevertheless, this record is a standout in the band's discography with epic compositions ensuring the album remains a classic of the genre as well as a testament to Eloy's enduring creativity and innovation.

Check out the full review for a more detailed overview of Eloy’s Power And The Passion.

9. MOXY – MOXY (SELF-TITLED)

Moxy’s self-titled debut is a classic recording, offering a raw and energetic display of classic hard rock elements. It’s one of those albums that is best heard in its intended linear structure for as powerful as the individual songs are, the musicianship, throughout, is top-notch, thereby creating a tight, cohesive sound that propels the album forward with relentless energy. There certainly isn’t a bad song to be heard on Moxy, nor is there a B-side. Perhaps it is the concise (sub-40 minute) runtime of the album, but if you put the time aside to appreciate this record, from start to finish, you won’t be disappointed.

Check out the full review for a more detailed overview of Moxy’s self-titled release.

10. Art Garfunkel – Breakaway

Breakaway, Art Garfunkel’s second solo release, is a stunning showcase of his remarkable vocal prowess, emotive storytelling, and timeless appeal. While fans might have yearned for a Simon & Garfunkel reunion, Breakaway offers the next best thing with the duet "My Little Town." Beyond this nostalgic collaboration, the album stands on its own as a classic record, filled with beautifully crafted songs that highlight Garfunkel's unique talent and artistry. Breakaway is a blessing to listeners, solidifying Garfunkel's place as a solo artist of extraordinary depth and charm.

Check out the full review for a more detailed overview of Art Garfunkel’s Breakaway.

11. America – Hearts

Hearts is a masterpiece of 1970s soft rock, showcasing America during their most prominent years. While it’s another stellar collaboration with producer George Martin, Hearts stands out for its seamless blend of acoustic guitar-driven compositions, lush harmonies, and subtle instrumental arrangements. The result is an album that, like the rest of their 70s catalogue, delivers easy-listening soft rock folk music with a universal appeal.

Check out the full review for a more detailed overview of America’s Hearts.

12. ABBA – ABBA (Self-Titled)

ABBA's self-titled album is a minor masterpiece that showcases the band's unparalleled talent and musical innovation. This release highlights their exceptional skills in both production quality and songwriting, resulting in infectious melodies, heartfelt lyrics, and dynamic performances. Each track demonstrates ABBA's ability to create timeless music, making this album an essential addition to any music lover's collection.

Check out the full review for a more detailed overview of ABBA’s self-titled release.

13. Neil Young & Crazy Horse – Zuma

Zuma is a monumental achievement in Neil Young's prolific career, highlighting his raw musical prowess alongside his legendary backing band, Crazy Horse. This album is a sonic journey that encapsulates the essence of Young's distinctive songwriting and the electrifying synergy of Crazy Horse. Zuma is, ultimately, one of the era's greatest releases, showcasing an unparalleled blend of folk, rock, and grunge into a cohesive and captivating sonic tapestry. Young and Crazy Horse's ability to seamlessly merge these elements results in a timeless masterpiece that continues to resonate with audiences and solidify their legendary status in rock history.

Check out the full review for a more detailed overview of Neil Young & Crazy Horse’s Zuma.

14. JOURNEY – JOURNEY (SELF-TITLED)

Journey’s eponymous debut marked the beginning of a musical odyssey that would significantly shape the sound of arena rock in the late 70s and 80s. However, this album stands apart from their later works due to its distinctive fusion of jazz and progressive rock, creating a compelling and unique sound. The intricate musicianship and experimental approach on this record set it apart, showcasing the band's early versatility and willingness to push musical boundaries. This blend of genres not only highlights the technical prowess of the band members but also provides a refreshing contrast to the more commercially oriented rock that would later define their career. Journey's debut is a testament to their innovative spirit and serves as a fascinating glimpse into the formative years of a band that would go on to achieve substantial success.

Check out the full review for a more detailed overview of Journey’s self-titled release.

15. LINDA RONSTADT – PRISONER IN DISGUISE

Throughout Prisoner In Disguise, Linda Ronstadt effortlessly transitions between musical styles, seamlessly blending elements of rock, folk, and country into a cohesive and compelling sound. Her dynamic vocal range shines brilliantly, whether she's belting out rock anthems or delivering heartfelt ballads, captivating listeners with each note. The album's enchanting melodies, soul-stirring lyrics, and impeccable performances create an enduring appeal that continues to captivate audiences decades after its release. Prisoner In Disguise not only showcases Ronstadt's versatility and emotional depth but also solidifies her status as one of the greatest vocalists of her generation.

Check out the full review for a more detailed overview of Linda Ronstadt’s Prisoner In Disguise.

Honourable Mentions (In Alphabetical Order)

These are albums from 1975 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Barry White – Just Another Way To Say I Love You

Captain & Tennille – Love Will Keep Us Together

Chris de Burgh – Spanish Train And Other Stories

Count Basie & Oscar Peterson – Satch and Josh

Curtis Mayfield – There's No Place Like America Today

Dolly Parton – Dolly: The Seeker - We Used To

Juice Newton – Juice Newton & Silver Spur

KC and the Sunshine Band - KC and the Sunshine Band (Self Titled)

Mahavishnu Orchestra – Visions of the Emerald Beyond

Montrose – Warner Bros. Presents Montrose!

Olivia Newton-John – Have You Never Been Mellow

The Band – Northern Lights-Southern Cross

I'm curious—what are your favourite albums from 1975? Share in the comments!

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Aerosmith: Albums Ranked (From Worst To Best)

June 5, 2024

Aerosmith, often hailed as America's Greatest Rock and Roll Band, stands as a monumental force that has helped to shape the music industry over the past five decades. Formed in 1970, this quintet hailing from Boston, Massachusetts, has captivated audiences worldwide for over five decades with their signature gritty blend of blues-infused rock.

Comprised of Steven Tyler (vocals), Joe Perry (guitar), Tom Hamilton (bass), Brad Whitford (guitar), and Joey Kramer (drums), Aerosmith's early years were marked by relentless touring and a string of successful albums that solidified their legendary status. Their success can also be attributed to their unique style, characterised by Tyler's distinctive vocals and Perry's gritty guitar riffs. That isn’t to suggest that all members of the band didn’t play a role in their success, they most certainly did, but had it not been for the toxic twins, I think we can all admit that Aerosmith would have been a very different band than the one we know and love.

Aerosmith's enduring influence stems not only from their musical prowess but also from their ability to navigate the ever-evolving landscape of rock music. From their origins to the present day, Aerosmith has left a memorable mark, producing chart-topping hits, pushing artistic boundaries, and weathering the storms of internal strife and industry changes.

The 70s marked the rise of Aerosmith as a powerhouse in the rock music scene. Their early success was fuelled by a series of hit singles, including Dream On, Sweet Emotion, and Walk This Way, that resonated with a rapidly growing fan base. However, despite their growing fame, the latter part of the decade brought significant challenges, including substance abuse issues that began to strain their creativity and interpersonal relationships. Still, Aerosmith’s 70s output firmly established them as one of the defining rock bands of the era, setting the stage for not only their future triumphs but also their tribulations.

As the 80s dawned, Aerosmith faced numerous challenges, including growing internal strife and substance abuse problems that threatened to derail their career. Despite these setbacks, the band's resilience saw them undergo a remarkable resurgence, particularly later in the decade. Teaming up with producer Bruce Fairbairn saw them embrace a more polished, radio-friendly sound without sacrificing their rock roots. This era brought about some of their most iconic hits, including Dude (Looks Like A Lady), Janie’s Got A Gun, and Love In An Elevator, and would introduce Aerosmith to a new generation of fans.

The 90s saw Aerosmith experimenting with various styles, from hard rock and heavy metal to an increasing focus on ballads with their most notable songs being Living On The Edge, Cryin’, and I Don’t Want To Miss A Thing. This willingness to innovate kept them relevant in an ever-changing musical landscape and with each subsequent album Aerosmith demonstrated an uncanny ability to reinvent themselves while staying true to the essence that made them legends.

Post-90s, Aerosmith continued to experiment with diverse musical styles. While opinions will naturally differ, this period is marked by a significantly reduced output and to many it can be seen as an era of the band’s decline. Yes, Honkin’ On Bobo saw them, once again, expand their creative horizons with an album of blues covers, but that could be seen as the band playing it safe following the solid, but lacklustre, Just Push Play; an album that could be said to have been too far removed from the core sonic signature that makes Aerosmith, Aerosmith.

What is likely to be their final studio album, Music From Another Dimension!, is one of their strongest releases, despite it also being one of their least successful. Of course, success at the sales register rarely correlates with creativity or the quality of output, but if you haven’t checked out this 2012 release, there’s no better time than now to give it a listen.

Beyond their studio albums, Aerosmith's impact extends to their legendary live performances and ability to connect with audiences across generations. With a career characterised by resilience, creative innovation, and an unyielding commitment to their craft, Aerosmith remains an immortal fixture in the history of rock music, leaving a legacy that is unlikely to be challenged; certainly not within our lifetimes.

15. Rock In A Hard Place (1982)

Released during a tumultuous period for the band, this album is marked by the absence of Joe Perry and Brad Whitford; an absence that most certainly influenced the record’s sound. While it has moments of artistic brilliance, such as the soulful Lightning Strikes and the blues-infused Bolivian Ragamuffin, it's one of Aerosmith's weakest efforts as the band tried to redefine themselves without their longtime guitarists.

Check out the full album on Apple Music.

14. Done with Mirrors (1985)

Done With Mirrors marked the return of guitarists Joe Perry and Brad Whitford after a period of estrangement. While the reunion of the band’s original lineup brought about anticipation and excitement amongst fans, it didn’t quite fuse into the legendary album experience that many would have hoped for. Despite not achieving widespread commercial success, the album would lay the foundation for Aerosmith's subsequent resurgence and chart-topping triumphs in the late 80s and 90s.

Check out the full album on Apple Music.

13. Just Push Play (2001)

Released amidst a landscape of evolving musical tastes, genres, and a new millennium to conquer, Just Push Play marked a departure from some of the bluesy rock roots that had defined their earlier works. Embracing a more polished sound with a strong focus on pop and electronic influences, Aerosmith sought to stay relevant in a changing musical landscape; yet the entire album has always sounded a little overproduced. Yes, it has its moments, such as the infectious and upbeat Beyond Beautiful, and the radio-friendly hook-focused Jaded, but it isn’t quite enough to push the album higher up the list.

Check out the full album on Apple Music.

12. Honkin' On Bobo (2004)

Honkin' On Bobo represents a unique chapter in Aerosmith's discography. Relying heavily on traditional blues, Honkin' On Bobo is somewhat different and won’t appeal to all Aerosmith fans. That said, this record saw the band return to a more stripped-down sound, once again embracing their roots while paying homage to the blues legends who inspired them. While it could be questioned if this is an official album, given that the only original tune to be heard on the record is The Grind, it is considered by Aerosmith to be a core discography release, hence its placement within this list.

Check out the full album on Apple Music.

11. Draw The Line (1977)

Recorded during a tumultuous period for the band, Draw The Line was a product of Aerosmith’s internal struggles and rampant substance abuse, leading to a certain rawness and unpredictability in its sound. Despite that, the band's gritty determination remains and Draw The Line subsequently features a blend of hard-hitting rockers and experimental tracks. It is yet another example of Aerosmith's willingness to explore beyond their established boundaries and Draw The Line is, as a result, one of their most underrated studio releases.

Check out the full album on Apple Music.

10. Nine Lives (1997)

Nine Lives represents a triumphant return to form for the band in the late 90s as it showcases a reinvigorated Aerosmith, blending their signature hard rock sound with a modern edge. Following the success of their previous albums, Permanent Vacation, Pump, and Get A Grip, the band faced the challenge of living up to high expectations, but Nine Lives delivered with a mix of gritty rock anthems, melodic ballads, and experimental tracks along with one of the greatest pieces of cover artwork to adorn an Aerosmith release.

Check out the full album on Apple Music.

9. Night In The Ruts (1979)

Night In The Ruts, a play on words as Aerosmith would have preferred the album to be titled Right In The Nuts, has a raw and unpolished feel. This gritty charm will likely appeal to fans, especially of their 70s output, as it has Aerosmith’s authenticity and tenacity embedded throughout.

Check out the full album on Apple Music.

8. Aerosmith (Self-Titled) [1973]

Aerosmith’s eponymous debut is, in retrospect, somewhat of an anomaly as it is arguably more unique than any other album in their illustrious career. This is primarily due to Steven Tyler's faux blues vocal style. Yet, there’s a compelling aspect to his vocal presentation that not only makes this self-titled release compelling, but thoroughly enjoyable to listen to. Regardless of whether or not you loathe or love this release, it adequately captures Aerosmith in their formative years, embodying the spirit of 1970s rock, while also foreshadowing the greatness that was to follow.

Check out the full review for a more detailed overview of Aerosmith’s self-titled debut.

7. Permanent Vacation (1987)

A permanent vacation sounds like a great idea but even Aerosmith had to return and this release marks their second coming. While some may lament the more commercial sound, the album successfully blends their styles with hits like Dude (Looks Like a Lady), Rag Doll, and Angel. Permanent Vacation is, subsequently, a difficult album to ignore.

Check out the full album on Apple Music.

6. Get A Grip (1993)

Get A Grip is a polished, radio-friendly album that produced massive hits like Cryin', Crazy, and Livin' on the Edge. While some fans may miss the classic Aerosmith vibe, Get A Grip does encompass the band’s legacy while ensuring that this release is most certainly ensconced in the 90s zeitgeist. Where Aerosmith’s 70s releases stand out to those who first experienced the band, Get A Grip is a landmark release for newer generations and can already be considered a rock masterpiece.

Check out the full review for a more detailed overview of Aerosmith’s Get A Grip.

5. Get Your Wings (1974)

Get Your Wings, Aerosmith’s second studio album, marked a significant step forward from their self-titled debut as it established the band’s signature sound, blending blues rock with hard rock in a way that set them apart from their contemporaries. It was also the album in which Steven Tyler returned to his natural vocal style and Jack Douglas would begin producing the band. Both were pivotal to Aerosmith’s long-term success, but as it pertains to the music featured on Get Your Wings all that needs to be said is that it’s exceptional and has stood the test of time.

Check out the full review for a more detailed overview of Aerosmith’s Get Your Wings.

4. Toys In The Attic (1975)

Featuring classics like Sweet Emotion and Walk This Way, Toys In The Attic could be best described as the most quintessential Aerosmith album; certainly as it applies to the 70s-era recordings. Its blend of hard rock and memorable melodies solidifies it as one of their greatest releases, showcasing the band’s musical brilliance.

Check out the full album on Apple Music.

3. Rocks (1976)

Rocks not only built upon the creative success of Toys In The Attic, but with powerful tracks like Back In The Saddle and Last Child, it showcases Aerosmith’s ability to deliver unrelenting rock and roll. Blues meets hard rock at its very best is one way to put it and Rocks is deserving of being labelled as one of the band’s most noteworthy releases.

Check out the full review for a more detailed overview of Aerosmith’s Rocks.

2. Music From Another Dimension! (2012)

Music From Another Dimension! may end up being the final studio album from the Boston rockers, but what an album to go out on. Combining cues of classic Aerosmith with modern production qualities was always going to be controversial, but when the only truly negative aspect is the album’s runtime, you’re left with a killer album to close a storied career on.

Check out the full album on Apple Music.

1. Pump (1989)

Pump is a hard-hitting cohesive album that is not only one of Aerosmith’s greatest releases but is amongst the very best albums within hard rock and glam metal history. Representing their late 80s peak, Pump’s blend of hard rock, blues, and ballads, combined with a polished production and memorable songwriting, make it a highlight in Aerosmith's discography and worthy of being considered their best album.

Check out the full review for a more detailed overview of Aerosmith’s Pump.

No matter which order you rank Aerosmith’s albums in, one thing is for certain and that is Aerosmith’s discography is a testament to their resilience, adaptability, and timeless appeal. From their groundbreaking hard rock anthems and ballads, to bold experimentation, each album weaves a unique thread into the rich tapestry of their storied legacy, thereby cementing their place as one of rock's most iconic and enduring bands.

I'm curious—how would you rank Aerosmith's albums? Share in the comments!

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The Best Albums Of 1983

March 25, 2024

The Best Albums, From All Genres, Of 1983

In the vibrant musical landscape of 1983, set against the backdrop of evolving music formats and industry dynamics, era-defining releases made their way into the social consciousness; many of which continue to resonate with modern music lovers.

While the Vinyl record remained the format of choice in 1983, alongside the rising popularity of the Compact Cassette, the Compact Disc would be commercially released, outside of the Japanese music market, to a worldwide audience; one that was ready for the major technological advantages the compact disc offered over legacy analogue formats.

Additionally, by this stage, MTV was fully established and the music video, whilst not uncommon in preceding years, was more important than ever to the successful launch of an album. However, as you’ll note from this list, particularly with regard to the top-ranked releases, not all artists would embrace the music video as a promotional tool. The result is that some of my favourite albums from 1983 were some of the most unsuccessful commercially. Of course, if you’ve been following Subjective Sounds for any length of time, you’ll note that success at the cash register is often inadequate in determining landmark releases.

Rock Anthems With A Touch Of Metal And A Little Christianity

Alice Cooper's DaDa (September 28th) further showcased his theatrical flair, even if he can’t remember recording it, while ZZ Top's Eliminator (March 23rd) blended bluesy rock with innovative electronic elements, becoming a chart-topping success in the process.

Billy Idol's Rebel Yell (November 10th) epitomised the rebellious spirit of the era, while Quiet Riot's Metal Health (March 11th) marked a breakthrough of heavy metal into mainstream acceptance.

AC/DC's Flick Of The Switch (August 15th) continued the band's reign as rock titans, while Night Ranger's Midnight Madness (October 26th) offered a melodic blend of hard rock and arena-focused anthems.

Petra's Not Of This World (n.d) showcased the band's prowess in Christian rock, weaving spiritual themes with electrifying guitar riffs. It may not be for everyone, but if you listen to the Christian lyrics as another instrument within the mix, rather than a storytelling device, I’ve no doubt you’ll be impressed for this is one rocking release.

Blue Oyster Cult's The Revolution By Night (November 8th) pushed the boundaries of hard rock with a mix of anthems and atmospheric ballads that would make for a compelling and dynamic addition to their discography, despite its lacklustre success.

Pop Icons And Balladry Brilliance

Lionel Richie's Can't Slow Down (October 14th) solidified his status as a pop icon, featuring timeless hits like “All Night Long" and “Hello,” while Billy Joel's An Innocent Man (August 8th) paid homage to the doo-wop and R&B sounds of the past, further showcasing his versatility as a songwriter and performer.

Kenny Rogers' Eyes That See In The Dark (August 30th) delivered country-pop balladry at its finest. It really is Kenny Rogers meets the Bee Gees; a melding of two different but complementary styles that ensures it’s a memorable listen and one of the greatest releases of not only the 80s but of all time. Similarly, Ringo Starr's Old Wave (March 10th) merged with Joe Walsh’s unique rock sensibilities to produce a captivating record that was worthy of each musician's legacy.

1. Alice Cooper – DaDa

Alice Cooper's DaDa is a haunting masterpiece that defies explanation for the only way to fully appreciate it is to listen intently. From the hypnotic lead-in to the groovy vibes and haunting allure of each track, it's a timeless journey through Cooper's musical prowess and is one of his most underrated releases. Still, with its mysterious charm, DaDa remains a hidden gem and is one of the very best albums released in 1983.

Check out the full review for a more detailed overview of DaDa.

2. ZZ Top – Eliminator

ZZ Top's iconic Eliminator is a polished gem that stands as one of rock's greatest albums. From the electrifying rhythms of "Gimme All Your Lovin'" to the bluesy allure of "TV Dinners," each track captivates with ZZ Top's signature sound. With its timeless appeal and mesmerising artwork, Eliminator is a must for music lovers and rock and rollers everywhere.

Check out the full review for a more detailed overview of Eliminator.

3. Billy Idol – Rebel Yell

Billy Idol's Rebel Yell is a quintessential album of the 80s, blending punk, new wave, and rock into a timeless classic. With anthems like "Rebel Yell" and introspective tracks like "Eyes Without A Face," Idol showcases his dynamic range and charisma and is a must-listen for fans of 80s rock.

Check out the full review for a more detailed overview of Rebel Yell.

4. Quiet Riot – Metal Health

Quiet Riot's Metal Health is a landmark release that defined the heavy metal scene of the early 80s. With its relentless energy and explosive vocals, the album catapulted the band to mainstream success. From the anthemic title track to the raw intensity of "Slick Black Cadillac," each song showcases Quiet Riot's powerhouse approach. Whichever way you look at it, Metal Health is a must-listen for metal fans old and new.

Check out the full review for a more detailed overview of Metal Health.

5. Lionel Richie – Can't Slow Down

Lionel Richie's Can't Slow Down is a timeless masterpiece, blending soulful melodies and heartfelt lyrics with exquisite production values. Despite the album cover's simplicity, the music within is captivating, offering a blend of R&B, pop, and ballads that resonate even decades later. From the celebratory rhythm of "All Night Long (All Night)" to the iconic ballad "Hello," each song showcases Richie's vocal prowess and musical diversity. "Can't Slow Down" wasn't just a commercial success; it's a testament to his enduring influence in pop and R&B music history.

Check out the full review for a more detailed overview of Can’t Slow Down.

6. Kenny Rogers – Eyes That See In The Dark

Kenny Rogers' Eyes That See In The Dark is a remarkable album that perfectly blends country and pop influences, thanks to the collaboration with Barry Gibb and the Bee Gees. From the energetic opener "This Woman" to the iconic duet with Dolly Parton on "Islands In The Stream,” to the reflective closer "Eyes That See In The Dark," Rogers' versatility and emotional depth shine throughout the entire record. With its timeless quality and stellar production, Eyes That See In The Dark stands as a pinnacle release in Rogers' career, appealing to music lovers across genres.

Check out the full review for a more detailed overview of Eyes That See In The Dark.

7. Billy Joel – An Innocent Man

Billy Joel's An Innocent Man is a timeless classic that flawlessly blends nostalgic 50s and 60s pop influences with Joel's signature style. From the energetic opener "Easy Money" to the soulful title track "An Innocent Man" to the infectious hits like "The Longest Time" and "Uptown Girl," each song showcases Joel's vocal prowess and songwriting genius. With its diverse range of styles and heartfelt performances, An Innocent Man remains a must-listen for all music lovers.

Check out the full review for a more detailed overview of An Innocent Man.

8. AC/DC – Flick Of The Switch

AC/DC's Flick Of The Switch delivers raw, unadulterated rock with catchy tunes; albeit without a standout hit. While self-produced, it embodies the band's signature sound even though it remains overshadowed by their previous successes. Nonetheless, it remains a solid entry in their discography and if it hadn’t been for their many other exceptional albums, both prior and after this album’s release, Flick Of The Switch would be a much more celebrated release than it is.

Check out the full review for a more detailed overview of Flick Of The Switch.

9. Night Ranger – Midnight Madness

Night Ranger's Midnight Madness epitomises 80s rock with its infectious melodies and exceptional musicianship. While "Sister Christian" is the stand out, the album offers a cohesive mix of anthemic rockers and heartfelt ballads. Its timeless appeal makes it essential for fans of the genre, showcasing the band's versatility and knack for crafting memorable tunes that resonate with listeners to this day.

Check out the full review for a more detailed overview of Midnight Madness.

10. Petra – Not Of This World

Petra's Not Of This World seamlessly merges powerful messages with exceptional music while transcending its Christian rock roots to stand as a landmark album in the rock genre. From the atmospheric opener "Visions (Doxology)" to the stunning title track and the magnificent "Grave Robber," each song showcases Petra's musical prowess and unwavering commitment to crafting impactful rock songs. Whether you resonate with its Christian themes or appreciate it solely for its musical merits, Not Of This World remains a must-listen for any rock enthusiast, offering a captivating journey from start to finish.

Check out the full review for a more detailed overview of Not Of This World.

11. Ringo Starr – Old Wave

Ringo Starr's Old Wave showcases his enduring talent and musical evolution, offering a diverse and engaging experience. Produced by Joe Walsh, the album blends classic 80s rock elements with catchy melodies and collaborations that elevate Starr's signature style. From the synth-driven opener "In My Car" to the country-inspired "Hopeless" and the Eric Clapton-assisted "Everybody's In A Hurry But Me," each track demonstrates Starr's versatility and rock sensibilities. Old Wave may not have achieved commercial success, but its status as a hidden gem in Starr's discography remains undeniable, offering a captivating journey for fans and music lovers alike.

Check out the full review for a more detailed overview of Old Wave.

12. Blue Öyster Cult – The Revölution By Night

Blue Öyster Cult's The Revolution By Night marks a departure from their signature sound, embracing new styles while retaining their rock essence. Despite commercial underperformance, it stands as one of the best albums of 1983, showcasing the band's resilience and adaptability. While the album lacks standout hits, and is not considered a classic, its cohesion and exploration of contemporary trends make it a captivating listen and reaffirms Blue Öyster Cult's place in rock music history.

Check out the full review for a more detailed overview of The Revölution By Night.

Honourable Mentions (In Alphabetical Order)

These are albums from 1983 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Bonnie Tyler – Faster Than the Speed of Night

Donna Summer – She Works Hard For the Money

Eurythmics – Sweet Dreams (Are Made of This)

Manfred Mann's Earth Band – Somewhere In Afrika

Merle Haggard – That's the Way Love Goes

Michael Bolton – Michael Bolton (Self-Titled)

Rock Goddess – Rock Goddess (Self-Titled)

Tammy Wynette – Even the Strong Get Lonely

Thompson Twins – Quick Step and Side Kick

Twisted Sister – You Can't Stop Rock N' Roll

Van Morrison – Inarticulate Speech of the Heart

Violent Femmes – Violent Femmes (Self-Titled)

Willie Nelson with Waylon Jennings – Take It To The Limit

Yello – You Gotta Say Yes to Another Excess

I'm curious—what are your favourite albums from 1983? Share in the comments!

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The Best Albums Of 1980

March 13, 2024

The Best Albums, From All Genres, Of 1980

As the world transitioned into a new decade, the music industry of 1980 was shaped, in part, by a diverse range of genres. As you’ll see from this subjectively ranked list, the breadth of iconic albums not only reflects the cultural shifts of the era, but would go on to shape the musical landscape for many years, and in some cases decades, to come.

The vinyl record continued to dominate the home consumer market while the compact cassette tracked solidly as a portable alternative for music distribution. Of course, as important as the music formats were to music lovers of the era, it truly was the kaleidoscope of styles and an eclectic mix of genres, that left its mark on the music released in 1980.

Rock Anthems And Diversity Within The Genre

AC/DC's Back In Black (July 25th) emerged as a rock juggernaut, paying tribute to their late lead singer Bon Scott and established itself as one of the best-selling albums of all time. Iron Maiden introduced their self-titled debut album (April 14th), laying the foundation for a legendary career in heavy metal, while Queen's The Game (June 30th) explored diverse musical styles, further solidifying their global presence.

Alice Cooper's Flush The Fashion (April 28th) showcased the artist's experimental edge, while Cold Chisel's East (June 2nd) became a landmark release in Australian rock.

Flowers, later known as Icehouse, made their mark with the eponymous album Icehouse (October 10th), foreshadowing their prominence within the new wave scene while The Alan Parsons Project blended progressive rock with conceptual storytelling with The Turn Of A Friendly Card (November 1st).

Pop, Ballads, And A Touch Of Soul

ABBA continued their dominance with Super Trouper (November 3rd), delivering infectious pop melodies while Stevie Wonder's Hotter Than July (September 29th) produced soulful and timeless rhythms.

Air Supply's Lost In Love (March 3rd) and Elton John's 21 At 33 (May 13th) would further highlight the diversity, and importance, of ballads within the pop and soft rock genres.

Smooth Jazz Vibes With A Touch Of Instrumental Brilliance

Not to be outdone by the commercially viable music genres, Hancock’s Monster (n.d) and George Winston's Autumn (n.d) showcased instrumental genius within the annals of jazz fusion and piano composition genres.

As we further reflect on the gems of 1980, these albums remain not only relics of the past but vibrant testaments to the creativity and cultural influences that defined an era. Each note and lyric echoes the spirit of a transformative period in music history and continues to resonate with music lovers to this very day.

Within the list below, the best albums from 1980 have been ranked from best to almost the best, but not quite. However, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music from 1980.

1. ABBA – Super Trouper

Super Trouper is an incredible album from start to finish. While I still consider The Visitors to be a superior release, Super Trouper is a musical masterpiece that not only needs to be heard but shared, for it’s a timeless classic that will continue to be appreciated for as long as intelligent music-loving life exists.

Check out the full review for a more detailed overview of Super Trouper.

2. AC/DC – Back In Black

Back In Black may have catapulted AC/DC to a level of success that dwarfed everything they had previously achieved, but it simultaneously became one of the greatest hard rock albums ever released while memorialising their former frontman. Back In Black truly knows no equal, it's a masterpiece!

Check out the full review for a more detailed overview of Back In Black.

3. Air Supply – Lost In Love

Lost In Love is a timeless classic and while some will dismiss it as merely a soft rock ballad-focused album of love songs, that determination is too limiting for there’s something here for every music lover to enjoy; if you give it a chance, that is! If you do, you’ll no doubt agree that Lost In Love is not only Air Supply’s greatest album but that it's one of the best albums released in 1980.

Check out the full review for a more detailed overview of Lost In Love.

4. Alice Cooper – Flush The Fashion

Flush The Fashion is Alice Cooper’s fifth album post the Alice Cooper Band era and sees a slight shift in style compared to Cooper’s prior releases. With a new wave feel, one that was particularly relevant to the era, Cooper recorded an album that is nothing short of an underrated masterpiece.

Check out the full review for a more detailed overview of Flush The Fashion.

5. Cold Chisel – East

East is an exceptional release that has only ever been overshadowed by Circus Animals; a truly incredible album that builds on what East was able to achieve. While Cold Chisel has an incredible legacy far exceeding these records, it’s these early 80s albums that, for me at least, represent the very best of this iconic Australian rock and roll band.

Check out the full review for a more detailed overview of East.

6. Elton John – 21 At 33

21 At 33 is an incredible Elton John album that is severely underrated and really should be in every fan’s collection. There is little doubt, in my mind, that 21 At 33 is one of the best releases from 1980. Seriously, check it out if you haven’t already; it’s astonishingly good!

Check out the full review for a more detailed overview of 21 At 33.

7. Flowers – Icehouse

Flowers would soon become Icehouse and the rest, as they say, is history! Released in 1980, Icehouse catapulted Flowers to the top of the Australian and New Zealand charts with songs that have forever become part of the social consciousness and are subsequently one of those must-own albums as it has become a classic record of the Australian 80s music scene.

Check out the full review for a more detailed overview of Icehouse.

8. George Winston – Autumn

Released in 1980, Autumn is George Winston’s second studio album of piano solos inspired, naturally, by the season that adorns the album title. There’s a new age meets ambient feel with a touch of folk mixed in for good measure. The result is an addictively good record that you’ll find yourself playing on repeat for hours on end.

Check out the full review for a more detailed overview of Autumn.

9. Herbie Hancock – Monster

Monster is, pun intended, a monster of an album. It’s the perfect length, at approximately 42 minutes and its six songs are amongst the very best Hancock has ever recorded. Yes, Monster isn’t his most successful, nor is it extremely well-known, but if you give it a chance, I’ve no doubt you’ll find the same musical bliss I have for when I listen to Monster, it reminds me of why I love music.

Check out the full review for a more detailed overview of Monster.

10. Iron Maiden – Iron Maiden

Iron Maiden is a musical masterstroke and is a debut that has not only stood the test of time but is as relevant to the Iron Maiden story as any other album in their extensive back catalogue. It is, without a doubt, one of the best albums released in 1980 and is amongst the greatest Metal albums of all time; a timeless classic!

Check out the full review for a more detailed overview of Iron Maiden.

11. Queen – The Game

It isn’t erroneous to consider Queen as an artist better known for their hits than their albums, but as it pertains to their 1980 release, The Game, it’s all killer, no filler.

If you don’t have this album in your collection it is time to reflect as to why, for The Game is one of Queen’s greatest and most fluid album experiences.

Check out the full review for a more detailed overview of The Game.

12. Stevie Wonder – Hotter Than July

There is little doubt that Hotter Than July is one of the better albums in Stevie Wonder’s extensive catalogue of music. Songs In The Key Of Life, however, is his musical opus, but Hotter Than July is difficult to ignore for its upbeat musicality will compel you.

Check out the full review for a more detailed overview of Hotter Than July.

13. The Alan Parsons Project – The Turn of a Friendly Card

Allister Jenks, a freelance music reviewer, and podcaster, has penned a review of The Turn Of A Friendly Card from his own subjective perspective and I can only concur with his findings as there really is no track out of place, no track which lets the album down, and it's an album that you'll never tire of listening to from end to end.

Check out Allister's full review for a more detailed overview of Turn Of A Friendly Card.

Honourable Mentions (In Alphabetical Order)

These are albums from 1980 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Nitty Gritty Dirt Band – Make a Little Magic

I'm curious—what are your favourite albums from 1980? Share in the comments!

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The Best Albums Of 1979

March 1, 2024

The Best Albums, From All Genres, Of 1979

As the final echoes of the 70s reverberated through the fabric of popular culture, 1979 stood as a pivotal year for the music industry. With musical trends ranging from rock anthems to disco infernos, the diverse spectrum of music available was so broad that there was something for all music lovers to enjoy.

The tangibility of the vinyl record was still the heartbeat of the music industry, and consumer interest, with cassette tapes gaining traction. The iconic image of a spinning turntable, with its needle delicately tracing the grooves of a record, defined the music experience of the era and, as such, many of the albums that were released were designed specifically around the Side A and B structure, thereby making them an audible work of art, often with a story to tell.

Rock Reigns Supreme

Rock music, in its various forms, continued to dominate the charts and the hearts of music enthusiasts in 1979. Amongst the standout albums, KISS dropped Dynasty on May 23rd, with their flamboyant hard rock sound continuing to captivate audiences. Kansas released Monolith on May 1st, showcasing their progressive rock prowess, while AC/DC unleashed the thunderous and timeless classic, Highway To Hell on July 27th.

Neil Young & Crazy Horse's Rust Never Sleeps (June 22nd) etched the name of the Canadian musician into the annals of rock history, while Dire Straits continued to make waves with Communiqué (June 5th), building on the success of their debut album.

The Eagles bid farewell to the 70s with The Long Run (September 24th), a testament to their enduring rock legacy, and Supertramp's Breakfast In America (March 16th) exemplified the band's ability to craft sophisticated and memorable pop-rock tunes.

Pop, Funk, And Disco Extravaganza

As the disco ball glittered above dance floors, Michael Jackson's Off The Wall (August 10th) showcased the King of Pop's transition from a child star to a global sensation. The Bee Gees, riding the wave of Saturday Night Fever's success, released Spirits Having Flown on February 5th, solidifying their status as disco royalty.

ABBA's Voulez-Vous (April 23rd) reaffirmed their position as international disco-pop sensations, while Neil Diamond's September Morn (December 22nd) showcased the enduring appeal, and smooth tones, of the icon.

Diana Ross, with an incredible legacy, further asserted her dominance with The Boss (May 23rd), showcasing an addictive rhythm and blues-based styling that incorporated disco, soul, and pop elements along with her versatile vocal range.

A Touch Of Jazz

While always an outlier, in regards to popular music, the smooth jazz-infused sounds of Herb Alpert's Rise (September 1st) and The Crusaders' Street Life (December 9th) offered an expressive respite and are amongst the greatest albums the genre has to offer.

Diverse Melodies And Thoughtful Lyrics

A core standout was Bob Dylan's Slow Train Coming (August 20th) as it marked a significant chapter in his career, as the folk icon embraced a spiritual sound, challenging his audience both musically and lyrically.

No matter which way you look at the music from 1979, it becomes clear that the albums released during this year were not merely collections of songs but time capsules capturing the spirit of an era – a testament to the enduring power of music to transcend time and leave an indelible mark on the hearts of listeners.

Within the list below, the best albums from 1979 have been ranked from best to almost the best, but not quite. However, depending on your subjective preferences, you may prefer a different order, omit some, or even ponder some that are not included. Trust me, I’ve changed the order countless times because determining the best albums often depends on how one feels at any given moment. Either way, let’s simply enjoy the best music from 1979.

1. KISS – Dynasty

What a thunderous record!

From start to finish, Dynasty is hard rock at its very best. The firestorm of rhythm, followed by an incredible mix and lyrical styling, makes this one of the greatest KISS albums of all time with memorable and engaging tunes.

Check out the full review for a more detailed overview of Dynasty.

2. Kansas – Monolith

A soaring progressive rock masterpiece that is intensely underrated is a good way to describe Kansas’ sixth studio album Monolith. The fact that it has been so overlooked is a travesty for it is a remarkable piece of audible art and while some would disagree, I consider Monolith to be Kansas’ best album.

Check out the full review for a more detailed overview of Monolith.

3. AC/DC – Highway To Hell

Highway To Hell is one of the hardest rocking albums of the 70s and is certainly Bon Scott's greatest vocal performance. To say he went out on top is an understatement. While the band would continue without Scott, his legacy lives on through these recordings. Brian Johnson would adopt a different style, but his was complementary to Scott’s thereby ensuring the former frontman was never forgotten.

Check out the full review for a more detailed overview of Highway To Hell.

4. Neil Young & Crazy Horse – Rust Never Sleeps

If Rust Never Sleeps isn’t the greatest Neil Young release of all time, I don’t know what is. There’s something special to be heard here; something missing from every other album Young has released. Perhaps it’s the recording style, or the songs themselves, but whatever it is, Rust Never Sleeps is a pinnacle moment in the story of Neil Young & Crazy Horse.

Check out the full review for a more detailed overview of Rust Never Sleeps.

5. Michael Jackson – Off The Wall

Off The Wall is tight, purposefully fluid, and lacks filler. With disco vibes, funk, and soft rock influences, merged with some sensational pop styling, Off The Wall is not only one of Michael Jackson’s greatest albums but is one of the best albums released in the 70s; particularly in 1979.

Check out the full review for a more detailed overview of Off The Wall.

6. Bee Gees – Spirits Having Flown

Spirits Having Flown was their fifteenth studio album and leaned so completely into the disco styling that there was no room for doubt as to their intentions and aspirations. The result, however, is some of the very best pop music, with a disco vibe, ever recorded as Spirits Having Flown is a masterpiece from the very first note.

Check out the full review for a more detailed overview of Spirits Having Flown.

7. Dire Straits – Communiqué

While the self-titled Dire Straits debut is a must-own for any music collection, their second album, Communiqué, is less edgy with a smoother all-over presentation. Those dismissing Communiqué as a clone of their first album do so because it is fashionable. I, on the other hand, consider it to be better than their debut and I’d even go as far as declaring it their very best album.

Check out the full review for a more detailed overview of Communiqué.

8. Herb Alpert – Rise

Rise is one of the most energetically exciting releases of Alpert’s career and is, without a doubt, one of the best albums released in 1979. It is quintessentially Herb Alpert, but more importantly, it is a landmark album that goes beyond the borders of jazz, for this is one album that can be appreciated by all music lovers.

Check out the full review for a more detailed overview of Rise.

9. The Crusaders – Street Life

While jazz music has never focused on commercial success, The Crusaders’ Street Life was not only a success in that regard but is also their creative pinnacle. Few jazz-based albums are as fluid as Street Life and this is one release that is amongst the best of what jazz has to offer. It’s also one of the best albums from 1979 with a captivating rhythm.

Check out the full review for a more detailed overview of Street Life.

10. Bob Dylan – Slow Train Coming

Whether you agree with Dylan’s inferred Christian values on Slow Train Coming, or not, there is little doubt that this is musically one of his greatest creative achievements. There isn’t a bad song to be heard and even the cover art is appealing to fix one’s gaze upon while slipping into the sonic wonderland that only Dylan, and one-half of Dire Straits, could deliver.

Check out the full review for a more detailed overview of Slow Train Coming.

11. Diana Ross – The Boss

The Boss was Diana Ross’ greatest musical achievement since her time in The Supremes for the addictive rhythm and blues styling encompasses disco, soul, and pop elements that ensured this 1979 release wasn’t only a statement for Ross but it was an album that perfectly captured the spirit of the era and is subsequently one of the best albums from 1979.

Check out the full review for a more detailed overview of The Boss.

12. Eagles – The Long Run

For decades, The Long Run was considered the final chapter in the Eagles’ story, and in a way it is, for as exceptional as the four new songs from Hell Freezes Over are, and Long Road Out Of Eden is, The Long Run is the culmination of the classic Eagle’s body of work.; a superb album and a perfect closing chapter to the Eagles’ 70s output.

Check out the full review for a more detailed overview of The Long Run.

13. Supertramp – Breakfast In America

Breakfast In America is an experience in and of itself and while some may suggest that Crime Of The Century is Supertramp’s greatest release, I’d counter that by declaring that Breakfast In America is, in fact, the most extraordinary album Supertramp ever recorded.

Check out the full review for a more detailed overview of Breakfast In America.

14. ABBA – Voulez-Vous

Not disco per se, yet ABBA, and Voulez-Vous, will get you on the dance floor. ABBA's sixth studio album, Voulez-Vous, rose to the top of the charts with a solid line-up of songs. Subsequently, there’s much to appreciate with Voulez-Vous but it is the additional tracks, available via the digital versions, that ensure the album is greater than the sum of its parts.

Check out the full review for a more detailed overview of Voulez-Vous.

15. Neil Diamond – September Morn

Neil Diamond’s thirteenth studio album, September Morn, is somewhat tarnished by the theist perspective of The Good Lord Loves You and the Caribbean/reggae-styled cover of I’m A Believer. Yet, even with these missteps, September Morn is a magnificent release that is worthy of inclusion on this ranked list.

Check out the full review for a more detailed overview of Neil Diamond’s September Morn.

Honourable Mentions (In Alphabetical Order)

These are albums from 1979 that I appreciate but don’t feel are the best of the best. However, there’s some killer music to be heard here, so load up your favourite streaming service and give them a listen, for our music tastes are subjective and you may just come across an album that you consider a masterpiece.

Manfred Mann's Earth Band – Angel Station

I'm curious—what are your favourite albums from 1979? Share in the comments!

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