Elton John – The One (Album Review)

Released in 1992, The One is Elton John’s twenty-third studio album and while his classic era was well behind him, and this release is not quite as polished as Sleeping With The Past, there’s something for fans to appreciate when listening to this album; if you give it time to grow on you, that is!

Arriving during a period of personal and professional rejuvenation, for John, The One was a return to form for the master musician. With his trademark piano-driven rock and pop sound that features heartfelt lyrics, the music contained within did, and continues to, resonate with listeners throughout the world. As eluded to earlier, The One isn’t an album that is likely to immediately connect with your soul. You feel as if something is missing, yet can’t quite put your finger on it. However, the more you listen to the album, the more the songs meld into a piece of audible art and The One subsequently becomes one of John’s greatest releases.

As with most of John’s reissues, the digital counterparts come with additional songs. I’m certainly not a fan of that approach and prefer to listen to and appreciate the music in its original sequencing. While I have listened to both bonus tracks, Suit Of Wolves and Fat Boys And Ugly Girls, I feel neither adds value to The One and as a result, I’ve chosen to share with you a playlist of The One that omits that bonus material.

Simple Life is a beautiful opener and while it may hark back to the sound signature of the era, it isn't dated and still sounds fresh. John’s vocals are, as is usually the case, filled with warmth and sincerity, but the entire composition of the song is nothing short of perfection; perhaps a tad long, but perfect nonetheless.

The One shifts the tonality somewhat, but as the title track, this is one of John’s most magical ballads. His vocals perfectly combine with the song’s lush orchestration to add depth and intensity. The One is, without a doubt, one of the standout tracks from not only this record, but John’s entire career.

Sweat It Out is a little more upbeat with a vibrant and captivating style. What’s more interesting, however, is the sonic elements placed within the mix. Such additions have the possibility of becoming too complex, but each musical aspect was included to enhance the music rather than detract from the song itself; a rarity, certainly!

Runaway Train (feat. Eric Clapton) is one of the greatest songs John and Clapton have ever recorded, in their respective careers. Yes, it is that good!

Whitewash Country shifts the style somewhat and initially, it’s as if John were recording another country music-inspired tune before the pop-rock elements kick in. Any song following Runaway Train was always going to be challenged, but as an album-only tune, Whitewash Country is solid. It was never destined to be a standout, but it flows well enough within the album’s linear structure.

The North is a beautiful song and a hidden gem that has never achieved the recognition it deserved.

When A Woman Doesn't Want You may be an album-only tune, but it’s stunning as John’s vocals are filled with raw emotion that combine with the song’s soulful and catchy melody.

Emily starts well, but John’s vocalising of the verses is a little off. It’s not the worst song he’s ever recorded, but I doubt anyone would seek Emily out on its own, outside of listening to the album as it just isn’t noteworthy.

On Dark Street has a rock-infused sound, with a catchy chorus, that will see you toe-tapping and head-bopping throughout.

Understanding Women has a killer synth introduction with witty lyrics and a bouncy melody that would have been a hit had it been released in the mid-80s.

The Last Song is one of the greatest closing tunes I’ve ever had the pleasure of hearing. It’s also one of John’s most beautiful vocal performances for it leaves you wanting more, thereby making it a fitting conclusion to a magnificent album.

The One is a remarkable addition to Elton John's extensive discography where he successfully balances introspective and emotional ballads with more upbeat and rock-oriented tunes. His signature piano-driven sound and heartfelt lyrics are on full display throughout, and his vocal performances are nothing short of outstanding. The One, ultimately, captures a mature and reflective John, making it a must-listen for both longtime fans and newcomers alike.

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Guns N' Roses – Use Your Illusion I (Album Review)

Released in 1991, Use Your Illusion I stands as a landmark release in the annals of rock music history as it is the first instalment of the Use Your Illusion albums; one of the greatest release schedules the world has ever seen.

Use Your Illusion I was also a pivotal moment for Guns N’ Roses as the sprawling and ambitious work showcases the band’s musical prowess, lyrical depth, and unbridled energy. Of course, the very same statement could be said about Use Your Illusion II; an album that leans more towards a melodic style, featuring ballads and experimental tunes, which further showcases Guns N’ Roses’ versatility. As to which I prefer, or consider the better of the two albums, I find that difficult to answer as together they’re a collective masterpiece. That said, while I thoroughly appreciate both, I know for certain that I listen to Use Your Illusion I far more often than I do it’s sister album.

Speaking of preferences, I’m not a fan of the 2022 remaster. It isn’t that I find the remaster to be fundamentally bad, but I’m dead against the new orchestration elements on November Rain. It’s blasphemous and is not an accurate representation of Use Your Illusion I. Perhaps I’d be less judgemental had this modification been included as a separate offering, but as it pertains to physical releases, the album in its original mode is no longer available meaning that the original is somewhat lost to history. A shame, certainly, but someone with some common sense has permitted the original album to remain available on the iTunes Store and Apple Music. Subsequently, this original release will be the focus of this review, for classic albums should never be replaced with rerecorded or remixed versions. It’s bad enough that they remaster them when the need often isn’t there. Honestly, I never recall putting Use Your Illusion I on and pondering if it needed a remaster. It was perfect the way it was and that is the way that I choose to enjoy it henceforth.

Right Next Door To Hell kicks the album off with a relentless burst of energy, but as the album opener, I’ve never been convinced that it was the right choice. It’s certainly no Welcome To The Jungle, is it?

Dust N' Bones is an incredible, severely underrated, tune but it’s great to hear Izzy Stradlin sharing vocal duties with Rose as they complement each other perfectly.

Live And Let Die is an incredible cover. Guns N’ Roses performed it admirably and put their own spin on this Paul McCartney and Wings classic. I’d even go as far as suggesting that this edition bests the original recording, partially due to the pop-rock styling that isn’t ideal for the song. That said, if you listen to the live recording from Wings Over America, you may have a different opinion for it’s a great performance that is more in line with the Guns N’ Roses interpretation.

Don't Cry is simply stunning and is not only one of the album’s standout ballads, but it's one of the very best songs that Guns N’ Roses ever recorded. The same, unfortunately, can’t be said for the alternate lyrics version found on Use Your Illusion II.

Perfect Crime returns the album to its hard rock roots with a fast-paced rocker that showcases the band’s raw energy. The only problem is it, like Right Next Door To Hell, isn’t perfectly positioned. Perhaps if the opening track was resequenced closer to Perfect Crime, these album-only tracks would have flowed more convincingly.

You Ain't The First is a hidden gem. Its slower, semi-acoustic-styled presentation, is simply fantastic and presents a perfect interlude before Bad Obsession kicks things up a notch.

Bad Obsession is one of the greatest songs off the album, but it’s that killer blues-infused groove, along with the unique introduction, that will ultimately captivate you.

Back Off Bitch is incredible with killer riffs, a rebellious spirit, and Axl Rose’s ferocious vocals. It’s, without a doubt, one of the best songs from the Use Your Illusion recording sessions.

Double Talkin' Jive is gritty with rapid-fire lyrics and a compelling rhythm that will immediately capture your attention. As with Dust N' Bones, Stradlin’s lead vocals on this tune are superb and while Rose is generally the lead vocalist of Guns N’ Roses, I can’t help but wonder what Guns N’ Roses would have sounded like had Stradlin been the sole lead singer as he’s got a vocal drawl that simply sounds right for their blues-based rock and roll sound. Nevertheless, there are songs that only Rose could have recorded so this may well be a case of appreciating both musicians for their unique qualities.

November Rain is Guns N’ Roses’ magnum opus. It’s arguably the greatest ballad in all of rock and roll history. From the piano-driven intro, to Slash’s iconic guitar solo, to Rose’s emotive vocals, November Rain is a timeless epic.

The Garden, featuring Alice Cooper, is a dark and brooding tune that is utterly brilliant with both Rose and Cooper complementing each other. The Garden is, most certainly, a hidden gem and had it been released as a single, there’s no doubt that it would have gone to the top of the charts.

Garden Of Eden could have been an incredible straight-up rock and roll tune, but the overproduced nature of the song, particularly regarding the synthesised elements, resulted in a lacklustre recording.

Don't Damn Me is full of brute energy, with an incredible riff, and is amongst the greatest music Guns N’ Roses has ever recorded.

Bad Apples isn’t a bad apple, pun intended, but it isn’t a standout either. It is, however, a perfect album-only tune.

Dead Horse is raw, with a killer rhythm, that melds perfectly with Rose’s impressive vocal prowess. It’s a hidden rock and roll gem.

Coma is a sonic masterpiece and the perfect closer to Use Your Illusion I. The rollercoaster intensity will keep you captivated throughout this 10-minute epic while also leaving a lasting impression that will compel you to play the album again or proceed to Use Your Illusion II.

Use Your Illusion I is nothing if not a hard rock masterpiece, brimming with passion and creativity; the likes of which we’re unlikely to see again. While many may reject that statement, this is an album that encapsulated Guns N’ Roses’ multifaceted talents, from hard-hitting rock anthems to soulful ballads, the first instalment of the Use Your Illusion albums has a little bit of everything. The result is that Use Your Illusion I has become an enduring classic that continues to resonate with listeners decades after its release.

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Billy Joel – An Innocent Man (Album Review)

Released in 1983, Billy Joel's An Innocent Man stands as a shining example of music that is timeless. With its catchy melodies, impressive vocal performances, and evocative songwriting, An Innocent Man is a masterclass in nostalgia that continues to captivate listeners for it plays akin to a greatest hits release.

While An Innocent Man, Joel’s ninth studio album, is one of the greatest records from the 80s, the launch window couldn’t have been more disappointing for Joel as Michael Jackson’s Thriller would ultimately win the Grammy for Album Of The Year over An Innocent Man. While Jackson's Thriller is a landmark release, one I thoroughly enjoy, I'd argue that An Innocent Man is a stronger album that has stood the test of time far better than Thriller which is starting to sound a little dated to the era. An Innocent Man likely avoided being stuck in the past as Joel formulated the tunes with a touch of the, arguably timeless, 50s and 60s musical styles. The continuous lighthearted Be-bop, Soul, and R&B styling is addictive, well suited to Joel, and ensures that the album sounds as fresh today as when it was initially released.

Of course, great songs are for nil if the production, mix, and mastering qualities are substandard. Thankfully, An Innocent Man, via the Apple Music stream, is quite enjoyable. The soundstage is well-defined and each element within the mix is given room to breathe. That said, there’s a nagging aspect about the stream, that is coincidentally an Apple Digital Master, in that it could be fuller for it sounds a little anaemic in places. It isn’t a major issue and a slight adjustment to EQ settings can rectify that shortcoming, but it’s something you should be aware of. That said, if you’re like me and don’t have a physical edition of this classic record, it will provide you with hours of pleasure until you can attain a subjectively better release.   

Easy Money has a sensational beat – thank you, Liberty DeVito! It’s a fun little tune to start the album with, but the chorus isn't compelling as I find the downbeat shift to be a distractive element.

An Innocent Man slows the tempo, but the transition from Easy Money never sounds out-of-place. When listening to this song, you begin to comprehend what an incredible vocalist Joel is. His vocal control is simply amazing as he takes every note right to the edge of his capabilities and never falters. The result is that An Innocent Man is one of the album’s standout tunes and is, subsequently, the perfect title track.

The Longest Time is a beloved A cappella gem and is one of the greatest sing-a-long songs of all time with its harmonious melodies, doo-wop styling, and charming lyrics. 

This Night really opens up throughout the chorus. Yes, the whole song is wonderful, but as a Ludwig van Beethoven fan, I appreciate how Joel merged his vision, and a touch of the 1950s, with that of Beethoven’s. The result is a true masterpiece in every sense of the word.

Tell Her About It is a catchy and energetic track with an upbeat tempo that will have you toe-tapping and head-bopping from the very first note in much the same way as one would when listening to the music from Motown’s golden era.

Uptown Girl is, undoubtedly, one of the album’s greatest hits for it’s infectious upbeat pop-rock rhythm, catchy melody, and playful lyrics, ooze charisma.

Careless Talk is a little out-of-place following Uptown Girl but as a song on it’s own, outside of the album’s sequencing, Careless Talk is a solid track. It’s your classic album-only tune, and was never going to set the charts on fire, but that doesn’t prevent Joel from delivering another soulful performance. 

Christie Lee is a fantastic rock song that places Joel’s piano playing front and centre, along with a compelling saxophone element that ensures Christie Lee is not only dynamic but a fun addition to the record. While not necessarily the strongest song on the album, if you’re like me you’ll be reaching for the volume knob for this is one tune that sounds best at rock and roll levels. 

Leave A Tender Moment Alone is a beautiful ballad showcasing Joel’s songwriting prowess and ability to create tender melodies that tug at the heartstrings. 

Keeping The Faith is an extraordinary tune to close the album on for it blends elements of pop and rock with a touch of gospel, resulting in a truly memorable musical experience. 

An Innocent Man is a testament to Billy Joel's musical genius and his ability to pay homage to the past while creating something modern and enduring. The album's diverse range of styles and heartfelt performances make it a timeless classic, in Joel's illustrious career. and is a must-listen for anyone who appreciates the magic of '50s and '60s pop music with an 80s twist that only Billy Joel could deliver.

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Bob Marley & The Wailers – Exodus (Album Review)

It’s fair to say that for most music lovers, Legend is all they will ever need to fully enjoy the musical marvel that was Bob Marley & The Wailers, but limiting oneself to a compilation means that you’ll miss out on the timeless classic that is their 1977 release, Exodus.

While much of Exodus, five songs in fact, were included on Legend, their ninth studio album encapsulates the essence of reggae music, not just the widespread radio-friendly tunes, thereby further solidifying Marley and Co's status as musical legends within their assigned genre. However, at its core, Exodus is not just an album; it's a journey, a spiritual experience, and a cultural monument. 

As you listen you’ll hear how Exodus expertly combines Marley's signature blend of catchy melodies, profound lyrics, and infectious rhythms to create an album that is both musically exceptional and socially relevant. You won’t be able to prevent being swept away by these incredible tunes for Exodus will fuse with your soul, the way all great music does. 

Turning our attention to the Hi-Res Lossless Apple Music stream, an Apple Digital Master, it’s simply exquisite. While I do not doubt that a well-produced vinyl release would offer the same wow factor, perhaps with slight improvements to the smoothness of the album, when a stream is this enjoyable, one does need to question the need to attain a physical copy; especially if funds are limited.

As it pertains to the Dolby Atmos mix, my thoughts are similar to those I made within the Kaya review for there really isn’t anything notable to mention. It sounds fine. Fuller, certainly, but also muddier in the mid to low-end range of the recording. Some may very well like the tonal quality of the surround version but I’m going to stick with the Hi-Res Lossless stereo mix as it simply sounds right. 

Natural Mystic has an ethereal and mystic atmosphere that not only plays into the song but offers an incredible opening to Exodus. 

So Much Things To Say could be a song about any aspect of life, but this politically charged tune, with its groovy rhythm, will have those, who appreciate literal meaning, captivated throughout. 

Guiltiness is a, somewhat, seamless transition from the sharp ending of So Much Things To Say. While that can be a deterrent, especially if you’re new to the album, the mellow tempo of Guiltiness quickly calms the senses, thereby allowing for thorough enjoyment.

The Heathen is a musical marvel and is one of Marley’s most overlooked tunes. While I don’t often focus on the literal meanings, instead choosing to listen to the human vocal as an instrument within the mix, it’s the entire composition that makes The Heathen a standout on the album and one of the best songs Marley & The Wailers ever recorded.

Exodus is the perfect title track featuring an infectious rhythm and catchy melody. There’s little wonder as to why it is one of Marley’s most recognised and beloved songs as it epitomises not only his unique sound but reggae music itself.  

Jamming is a joyful and upbeat tune that embodies the spirit of unity and togetherness; if only all music could be this pure!

Waiting In Vain is a timeless ballad with beautiful melodic arrangements.  

Turn Your Lights Down Low is a lovely romantic ballad that, while not uncommon to Marley, is a departure from Exodus’ overall thematic core. Regardless, it’s simply beautiful!

Three Little Birds radiates optimism and hope. The simple yet profound lyrics, matched by the laid-back reggae groove, ensure that this is one song you’ll find yourself singing along to. 

One Love / People Get Ready closes the album perfectly with an uplifting anthem that promotes unity and love among all people. Music truly knows no bounds and this universal message will stay with you well after the album has ended, thereby compelling you to play Exodus again for it gets even better the more often you listen to it.

There’s a reason why half the songs from Exodus made it to Legend, for this 1977 release is nothing short of a masterpiece that continues to resonate with audiences across generations and cultural bounds. Its timeless messages of love, hope, and social consciousness continue to inspire and uplift. Bob Marley's genius as a songwriter and performer shines through in every note, making this album an essential part of music history.

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Big Scary – Animal (Album Review)

Released in 2016, Animal is the fourth studio album from Big Scary; a musically dynamic Australian duo that offers a mesmerizing exploration of human emotions and experiences, delivered via a unique blend of indie rock, electronica, and heartfelt lyrics. Each song from Animal contributes to the album’s cohesive narrative, one that asks us to transcend our animal instincts and rise above the animal within, making it a must-listen for anyone seeking an immersive musical experience.

Of course, before one can get to the music, the album artwork will draw you in as it’s simply stunning; in a non-traditional manner, that is! It’s eye-catching and stays with you while connecting with your soul on a level that only the visual senses can fully comprehend. If nothing else, it is the perfect visual accompaniment for the music that you’re about to experience. 

While such a visual element would be perfectly suited to the larger vinyl canvas, I’ve yet to pick up a copy on that format. A shame, yes, but with limited funds, my wish list is considerably lengthy as it is. Nevertheless, it gives me something to look forward to and until then I can say with certainty that the lossless Apple Music stream is sonically exquisite. 

If you are interested in seeking the album out on vinyl, you’ll notice an immediate difference to the streaming counterpart as the album is separated into Hunting, Lurking, Resting, and Walking themes; each presented on its own side of the double LP. The CD offers a similar breakdown, but due to the continuous nature of the format, it isn’t quite as unique as that of the vinyl release. For example, if you want to listen to just one aspect of the album, you can listen to that single side. This acts in much the same way as Sigur Rós’ () as it presents the album in a randomised, listener-determined, structure. Whether or not you find this aspect fascinating, it’s wonderful to see independent artists experimenting with their craft. 

While part of the artistic intent of Animal was to allow the listener to play the album in a non-linear manner, this review will focus on the sequencing released via Apple Music as that retains the core artistic intent.

Oxygen is a hauntingly beautiful track that sets the tone for the entire record. With its raw drum beat that harks to the core animal status within us all, to the sonically dry electronic rhythm, you’ll be captivated from the very first note.

Organism is diverse and layered, resulting in a song that is larger than the sum of its parts. Every aspect of Organism is perfect and it amazes me that music this good was made by an independent artist. I say that because Organism, and the entire album, sounds better than most big label/artist releases. 

Double Darkness is a little more subdued and introspective with a vocal tracking that is simply sublime. There’s much to love when Double Darkness comes on, and it’s one of the best songs on the album, but I find it’s the correlations I hear to Paul McCartney’s recordings that are the most interesting aspect here.  

Savior Add Vice transitions seamlessly from Double Darkness and while it has a greater rock vibe than the previous track, the distorted guitars and tempo quickly shift the atmosphere to one that is controlled by a sense of urgency. Additionally, I feel the vocal presentation is flawed on this particular song as it tends to get lost in the mix. While I acknowledge that that approach was likely intended, it results in a somewhat lacklustre performance. 

Lone Bird is a killer song with a perfect rhythm and composition. Incredible!

The Endless Story is thoroughly enjoyable. Not only are the musical elements compelling, but the vocal delivery is equally exceptional.

Flutism suits the album but isn't a track that connects with my soul. It isn't inherently bad, but it’s a little over-produced.

Up And Up And Up is incredibly addictive. I dare you to sit still while listening to this track; I can’t do it. 

Breathe Underwater reduces the tempo considerably and it may result in a shock to the senses; if you’re streaming that is. Breathe Underwater is the first song of the Resting element of the album and if you’ve picked up the vinyl release, the time delay, due to flipping sides, will be enough that you wouldn’t notice the shift as much as those of us who are streaming the album do. Nevertheless, Breathe Underwater is a lovely mellow song.

The Opposite Of Us is a beautiful tune that is not only an ideal fit for the album but flows perfectly through the Resting phase of the record. 

Heaven On Earth is atmospherically stunning. I can only imagine how exceptional it would sound on vinyl, for the Apple Music stream is already breathtaking.

Over Matter has a little too much volume and channel variation that I find to be rather distracting. Yes, it’s a technique but even if I could compartmentalise that aspect, the vocal pacing isn’t in harmony with the other songs from the album. The result is that Over Matter can sound like a garbled mess. Ultimately, however, that doesn’t deter me from the album experience but it is a low point in an otherwise exceptional release. 

Lamina has moody tones that are reminiscent of the opening tracks thereby making it an ideal bookend that compels me to listen to Animal again and delve deeper into Big Scary’s growing catalogue of music. 

From start to finish, Animal is a masterful album that showcases the Australian duo's incredible talent for crafting deeply emotional and sonically rich music that is immersive. Animal really is nothing short of a modern indie rock gem and is one of the best albums released in 2016. 

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Alice Cooper – Lace And Whiskey (Album Review)

Released in 1977, Lace And Whiskey is Alice Cooper's tenth (third solo) studio album. Following his previous landmark solo works, Welcome to My Nightmare and Alice Cooper Goes To Hell, Cooper continued to explore theatrical and conceptual approaches to his music. While Lace And Whiskey may not have achieved the same level of commercial success as its predecessors, it offers a unique blend of rock, with influences from the 40s and 50s, and a theatricality that showcases Cooper's versatility as an artist. 

For the physical music collectors amongst us, Lace And Whiskey may not be the most elaborately designed vinyl release of the 70s, but it’s extremely compelling. The 2018 vinyl Rocktober reissue, which I’m fortunate to own, is a lovely replica, albeit with modern elements such as a barcode and in place of black vinyl, you’ll get a magnificent whiskey brown-coloured vinyl record that looks as good as it sounds. The result is that these design choices further captivate the mind and draw you into the album experience. 

Sonically, while it may not be quite as remarkable as Dada, it’s not too far behind and is a considerable improvement over its digital counterpart. That isn’t to suggest that the lossless Apple Music stream isn’t enjoyable, for it’s a solid facsimile that is clean and detailed. It is, however, the vinyl distortion (warmth) that adds to the sonic smoothness of the album. Nevertheless, I can’t take the record with me everywhere and for those moments the stream is more than adequate; although I usually need to adjust the EQ slightly, particularly in the low to mid-range, to get the stream sounding as good as it possibly can.  

Of course, if you wish to keep your sanity in check, your aim should be to never compare the two as I have done. With that in mind, let’s just say that if you have no interest in vinyl, you won’t feel disadvantaged for Lace And Whiskey sounds more than acceptable via the Apple Music stream. It would be nice, however, if Cooper’s back catalogue was given the white glove treatment across the board for the lossless Apple Music stream is nothing more than the CD counterpart as Warner has yet to go back to the master tapes and deliver a higher resolution version. 

It's Hot Tonight kicks the album off with a song that can only be described as a rock classic; had it been more widely accepted, of course. Although, the Beastie Boys did sample the tune on their second album, Paul’s Boutique, on the song What Comes Around. I’ve no doubt my following statement will irritate Beastie Boys' fans but as it pertains to What Comes Around, the best thing about that song is Cooper’s sample.

Lace And Whiskey is a thoroughly enjoyable title track that has a bluesy rock swagger that is not only compelling but works seamlessly with Cooper’s vocal presentation. 

Road Rats is a high-energy gritty garage rocker. It’s one of Cooper’s most overlooked masterpieces but it is with hope that it will no longer be cast aside for it was reworked for his 2023 release Road; featuring a heavier rock sound that works perfectly for the song.

Damned If You Do is another of the album’s highlights for it is immediately appealing with its catchy melody and infectious chorus. Yes, it’s a little campy, but if you consider it as part of a concept album, that leans into the music of yesteryear, then it makes perfect sense with its country twang and rockabilly styling.

You And Me is a masterpiece! Cooper may be commonly referred to as a shock rocker, but his ballads are impeccable and, in many cases, best that of his broadly accepted rock persona. Either way, You And Me is soft rock at its very best.

King Of The Silver Screen is sensational and is musical storytelling at its very best. The theatrical and cinematic elements of the song play into the tune and while some may consider these aspects to be cliché, I consider the mix to be the very definition of perfection. Additionally, there are some killer guitar licks to be heard on this tune that will light up your stereo. Incredible!

Ubangi Stomp is a lively rockabilly number. It’s fun and energetic, but one has to question if it was ideally suited to the record as it’s quite a shift from the rest of the tunes. As such, it’s the weakest song from the album, but that doesn’t stop me from enjoying it when I play the record.

(No More) Love At Your Convenience is a touch of pop with a dash of soft rock and a dollop of disco. It works!

I Never Wrote Those Songs is another of Cooper’s masterful ballads that is simply gorgeous. Only Cooper could have recorded such a wonderful tune for even Barry Manilow couldn’t match Cooper’s performance here. The band is on fire, the mix is perfect, and it is one of the greatest ballads ever recorded, by anyone. 

My God starts as if it were a tune for British Royalty. While that can be a distraction, the song doesn’t maintain the cathedral focus for long as the song quickly comes into its own grandiose musical moment that is perfectly aligned with Cooper’s overarching style. Subsequently, it’s a great closer that encourages you to contemplate the music you’ve just heard while also compelling you to play the album again. 

Lace And Whiskey may not be amongst Cooper's most celebrated works, but it offers a diverse range of songs that demonstrate his artistic versatility and is a personal favourite of mine. From hard-hitting rock numbers to heartfelt ballads, Cooper's ability to convey emotion and tell stories through his music never ceases to amaze. Lace And Whiskey is, subsequently, a worthwhile addition to any Alice Cooper fan's collection and if you’ve previously overlooked this masterpiece, may I suggest you give it another chance for it's one of the best albums released in 1977. 

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Disturbed – Evolution (Album Review)

Released in 2018, Disturbed’s seventh studio album, Evolution, marked a significant shift in the band’s musical direction. Known for their heavy and aggressive sound, Disturbed took a more diverse and melodic approach with this album, exploring themes of personal growth, change, and, as the title suggests, evolution. While some long-time fans may have been surprised by this shift from their signature style, Evolution proved to be a bold and intriguing addition to Disturbed's discography. 

Sometimes the only way for an artist to remain relevant, and continue to grow creatively, is to evolve. Disturbed has done just that, but it comes at a cost for as exceptional as Evolution is, it sounds as if it would have been better suited as a side project. Think Corey Taylor's Slipknot versus Stone Sour styles and you'll likely understand where I'm coming from. Granted, David Draiman has the vocal chops to perform in multiple styles, and the cover of The Sound Of Silence certainly opened doors to a broader fanbase than Disturbed had previously had, but was a shift absolutely necessary? 

In retrospect, I believe it was. The problem is that until you get used to the stylistic shifts throughout, it reminds me of the disjointed mess that is John Lennon and Yoko Ono's Double Fantasy. I can’t help but wonder if Evolution would not have been better being expanded, resequenced, and presented with one half in their traditional manner, the other their newfound ballad-focused style. That didn’t happen, of course, but what you’ll find is that the chosen sequencing grows on you the more you listen to the album.

Speaking of listening to the album, the lossless Apple Music stream, an Apple Digital Master, is understandably compressed but perfectly suited to the music. About the only time the compression becomes an issue is in the drums whereby the cymbals lack a delicate taper as they ring out. Instead, and it’s quite noticeable one some songs, the crunching cymbal effect of such mastering results in a less-than-ideal sonic presentation that can be jarring on the senses. There’s little doubt that this is one area where the vinyl counterpart may be better suited because of the more stringent mastering limitations. That’s no guarantee that it will be better, but if you’re after a copy of Evolution with an even greater dynamic range (less compression) then it could be worth the time and investment to track a copy down on vinyl. That’s certainly what I’ll be endeavouring to do, but until then the Apple Music stream is a perfect facsimile that allows me to enjoy this album. 

Are You Ready is a signature stadium-filling song that combines Disturbed's classic heaviness with anthemic melodies. Its energy and finesse are addictive and will appeal to longtime fans and newcomers alike with its radio-friendly styling.

No More continues the album's powerful start with an incredible rhythm, killer guitar licks, and Draiman's distinctive vocal delivery. 

A Reason To Fight is a beautiful ballad. If you thought their cover of Simon & Garfunkel’s The Sound Of Silence, from Immortal, was impressive, you'll be blown away with A Reason To Fight. It’s arguably the best song on the album and one of the best songs Disturbed has ever written and recorded.

In Another Time introduces a more experimental sound and while it isn’t what I’d call classic Disturbed, it grows on you the more you listen to Evolution; so much so that it has quickly become one of my favourite songs. 

Stronger On Your Own is different and simply doesn’t blow me away. Subsequently, I think it’s fair to say that this is one song that no one will seek out on its own as it’s the weakest song from Evolution. 

Hold On To Memories is a welcome change following Stronger On Your Own for while it’s another ballad, Disturbed knocks them out of the park.

Saviour Of Nothing returns the album to Disturbed’s renowned heavier sound and while it isn’t a standout, Saviour Of Nothing is a perfect album-only tune.

Watch You Burn is somewhat similar to Saviour Of Nothing in that it isn’t exceptionally good, except for the incredible symphonic elements later in the song, but repeat listens have ensured that I’ve come away with a greater respect for the tune. This is one of those examples where it is imperative to listen to an album more than once, in its intended sequencing, for sampling tracks or listening via a playlist will never truly allow you to engage with the music.

The Best Ones Lie sounds as if it was left over from the Believe sessions. That's a good thing if you were wondering.

Already Gone closes the album out beautifully with a contemplative ballad that will either encourage you to play the album again or reflect upon the music you’ve just heard.

While some fans may have initially been resistant to the shift in musicality, Disturbed showed their willingness to evolve and experiment with their music and that should be celebrated. The album's strength, subsequently, lies in its introspective and emotional lyrics, as well as Draiman's powerful vocals, which shine throughout. If given the chance, after repeat listens, I’m certain that you’ll find much to love as Evolution is an excellent addition to Disturbed’s discography.

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