Joe Jackson – Body And Soul (Album Review)

There are albums and then there is Body And Soul; a masterpiece in every sense of the word.

Released in 1984, Joe Jackson’s Body And Soul is amongst his finest recordings and is one of the greatest albums ever released. With a blend of jazz, pop, and Latin influences, Body And Soul showcases Jackson’s continued evolution as a songwriter and arranger. The album’s sound is heavily inspired by big band jazz and classic pop orchestration, giving it a unique and compelling presentation. Body And Soul is, ultimately, so diverse that to pigeonhole it into a particular style or genre would be to do it a disservice for this is a timeless classic that sounds as fresh today as it did upon release.

Striking is one way to put it for the music isn’t the only aspect of this release to impress. Yes, I’m referring to the cover art and the boldness of the simple, yet utterly perfect design. Jazz fans will likely point out that the concept is hardly original as it emulates Sonny Rollins’ 1957 release, Sonny Rollins, Vol. 2, but imitation is the greatest form of flattery and Jackson pulls it off. Of course, had it not been for such an extraordinary collection of music, one could suggest that Body And Soul’s artwork wouldn’t be nearly as endearing, but when the music complements the artwork so well, the combination is the very embodiment of the album experience.

Of course, no matter how exceptional the artwork is, it is for nil if the recording, mix, and mastering of an album are lacking in any way. Body And Soul doesn’t disappoint, in that area, as it’s a textbook example of how to properly produce an album. Every element in the mix is perfectly positioned and the sonic reproduction is heavenly. Yet, I’m not referring to the numerous audiophile-grade editions that have been released, as I have not heard them, for I am simply referencing the Lossless Apple Music stream.

Yes, dear reader, the Apple Music stream is what I would consider to be perfect. So much so that when listening to this edition, I don’t feel that I’m missing out on anything, sonically, and therefore seeking out an SACD or Vinyl release seems quizzical, outside of the ownership and tactile aspects, of course. That isn’t to say that there aren’t sonic benefits, or differences, but it’s nice to know that the stock-standard CD-quality stream is exquisite. If nothing else, it ensures that all music lovers, regardless of how they wish to appreciate their music, can hear an exceptional version of this classic album.

The Verdict opens the album with flair and a dramatic brass section that sets the tone for the orchestral ambitions of Body And Soul. Jackson’s vocal is stunning, especially as it's positioned atop the piano backing before the lushness of the crescendo enters the mix. Subsequently, the verdict on The Verdict is that it’s a magnificent tune and an ideal opener for this legendary album.

Cha Cha Loco has a playful Latin element that is both lively and energetic. While different in style to The Verdict, the transition is seamless and the interplay between the musical bed and vocalists makes for a buoyant, danceable track.

Not Here, Not Now slows the tempo slightly with a ballad that is both reflective and melancholic in tone. The arrangement is subtle yet effective, with a soft piano, muted instrumentation, and a world-class brass solo that accompanies Jackson’s vocal delivery and can be best described as heavenly. Music doesn’t get much better than this and Not Here, Not Now is, without a doubt, one of Jackson’s greatest recordings.

You Can't Get What You Want (Till You Know What You Want) picks up the tempo with a jazz-funk vibe. The groove is infectious, driven by a punchy bass line and vibrant brass riffs, as well as some incredible vocal techniques that culminate in an irresistible song. Again, as is the case throughout the album, the sonic shift shouldn’t work but the album’s linear structure has been considered so thoroughly that this post-disco number is the perfect counterpart to the more sombre Not Here, Not Now.

Go For It continues the exploration of jazz with an upbeat frenetic energy, yet it’s the Motown-styled cues that are just as notable as the driving percussion and energetic brass. Add to this the urgency in Jackson’s lyrical delivery and you’ve got a song that is lively and a perfect album-only number that drives the record forward.

Loisaida stands out for its atmospheric qualities, with a moody, almost noir-like arrangement that is highly compelling. Yet, the absence of lyrics doesn't detract from Loisaida as the instrumental bed evokes imagery and emotions as only the greatest instrumental songs are capable of.

Happy Ending (feat. Elaine Caswell) offers a lighter, more pop-oriented sound with catchy hooks and upbeat rhythms. When you listen, in conjunction with the other songs on the record, Happy Ending feels like a departure from the album’s overall style, yet it’s the perfect tune at this point in the album’s sequencing. The bottom line is that it’s just a fun little duet with a killer chorus.

Be My Number Two is one of the greatest ballads that has ever been recorded. The stripped-back arrangement helps in this regard, allowing Jackson’s vocals to take centre stage for his voice is tender, heartfelt, and resonant throughout. While the entire album is flawless, when you have songs that are as beautiful as Be My Number Two, you know that you’re listening to something that can only be described as a masterpiece; an overused statement, granted, but one that most certainly applies to this magnificent tune.

Heart Of Ice starts delicately and slowly builds into a powerful orchestral arrangement that’s a perfect album closer; one that will either compel you to play the album again or contemplate the music you’ve just listened to. While much of the song is sans lyrics, once Jackson enters the mix, as almost an afterthought, it culminates in what, upon reflection, can only be described as pure perfection.

Overall, Body And Soul marks a high point in Joe Jackson’s career. The intricate arrangements, varied influences, and strong songwriting make it a standout release from the 80s. Jackson’s mastery in blending jazz, pop, and Latin styles results in an album that feels timeless, making it a compelling and rewarding listen. Not only is Body And Soul one of Joe Jackson’s most revered but it’s amongst the greatest records in all of recorded music history.

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Billy Ocean – Suddenly (Album Review)

Released in 1984, Billy Ocean’s fifth studio album Suddenly is a masterpiece; one that not only has a plentiful supply of hits and addictively good rhythms, but one that even by today’s standards, and upon nostalgic reflection, sounds vibrant and fresh. It also happens to be the album that would catapult Ocean to international success.

By the time Suddenly was released, the post-disco era was in full swing. While Disco-styled music was quickly becoming a thing of the past, Disco elements, merged with R&B and Soul influences ensured that artists such as Ocean had a unique sound unlike anything that had come before. Yes, we could point to artists such as The Jacksons and Stevie Wonder and look at their 70s-era releases and suggest that they had already achieved a post-disco styling, despite being right in the middle of the movement, but suggesting that would detract from the wonder that is Suddenly, for this is one album that shouldn't be overlooked as it’s a landmark release of the 80s. Suddenly is so impressive that it plays like a greatest hits release for there isn’t a dull tune to be heard. While every song didn't have the potential to set the charts on fire, when the linear structure of an album is this strong, even the album-only tunes become essential recordings.

While songwriting and the musical style were a crucial element in the success of Suddenly, and its corresponding single releases, the recording, mix, and mastering are second to none. Despite being a multi-million seller, Suddenly has received minimal attention post-release. It’s as if the now-defunct Jive Records (distributed, currently, via Sony Music Entertainment) forgot that they had released the record. However, while it is difficult to come by on physical formats, unless you seek it out on the secondhand market, the one benefit of a lack of interest from the record industry has meant that the existing mastering remains untouched.

While the Discogs listing states it as being remastered, and it would have needed to have been for the label to include the bonus tracks for the Expanded Edition, there’s no indication as to who had undertaken the remastering process. Regardless, they’ve done an exceptional job for the sonic qualities of the recording are so pleasing that you’ll simply become immersed in the music. Seriously, take a listen to the lossless Apple Music stream (a CD counterpart of the 2011 reissue); it’s a sonic marvel. Ocean is front and centre and the soundstage is as deep as it is wide. The result is you’ll be enveloped in music as the songs won’t merely emanate from your speakers. Every musical aspect is given room to breathe and the result is that Suddenly is one of the best-sounding records from the 80s.

Caribbean Queen (No More Love On The Run) is a stunning album opener and if the rhythm doesn’t get you, that saxophone will; thank you, V. Jeffrey Smith. With a catchy synth riff and pulsating beat, embodying the essence of the 80s, there’s little wonder as to why Caribbean Queen became not only a massive hit but Ocean’s most successful. A little of Michael Jackson’s influence can also be heard, in the musical backing, so fans of his will likely find this song extremely compelling.

Mystery Lady slows the tempo slightly but don’t let that deter you for this mid-tempo number has a smooth, jazzy feel, and a laid-back rhythm that is Ocean 101.

Syncopation is, perhaps, one of the most interesting song titles one could come up with, yet it works perfectly for Ocean’s pronunciation style. That aside, Syncopation is a beautiful tune that, despite being an album-only number, is a contributing factor as to why Suddenly is such an incredible album experience from start to finish.

The Long And Winding Road is a Beatles’ cover from their 1970 release Let It Be and is one of the most beautiful interpretations of the song I’ve ever had the pleasure of hearing. It remains true to the original, but with Ocean’s style and a touch of the 80s to go along with it for good measure.

Loverboy is an atmospheric dream come true, as it applies to the song’s introduction, for the multi-layered presentation is superb. Ocean’s vocal is exceptional here, particularly during the bridge, but it’s the chorus and the musical accompaniment that sets Loverboy apart from the other songs on the album. The driving rhythm, with its mixture of pop and rock stylings, will quickly meld with your soul as this is one catchy tune.

Lucky Man has a somewhat relaxed groove, following Loverboy, but this mid-tempo number with its smooth bassline and subtle synth elements is a thoroughly pleasing tune. It’s a quintessential album-only number and all songs need not be a standout for an album, such as Suddenly, to be exceptional.

Dancefloor will compel you to get on the Dancefloor for despite having two left feet, this song permeates my soul with its funky rhythm.

If I Should Lose You is a lovely mid-tempo album-only tune that further confirms Ocean’s exceptional vocal talents. While the backing musical bed is fundamental in its approach, its arrangement is thoroughly pleasing to the senses, thereby allowing you to lose yourself within the music.

Suddenly is a true masterpiece. Ocean’s vocal prowess is on display and his tones are so smooth, and recorded so well, that you’ll feel as if he is in the room with you, singing this beautiful ballad. It’s an ideal closer, one that offers reflection whilst also encouraging you to play the record again as Suddenly is one album that is easily put on repeat for it’s nothing short of exceptional.

If there was one album that could adequately showcase 80s-era post-disco pop to a new music lover, Suddenly would be that album. Impeccably recorded with a series of songs that meld together beautifully, Suddenly is not only one of the greatest albums Billy Ocean ever recorded, but is amongst the best albums released in the 80s; particularly in 1984. If you don’t have this album in your music library, ask yourself why not as it’s a timeless classic.

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Spandau Ballet – Heart Like A Sky (Album Review)

Released in 1989, Heart Like A Sky is Spandau Ballet’s sixth studio album; a record that is an often-overlooked gem that encapsulates the band's sophisticated pop and new wave sound. Delivering a mix of introspective lyrics and a highly polished production, Heart Like A Sky showcases that even though it was to be the band’s final studio release, of completely original material, it’s amongst their best recordings with a song selection that plays akin to a greatest hits release. Granted, the album failed to set the charts on fire, but success at the cash register is often a poor indicator of quality.

Speaking of quality, the album artwork is exquisite and while released during the era when the vinyl record was declining in popularity, this is one album deserving of a reissue on the larger vinyl format. Interestingly, the reissue label, Music On CD (the CD counterpart to Music On Vinyl) re-released the album in 2017, yet no vinyl release was forthcoming. This omission was most likely due to the lacklustre sales performance of the album, but I believe that all music should be reissued on both formats as it not only appeases fans but has the potential to deliver the album to an entirely new audience; one that may be experiencing it for the very first time.

Turning our attention to the production values of the record and the lossless Apple Music stream, a CD-equivalent counterpart, it sounds simply exquisite. One can appreciate the recording, mix, and mastering, for 80s-era music is seldom this sonically pleasing. You’ll be met with an encapsulating soundstage, one that is perfectly balanced and allows each musical element space to breathe. Most importantly, however, it screams of Spandau Ballet’s style. With that in mind, dear reader, join me as we take a look at the music that makes up this hidden gem.

Be Free With Your Love opens the album vibrantly with its upbeat tempo and catchy chorus. Tony Hadley’s vocals are, as usual, exceptional but it’s the culmination of all aspects that make Be Free With Your Love such a compelling opening that is also perfectly suited to the sounds of the late 80s.

Crashed Into Love is a melodious number characterised by its lush instrumentation, as well as Hadley’s emotive delivery. It is, however, the bridge and chorus that grab me each time I hear this classic tune for it’s thoroughly pleasing to the senses.

Big Feeling is layered with the synth-driven elements that categorised the 80s. That isn’t a bad thing, unless you’re not interested in 80s nostalgia, but the catchy hook, sleek production, and blend of electronic and traditional rock elements highlight the band's versatility.

A Matter of Time is a slower, more contemplative song with a minimalistic arrangement that allows Hadley’s soulful vocals to take centre stage. It is, subsequently, one of the most beautiful tunes Spandau Ballet ever recorded and one of the very best songs released in the 80s.

Motivator brings the album back to a more upbeat tempo and while it isn’t a jolt to the senses, following the exceptional A Matter Of Time, Motivator is most certainly an album-only tune. That shouldn’t be seen as a negative aspect for songs like Motivator are essential in ensuring the album experience is memorable.

Raw is a standout track with its blending of elements of rock and funk, with a bold and edgy 80s new wave sound. It’s addictively good and you’ll no doubt find yourself toe-tapping and head-bopping along to the song.

Empty Spaces has a melancholic tone with a haunting melody that will resonate with your senses. Hadley’s vocal presentation is, again, flawless and perfectly positioned in the mix and the musical bed is layered beautifully, ensuring that you’ll not only hear each element perfectly, but upon repeat plays, you’ll likely come away from Empty Spaces with a greater appreciation for the tune and Spandau Ballet.

Windy Town is a mid-tempo number with a breezy melody. It’s a standout track and that’s partly due to the addition of The Phantom Horns for their inclusion ensures that Windy Town goes beyond what one would consider to be a Spandau Ballet tune.

A Handful of Dust is a stunning closing song that will not only leave you in a contemplative mood but will encourage you to play the album again. Featuring a rich and layered arrangement, with Hadley’s evocative vocals, A Handful Of Dust is another hidden gem that ensures Heart Like A Sky is the sum of its parts, rather than merely a series of haphazardly thrown-together tunes.

Heart Like A Sky is, truly, a testament to Spandau Ballet's musical prowess and artistic growth. The album blends catchy pop melodies with deeper, more introspective themes, showcasing the band's ability to evolve while staying true to their roots. Each track offers something unique, contributing to a cohesive yet diverse listening experience that is equally memorable. If you’ve yet to experience Heart Like A Sky or have dismissed it over the years, give it a play for you may find, as I have, that this album is one of the most underrated releases of 1989.

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Michael Bolton – Soul Provider (Album Review)

Released in 1989, Soul Provider, Michael Bolton's sixth studio album firmly established him as a powerhouse in the adult contemporary and pop-rock genres. Known for his raspy yet soulful voice, Bolton delivers a collection of songs that balance power ballads with upbeat tracks, showcasing his vocal prowess and passionate delivery. Most importantly, there is a focus and level of cohesion not heard on his earlier releases. While some will lament the soppy love song style of Soul Provider, no one can deny the success this formula generated for this exceptionally talented musician.

Sonically, Soul Provider is amongst the very best recorded, mixed, and mastered albums of the era. Every aspect has been carefully considered and is perfectly aligned with Bolton’s overall style. The result is a record that is thoroughly enjoyable to listen to, so much so that even the lossless Apple Music stream offers a pleasant listening experience that will appeal to even the most ardent audiophiles. Granted, as with all albums, Soul Provider won’t appeal to everyone. However, for those of us who do appreciate the album, it is easy to understand why it has sold more than 12 million copies; for it is exceptional.

Soul Provider, with its soulful melody and heartfelt lyrics, launches the album superbly. Kenny G features prominently on saxophone and the song is, most certainly, stronger for his inclusion; especially when it comes to his short, but magnificent, solo.

Georgia On My Mind pays homage to Ray Charles’ legendary interpretation of the song. Bolton’s rendition is emotionally charged, with a rich orchestral arrangement that further highlights the timeless nature of the song. Georgia On My Mind may forever be associated with Ray Charles, but Bolton’s is one of the best interpretations; another being Willie Nelson’s from his 1978 release, Stardust.

It's Only My Heart is one of the strongest songs on the album, yet it wasn’t released as a single. Of course, when you have a selection of songs as strong as those featured on Soul Provider, some naturally have to remain as album-only tunes and in this case, It's Only My Heart is a hidden gem. Yes, it is 80s 101, but unless you dislike 80s-era recordings, that isn’t a bad thing.

How Am I Supposed To Live Without You is, arguably, the most well-known song from the album for it wasn’t only a massive hit for Bolton, but this powerful ballad also saw incredible success for Laura Branigan when she released it as a single in 1983. The song's poignant lyrics, lush production, and soaring chorus have made it a classic; one that resulted in Bolton winning a Grammy Award for the song in the Best Male Pop Vocal Performance category.

How Can We Be Lovers switches gears with this upbeat, catchy, pop-rock anthem. Featuring memorable guitar riffs and dynamic percussion, it's one of the more radio-friendly tracks on the album and one of Bolton’s greatest recordings.

You Wouldn't Know Love is an incredible rocking tune that suits Bolton perfectly for as strong as Cher’s Heart Of Stone album is, her rendition simply doesn’t have the oomph that Bolton could deliver; despite the same musical composition. Either way, if you haven’t already, this is one song that you will want to turn the volume up on for the only way to listen to You Wouldn't Know Love is at room-filling levels.

When I'm Back On My Feet Again is a beautiful song that speaks to the resilience and determination to overcome adversity. While Diane Warren penned it with her late father in mind, it’s such an inspirational tune that it can be applied to all, and any, challenges we face throughout our lives. Ultimately, Bolton’s performance is uplifting and he was the perfect vocalist for this song as his vocal reach will not only touch your soul but will envelop you in the hope of better days ahead.

From Now On is a duet with Suzie Benson that blends Bolton's powerful vocal with Benson's softer tones. The song is a heartfelt promise of commitment and love, with harmonies and an understated musical bed that adds emotional depth, allows the vocals to shine. From Now On is, arguably, a perfect mix and could be considered a textbook example of how to record and mix a duet.

Love Cuts Deep is another tune that showcases Bolton’s impressive vocal range. It’s a mid-tempo number with a rock edge and some incredible musical elements that drive the song forward. Yes, it’s an album-only tune, one that was never destined to be a chart-topper, but songs such as this ensure that the album experience is stronger than the hits alone.

Stand Up for Love is a beautiful closer with a dynamic arrangement that, again, highlights Bolton’s powerful vocals. Stand Up For Love will leave you in a contemplative mood whilst simultaneously encouraging you to spin the record again and is, therefore, the quintessential album closer.

Soul Provider, as an album, encapsulates Michael Bolton's strengths as a vocalist and songwriter. The mix of ballads and upbeat tracks showcase his versatility, while the polished production ensures each song shines. The emotional depth of his performances, combined with memorable melodies, makes this album a standout in his discography and one of the best albums released in the 80s; certainly in 1989.

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Cher – Heart Of Stone (Album Review)

Few artists have such a storied career as Cher and while her output has been received with varied levels of acclaim, her staying power ensured that Heart Of Stone was a monumental success; one that is easily amongst the greatest albums released in 1989.

As her nineteenth studio album, Heart Of Stone stands as a career-defining moment and is, arguably, her greatest musical achievement. As versatile as Cher is, however, the song selection is incomparable for there isn’t a B-side to be found. Featuring music that blends rock and pop, a healthy dose of 80s-era styles, and songs written by a who’s who of the music industry, Heart Of Stone is a quintessential album experience that combines these cues with Cher’s vocal distinctiveness.

Speaking of contributors, from both the songwriting and production perspectives, when you have the likes of Michael Bolton, Desmond Child, Diane Warren, Jon Bon Jovi, and Richie Sambora all contributing, magic was bound to follow. Naturally, with so many different influences, the album’s fluidity could have become disjointed, but Cher’s vocal control ensures that the album and chosen songs are nothing short of exceptional. Her deep, resonant voice is perfectly suited to the rock and ballad genres and she brings a unique blend of power and emotion to each track, ensuring that all songs have a lasting impact and a contemporary sound that remains relevant to modern listeners.

While the songs, and album as a whole, are largely timeless, the mastering of the record is beginning to show its age. Granted, Heart Of Stone has all the 80s cues you could ask for when considering this album from a perspective of nostalgia, but it really needs a remaster; that is unless you have tone controls on your modern music playback system. Yes, dear reader, Heart Of Stone has a flat transfer, an aspect that was somewhat common in an era when just about every music playback system had some sort of equaliser built in. In the modern era, however, DSP (Digital Signal Processing) drives how we hear the music we love. While it doesn’t require the fiddling that was associated with legacy setups, and is sometimes unmodifiable by the end user, it isn’t nearly as flexible, and subsequently as subjective, as tone control settings once were. All that is to say that as much as I adore Heart Of Stone, it needs a boost in the mid to low-end range of the audio spectrum to really come alive.

Of course, if you’d like to hear how an album of the late 80s sounds sans a remaster, then the lossless Apple Music stream provides a great example. To some, we may have come a long way. To others, we may have gone backwards as the loudness wars and inefficient hardware have forever changed how music is mastered and delivered. What is undeniable, however, is how exceptional this classic album is, so join me as I take a look at the songs that make up this legendary release.

If I Could Turn Back Time is a quintessential 80s power ballad that has become Cher’s trademark tune. Written by Diane Warren, the song features a catchy chorus and memorable melody. While laced with 80s pop-rock stylings, If I Could Turn Back Time remains relevant in the modern era as Cher's commanding vocal performance, combined with the song's polished production, makes it an enduring pop-rock anthem.

Just Like Jesse James is a lovely mid-tempo number that highlights Cher’s unique vocal style; a performance that’s both powerful and nuanced.

You Wouldn't Know Love was also recorded by Michael Bolton for his 1989 album, Soul Provider. As solid as Cher’s rendition is, however, it doesn’t compare to Bolton’s recording; especially when the composition of the two is identical and the core difference is down to the lead vocals. That said, had Bolton not recorded the tune he penned with Diane Warren, Cher’s would be exceptional as it blends her gritty passionate vocals with a touch of rock intensity.

Heart Of Stone is a beautiful ballad-styled tune that stands out as one of the best songs from the album and is, subsequently, the ideal title track as Cher’s deep emotive vocals, and the accompanying backing vocal element, are sensational to listen to. As a cover of the Bucks Fizz original recording, Heart Of Stone most certainly suits Cher’s vocal style and complements the original recording; a thoroughly enjoyable rendition of Andy Hill and Pete Sinfield’s penned classic.

Still In Love With You has a killer melody and the 80s written all over it. That’s a good thing, in case you were wondering, as songs like Still In Love With You remain timeless.

Love On A Rooftop is a hidden gem for Cher’s vocals are vibrant and engaging, perfectly capturing the song's sense of excitement and spontaneity.

Emotional Fire is a high-energy rocker with a powerful chorus and dynamic instrumentation. Cher's performance is fiery and intense, but it is Bonnie Tyler and Michael Bolton’s backing vocals that set this track on fire, along with the driving rhythm and strong guitar presence.

All Because Of You is a magnificent ballad featuring heartfelt lyrics and a strong melody. As is the case throughout the entire album, Cher's vocals are rich and expressive but on songs such as All Because Of You, they come alive with a level of sincerity that adds to the warm and inviting sound of the record.

Does Anybody Really Fall In Love Anymore? is one of the best songs from the album and one of the greatest songs Cher ever recorded. Co-written by Jon Bon Jovi and Richie Sambora, along with Diane Warren and Desmond Child, it has Bon Jovi’s style written all over it, but the lush production ensures that Cher’s vocal performance of this hidden gem is spectacular. This is, however, one song that I feel would benefit most from a remaster for as good as the current edition is, I wouldn’t mind betting that there’s an additional level of oomph that’s present on the original master recording.

Starting Over isn’t a standout, per se, but it’s a lovely tune that ensures the album experience remains cohesive and fluid. When the chorus enters the mix, the song picks up as Cher’s vocals are both strong and uplifting, thereby allowing the song’s intent of creating a sense of hope and renewal to shine through.

Kiss To Kiss slows the tempo a little as this captivatingly seductive mid-tempo number highlights Cher’s sultry vocal delivery.

After All (Love Theme From "Chances Are”) is a duet with Peter Cetera and it’s absolutely magnificent. Cher's and Cetera's voices blend beautifully, delivering a poignant and memorable performance that will see you contemplating the music you’ve just heard, while also feeling compelled to listen to the album again.

Cher’s career can be defined in numerous ways, but it’s fair to say that as it pertains to her musical endeavours, Heart Of Stone is a career highlight; one that showcases her adaptability and enduring talent. Its mix of rock anthems and heartfelt ballads showcases Cher at her very best, supported by stellar production and songwriting. Yes, a remaster would be appreciated, but whether you're a long-time fan or new to her music, Heart Of Stone offers a compelling listening experience that captures the essence of both Cher and the era.

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Belinda Carlisle – Runaway Horses (Album Review)

Released in 1989, Runaway Horses represents a pivotal moment in Belinda Carlisle’s career as despite it being her third solo studio release, and her being most notably associated as a co-founder and lead vocalist of The Go-Go’s, Runaway Horses can be viewed as her magnum opus. Yet, it wasn’t as successful as her preceding solo studio release, Heaven On Earth; a solid album but one that is slightly inferior to the fluidity offered with Runaway Horses. Popularity aside, Runaway Horses cemented Carlisle’s place in the pop-rock pantheon of the late 80s for it is all killer with no filler.

With an eclectic mix of upbeat pop anthems and introspective ballads, Runaway Horses is a compelling showcase of Carlisle's vocal prowess and artistic evolution. That said, it’s important to correctly credit the creative individuals behind the music we love for as talented as Carlisle is, she only co-wrote a single song (Shades Of Michaelangelo) with the core songwriting across the record being done by Rick Nowels and Ellen Shipley. Nowels and Shipley were also responsible for Carlisle’s hit single Heaven Is A Place On Earth from Heaven On Earth. While some purists may be perturbed by the following statement, it is nevertheless true that Carlisle’s success, as a solo artist, can be attributed to the incredible songwriting of Nowels and Shipley. The amalgamation of their songs and Carlisle’s exceptional vocal delivery created a lasting impact on both Carlisle’s career and the era’s musical landscape.

Speaking of Nowels, he also produced the record, ensuring that each track was meticulously crafted. The album also has just about every 80s cue you can imagine for its lush, multi-layered, soundscapes will not only deliver longtime fans a healthy dose of nostalgia, but will transport them, and any modern music lover back to what could be considered a simpler era where singles, live performances on television, interviews in magazines, and albums reigned supreme. Unlike the modern era, the excitement for a new release was palpable and an event in and of itself. Whether or not you lived through the 80s, one thing is for certain, Runaway Horses is reflective of the era, with a focus on a rich and immersive listening experience.

Of course, once the singing, songwriting, and production values have been considered, one has to turn their attention to the musicians. While the highly talented Nowels contributes throughout on guitar and keyboards, you also have industry legends such as Kenny Aronoff, Bryan Adams, and George Harrison, amongst others, contributing to the album’s sound. Yes, dear reader, it's that George Harrison; the one from The Beatles. Granted, Carlisle was already well-established by this time, but to have a legend such as Harrison play on your record must have been an incredible honour.

As it pertains to the listening of the album, while I’ve never been fortunate to have owned this release, the lossless Apple Music stream is derived from the 2013 remastered edition and is a sonically admirable release. It isn’t, however, representative of the very best sonic reproduction, for the low end is a little anaemic, thereby slightly reducing the bombastic presentation often featured in pop music from the late 80s. That said, if you’re not a fan of bass, you’ll probably appreciate the chosen mastering and there’s nothing wrong with tweaking the EQ levels, on occasion, to boost the low end of the spectrum. As our subjective tastes differ, I implore you to give the stream a listen, as you read through my thoughts on the songs themselves, but if you’re like me you may feel the mastering is a little too reserved.

Leave A Light On is an infectious upbeat track with a catchy melody and vibrant arrangement that will draw you in from the very first note. Carlisle's vocals are both powerful and polished, perfectly complementing the song’s energetic rhythm, ensuring that Leave A Light On is the quintessential opening track. It also features George Harrison’s masterful slide guitar that adds additional depth to the tune and matches the song’s musical style perfectly. Leave A Light On is, subsequently, one of the greatest songs ever recorded.

Runaway Horses slows the tempo slightly, but this title track, with its mid-tempo beat and lush arrangement, creates a rich sonic landscape that is highly compelling. Again, as will also be the case throughout the entire album, Carlisle’s vocal control is capable of conveying deep and emotional narratives for those of you who are interested in lyrical intent. Even if, like me, you prefer to appreciate the human vocal as an instrumental element within the mix, rather than a storytelling device, Carlisle’s pronunciation is so incredible that you’ll find yourself captivated.

Vision Of You is a magnificent ballad with sweeping melodies that highlight Carlisle’s vocal prowess and when you listen to her quivering pitch, you can’t help but be reminded that this was recorded before the introduction of autotune; an example of just how exceptional a vocalist Carlisle is.

Summer Rain is a testament to Carlisle's ability to tell a compelling story through her music, thereby making it one of the album's most enduring songs. The arrangement builds beautifully throughout, but her chosen vocal pitch is what truly makes the song shine, for the lower range in the verses, and the higher octaves throughout the chorus, make Summer Rain a textbook example of how to vocally deliver an exceptional song.

La Luna adds a touch of mysticism and variety to the album with its Latin-inspired rhythms and atmospheric production. The song’s exotic feel is enhanced by Carlisle’s sultry vocal performance and the instrumental elements featuring flamenco-style guitars and percussion that create a lush and immersive soundstage.

(We Want) The Same Thing picks up the pace with a driving beat and a rebellious spirit. This energetic song is a quintessential late-80s pop-rock anthem; particularly regarding the song’s powerful chorus. Carlisle's dynamic vocal performance, coupled with the song’s infectious energy, make it a standout track that exemplifies the album’s overall upbeat and optimistic vibe.

Deep Deep Ocean is a hidden gem for those not familiar with the record. It’s also one of those songs that is guaranteed to create a mondegreen in your mind as you’ll likely hear the lyrics Deep Deep Ocean as Deep Devotion. Intentional, or not, I love it as it creates a deeply immersive and emotionally resonant listening experience.

Valentine is another magnificent highlight from the album; one that could be classed as a hidden gem. While Valentine wasn’t released as a single, even though it could have done exceptionally well on the charts during the era, it’s album-only tracks such as this that make Runaway Horses an exceptional album experience from start to finish.

Whatever It Takes has a solid pop-rock arrangement and engaging melody. It’s another of Carlisle’s exceptional album-only tunes and what’s most intriguing is the mixing decision for the vocals are laid beautifully atop the instrumental bed, but Bryan Adams’ backing vocals are so recessed that unless you check the liner notes, you’d likely miss his inclusion as his trademark vocal cues are a little too subdued in the mix. That said, his backing vocal is meant to be complementary to Carlisle’s lead vocal and, therefore, doesn’t detract. As a result, it could be argued that it’s a perfect mix.

Shades Of Michaelangelo features a dramatic build-up and expansive sound, with Carlisle’s vocals soaring over the grand arrangement. As the closing track, the Shades Of Michaelangelo brings the album to a powerful and satisfying conclusion. Whether or not you listen to the album again, or simply reflect on the music you’ve just heard, there is little doubt as to why Runaway Horses is such an exceptional record as it’s arguably perfect from start to finish.

Runaway Horses is, subsequently, a quintessential late-80s pop-rock album that showcases Carlisle at her artistic peak. With its memorable melodies, emotive vocals, and polished production, it remains a standout in her discography and offers fans and newcomers alike, a rewarding listening experience.

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Linda Ronstadt – Prisoner In Disguise (Album Review)

Released in 1975, Linda Ronstadt’s Prisoner In Disguise stands as a testament to her unparalleled vocal prowess and eclectic musical range. Building upon the success of her previous albums, Ronstadt continued to explore various genres, from country rock to folk-pop, with remarkable depth and authenticity.

In addition to her exceptional vocal talent, Ronstadt's impeccable taste in song selection also deserves praise for each song matches her artistic style and vision. There’s little wonder as to why Prisoner In Disguise was a success and has had a long-lasting appeal to music lovers of just about all genres. The production is similarly impeccable with Peter Asher in the production chair, Val Garay engineering the record, and Doug Sax undertaking the mastering. The combined talent of these individuals, and the musicians, in conjunction with Ronstadt, ensures that this is a timeless album that will appeal to humanity for decades to come.

More than that, however, the cover art design does a phenomenal job of capturing this music lover’s attention and, there’s no doubt that the striking cover art would have stood out in any record store, the world over, upon release. Unfortunately, this seminal release is long out of print on vinyl with the last reissue being in 2008 with the Mobile Fidelity Sound Lab release. Digital formats have faired a little better with various CD reissues, being released up to 2014. Since then, however, one is expected to source the album from digital download stores or music streaming services. The version I have access to is the Hi-Res Lossless Apple Music stream, an Apple Digital Master, and it is sublime. While I can’t comment about the sonic quality in relation to any other edition, when music sounds this good I decide to leave well enough alone and simply enjoy the album. That all said, if you have the time, join me as I take a look at the songs that make up this exceptional release.

Love Is A Rose opens the album with a lively and infectious energy. Ronstadt's vocals soar above a catchy melody, delivering lyrics that speak to the complexities of love. The song features a country-rock vibe with prominent acoustic guitar and driving rhythms, setting the stage for the eclectic mix of musical styles to come. Written by Neil Young, his rendition is enjoyable but Ronstadt’s interpretation, with a bolder country twang and a slight increase in tempo, suits the song far better than Young’s original does.

Hey Mister, That's Me Up On The Jukebox is a cover of James Taylor's song that showcases Ronstadt's ability to infuse her unique style into a folk-pop classic. The stripped-down arrangement puts the focus squarely on Ronstadt's emotive vocals and poignant storytelling and it’s the mix that impresses me most as the layered musicality is nothing short of magical. Taylor’s original is magnificent, but Ronstadt has recorded an incredible rendition and made it her own.

Roll Um Easy is a standout tune with a laid-back groove and soulful vibe. Ronstadt's sultry vocals glide effortlessly over the smooth instrumentation, creating a mesmerising sonic landscape that will draw you in from the very first note to the last.

Tracks Of My Tears is an idealistic soulful interpretation of Smokey Robinson And The Miracles' classic tune. Ronstadt’s emotive vocals are front and centre, conveying the heartache and longing expressed in the lyrics with raw intensity. The lush orchestration adds depth and texture to the song, elevating it to timeless status. Whether or not you’re a fan of the original, one thing is for certain, Ronstadt recorded this song beautifully and in the process, made it a classic.

Prisoner In Disguise is a hauntingly beautiful ballad that showcases Ronstadt's vulnerability as a vocalist. The poignant lyrics, combined with Ronstadt's expressive delivery, create a sense of emotional resonance that lingers long after the song ends. J. D. Souther’s vocal harmonies are a perfect addition to the mix, one that ensures the lush arrangement adds to the song's atmospheric quality.

Heat Wave is a high-energy cover of the Martha Reeves & The Vandellas classic. Ronstadt's powerhouse vocals, along with the infectious rhythm and catchy melody make it impossible to resist for Ronstadt's electrifying performance injects new life into this timeless hit. Yes, the original is spectacular, but as with most of the songs Ronstadt covered, she performed them so well that they rival, and in this case, surpass the original.

Many Rivers To Cross is one of countless covers of this Jimmy Cliff classic, but keeping with a stripped-down arrangement allows Ronstadt's emotive vocals to take centre stage, conveying the song's themes of perseverance and resilience with raw intensity. It really is one of the best covers I’ve ever heard of this classic tune and given the number of renowned artists that have performed this number, that’s saying something.

The Sweetest Gift is a beautiful tune that features Emmylou Harris. The combination of these two powerhouse vocalists imbue the song with a sense of warmth and sincerity, thereby making it a standout moment on the album.

You Tell Me That I'm Falling Down masterfully combines elements of folk and soft rock, with Ronstadt's emotive vocals soaring over a lush backdrop of acoustic guitar and subtle percussion. The introspective lyrics and haunting melody create a further sense of melancholy that will resonate with listeners on a deeper level.

I Will Always Love You is a beautiful cover of this Dolly Parton classic. Naturally, however, Whitney Houston’s rendition will forever be the go-to edition for that interpretation bests both this and Parton’s original. Nevertheless, I Will Always Love You is such a magnificent tune that there is always room for more and Ronstadt certainly doesn’t disappoint as the arrangement puts the focus squarely on her emotive delivery, allowing the beauty of the song's melody and lyrics to shine through.

Silver Blue closes the album on a high note that will encourage you to spin the record again. Ronstadt's powerful vocals and impeccable phrasing perfectly complement the musical bed thereby making this an album-only tune that will stay with you well after the album has ended.

Throughout Prisoner In Disguise, Ronstadt effortlessly transitions between musical styles, seamlessly blending elements of rock, folk, and country into a cohesive and compelling sound. Whether she's belting out rock anthems or delivering heartfelt ballads, Ronstadt’s dynamic vocal range shines brightly, captivating listeners with each note. With its enchanting melodies, soul-stirring lyrics, and impeccable performances, this album continues to captivate audiences decades after its release, solidifying Ronstadt's status as one of the greatest vocalists of her generation.

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