Nazareth – Snakes 'n' Ladders (Album Review)

Released in 1989, Nazareth’s Snakes 'n' Ladders is not only one of the most underrated albums released by this classic band, but it is the very definition of a hidden gem. Featuring soaring vocals and their signature hard rock flair, Snakes 'n' Ladders continued to showcase the band’s dedication to their art; even as their commercial success waned. Perhaps it could be suggested that the frequency in which Nazareth was pumping out albums caused fatigue amongst fans, or maybe it was simply a changing of the musical landscape that resulted in lacklustre sales and interest from music lovers. What it most certainly wasn’t, however, was Nazareth’s musical talent for as much as I adore and consider Hair Of The Dog to be their greatest album, it is but one album in an exceptional career spanning more than five decades and Snakes 'n' Ladders is, in every way imaginable, it’s equal.

For long-time fans of the Scottish rockers, Snakes 'n' Ladders is also notable in that it marked the final studio release to feature Manny Charlton, the legendary guitarist who laid down some of hard rock’s greatest licks and riffs. However, as with much of Nazareth’s back catalogue, the output was truly a band effort and singling out individuals only aims to highlight their specific musical contribution of which Charlton’s was essential.

From a visual standpoint, some may lament the low-key album artwork, but it’s one of their more compelling record covers and a massive improvement over the cover art of their 1986 release, Cinema. Sonically, while I don’t currently own a physical release of this classic album, the lossless Apple Music stream is more than adequate and is most likely an exact copy of the 1997 remastered reissue as it contains the same 14-track structure as that release. Subsequently, if you already have access to that reissue, the streaming edition is unlikely to offer you any sonic differences. That said, the recording, mix, and mastering are ideal and at no time will you feel as if the sound is lacking for the soundstage is well developed and the album rocks.

Additionally, while I appreciate that many of you enjoy bonus material, I am less enamoured with it, particularly as it pertains to adding live recordings to the backend of studio albums. Subsequently, as we take a look at the songs that make up this incredible release, you will notice that the two live recordings of Woke Up This Morning and Bad Bad Boy have been omitted.

Animals launches the album with a masterful rhythmic beat that melds into a song with country rock tuning. McCafferty’s vocals are exceptionally strong, as has always been the case, but when combined with the overall mix of Animals, you’ll be blown away by this underrated opening track as the raw essence of Nazareth’s rock roots comes shining through.

Lady Luck shifts the pace slightly with this mid-tempo bluesy number. Charlton’s guitar work on this song is to be commended for his playing is simply magnificent as it complements the song’s laid-back soulful vibe. The result is a killer tune that deserves to be heard by all but has sadly only been heard by die-hard fans of the band.   

Hang On To A Dream features a more melodic and contemplative sound, when compared to the previous tunes, but the ballad-like quality of Hang On To A Dream provides a pleasant contrast to the album’s heavier songs. McCafferty’s vocals are, again, a highlight, but as you listen to the song, you’ll likely be amazed by the lush production as this tune is multi-layered and has a mix that is an absolute pleasure to listen to.

Piece Of My Heart is a cover of Erma Franklin’s original 1967 tune and is a darn good one. While it pays homage to the original, Nazareth infuses the song with their signature style. The result is an exceptional hard rock interpretation featuring powerful vocals and a solid instrumental backing. Granted, there is no shortage of interpretations for Piece Of My Heart, but none are quite like Nazareth’s.

Trouble brings back the hard-hitting rock sound with a fast-paced energetic rhythm. McCafferty sings his soul out, on this tune, and the musical bed showcases the band’s ability to craft engaging rock anthems for Trouble is a sonic delight and a highlight of the album.

The Key has a killer opening guitar lick that remains constant throughout the song. However, it becomes a little fatiguing as you’re waiting patiently for the song’s direction to change, but it doesn’t do so until almost halfway through the song, then returns to the same lick. It had promise, but The Key is most certainly an album-only tune, a solid one, but not a memorable one.

Back To School is a fun, upbeat track, with a rebellious spirit that captures the essence of rock ’n’ roll’s carefree attitude.

Girls is a straightforward rocker with a catchy hook and McCafferty’s characteristic raspy vocals shine through on this enjoyable no-frills track.

Donna - Get Off That Crack is a great tune, from a musical perspective, but more importantly addresses the serious issue of drug addiction; an aspect of life that is unfortunately still prevalent in the world today. It is, therefore, a shame that so few will hear this song for the gravity of the subject matter can’t be understated.

See You See Me is a melodic soft rock number that was never destined to be a standout, but I’ll be damned if it isn’t worthy of an Essentials, or Deep Cuts, playlist; it’s that good!

Helpless is the album’s original closer and while the slow build lacks the finesse and drive of Nazareth’s other songs, this Crosby, Stills, Nash & Young cover is a lovely tip of the hat to the supergroup. The instrumentation is rich and layered, with McCafferty delivering an impassioned vocal performance, and while it will leave you in a contemplative mood, I’m glad to say that my preferred tracking sees Winner On The Night as the closing tune for it’s a stronger finale, in an otherwise exceptional album.

Winner On The Night is an exceptional tune and one in which McCafferty knocks it out of the park for his vocal dexterity here is magnificent. My only complaint is that the fadeout is a little abrupt. Nevertheless, while some may prefer the closing track Helpless, Winner Of The Night is much more in line with Nazareth’s overall style and it therefore not only allows for reflection but will see you compelled to play the record again for this is one release that can be seldom listened to only once.

Overall, Snakes 'n' Ladders is a testament to Nazareth’s enduring ability to adapt and evolve while staying true to their rock roots. Yes, it wasn’t a commercial success for the band, but with the album’s mix of hard-hitting rockers and melodic ballads, this is one release that offers something for every fan whilst remaining a hidden gem within their extensive back catalogue. If you’re a fan of classic rock, don’t overlook this masterpiece for it is amongst their greatest works and is one of the best albums of the 80s; particularly 1989.

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Nazareth – Hair Of The Dog (Album Review)

Released in 1975, Nazareth’s Hair Of The Dog encapsulates the essence of the era’s hard rock genre with its gritty vocals, powerful guitar riffs, and infectious melodies. Not only is this album exceptional but it has stood the test of time with notable tunes such as Hair Of The Dog and Love Hurts, both of which continue to be relevant in the modern zeitgeist.

While Hair Of The Dog is Nazareth’s sixth studio release, the album's raw production gives it an authentic feel that, in many respects, captures the core energy of the band. That, however, isn’t to suggest that Hair Of The Dog suffers from a lack of production, anything but, but the rawness enhances their music far greater on this release than any others. Also enhancing the album is the 2010 remaster as delivered via Apple Music. This CD-quality counterpart is superb with a well-defined soundstage that allows for ample separation between all musical elements. It also has plenty of headroom, thereby allowing you to crank the volume and rock out; just like it should be! That all said, perhaps the greatest compliment I can give the stream is that it sounds so good that I don’t feel compelled to seek out a physical release; even if I do long for one of the various vinyl reissues as the cover art is magnificent.

Of course, Hair Of The Dog is all about the music-listening experience. The album’s linear structure is flawless and if you have the time to, take a listen to the album and join me as I look at the eight songs that make up this landmark release. Yes, the Apple Music stream offers a series of bonus material, just as the CD releases did, but for this review, I’ll be focusing on the album’s linear structure that concludes with Love Hurts for I feel it is the strongest tracking available. It is important to note, however, that if you are seeking a physical reissue, on vinyl, not all re-releases contain this classic tune. It may be frustrating but it’s a by-product from an era when different linear structures were released in different regions.

Hair Of The Dog will immediately grab your attention with its memorable riff and swaggering attitude. Dan McCafferty's raspy vocal perfectly complements the heavy, bluesy instrumentation, that sets the tone for the rest of the album. Plus, who doesn’t love their famous refrain "Now you're messin' with a son of a bitch,” for it’s a masterstroke of lyricism and ensures Hair Of The Dog is a quintessential hard rock anthem.

Guns N’ Roses would cover Hair Of The Dog on their 1993 covers album, The Spaghetti Incident? and as much as I love the original, I’ve got to say that I prefer the slightly more rhythmic presentation that Guns N’ Roses were able to bring to the tune as it further emphasises the undertone of aggression that is present within the song.

Miss Misery launches with a killer riff before McCafferty’s soaring vocal enters the mix with the rest of the band launching into an incredibly rhythmic thunderous performance. Filled with passion and intensity, that is highly addictive, Miss Misery is a monster of a song that will have you coming back for more as it’s a flawless hard rock tune.

Guilty slows down the pace with its bluesy groove and soulful vocals. Featuring a memorable guitar riff and a laid-back vibe, Guilty will appeal to those of us who appreciate a diverse styling throughout our hard rock albums. Some may dislike it because it is considerably different to the songs that have come before it, but McCafferty's raw and emotive vocal delivery is simply magnificent and the sign of an exceptional hard rock vocalist is often found in slower-styled ballad recordings such as Guilty.

Changin' Times sets the pace back to that of a driving rhythm featuring a catchy melody and infectious rhythm. As solid as Changin' Times is, the most notable aspect is McCafferty’s vocal prowess as the man could certainly belt out a tune, with clarity and finesse, like few others within the hard rock and metal genres can.

Beggars Day/Rose In The Heather is a hard-hitting rocker with a driving rhythm and infectious energy. McCafferty's vocals are, as is the case throughout the entire album, full of attitude and swagger, while the band's tight musicianship keeps the song charging forward with unstoppable momentum.

Whiskey Drinkin' Woman is a blues-infused track featuring a gritty vibe. The song's laid-back groove and soulful instrumentation make it a standout on the album, but as you listen to the song you’ll soon come to realise that it would be perfectly played in any drinking establishment, anywhere in the world.

Please Don't Judas Me features a stripped-down haunting atmospheric presentation that blends some incredible musicality with McCafferty's emotive vocal presentation. As McCafferty pleads, "Please Don't Judas Me," the song builds to a powerful climax, leaving a lasting impression long after the music fades away. Masterpiece, while often overused, is the only way to describe this sensational song.

Love Hurts (Single Edit) is one of my all-time favourite Nazareth tunes and while there will be some that dislike ballads, I love them. This one, in particular, showcases McCafferty's vocal prowess with its poignant lyrics and haunting melody that will strike a chord with music lovers and is a core reason why this version has become a timeless classic.

It is, however, a cover that first appeared on the Everly Brothers’ 1960 release, A Date With The Everly Brothers. Their original is lovely but as with other renditions, I feel that Nazareth took the song, added their unique styling to it, and made it their own. Granted, there isn’t a bad interpretation to be heard, but Love Hurts is an ideal closing tune for the album; even if it wasn’t the closer for the record in all regions.

Hair Of The Dog, subsequently, is a must-have for any hard rock music fan. Its combination of hard-hitting rockers and heartfelt ballads makes it a timeless classic that continues to resonate with audiences decades after its release and Nazareth's signature sound and powerful performances ensure that this album remains a standout in their discography and a cornerstone of 1970s rock music.

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