![Moxy – Moxy (Self-Titled) [Album Review]](https://images.squarespace-cdn.com/content/v1/565c1ab5e4b05079e4bfa169/1715254191449-KSP1IW5OBJTFMXRKZ0YV/Moxy+Self-Titled+1975+Album+Cover.jpg)
Released in 1975, Moxy’s self-titled debut is a classic recording, offering a raw and energetic display of classic hard rock elements. It’s one of those albums that is best heard in its intended linear structure for as powerful as the individual songs are, the musicianship, throughout, is top-notch, thereby creating a tight, cohesive sound that propels the album forward with relentless energy. There certainly isn’t a bad song to be heard on Moxy, nor is there a B-side. Perhaps it is the concise (sub-40 minute) runtime of the album, but if you put the time aside to appreciate this record, from start to finish, you won’t be disappointed.
Part of the appeal is the fluidity throughout as each song is perfectly positioned within the album’s overall structure. The result is that you really shouldn’t judge an album by its cover for the stark design, while striking, doesn’t detract from the album listening experience. In many respects, one could suggest that Moxy put all their creativity into the music, rather than the artwork; an aspect that has been repeated numerously with black cover art designs adorning exceptional albums throughout the years. Regardless of intent, one thing is for certain, Moxy would have looked magnificent on the shelf at a local record store and, thankfully, this classic album has once again been reissued on vinyl. While I don’t have a copy of that 2022 reissue, mainly because it costs AUD$94, the Lossless Apple Music Stream is stunning.
As for the provenance of the streamed version, Apple and the record label haven’t provided that information, but it’s reasonable to assume the stream is derived from one of the CD reissues as it isn’t an Apple Digital Master and is delivered at the CD equivalent 16-bit 44.1 kHz. While that may be a deterrent to some, ignoring the stream would be ridiculous for it’s superbly mastered with plenty of headroom that allows you to pump the volume and rock out. This is one example where there would be little benefit to having a remastered edition for it’s already, sonically, impressive. The soundstage is well developed, with clarity and depth that allows each musical element space to breathe, whilst also ensuring the entire record is presented as a rock powerhouse. Of course, you don’t have to take my word for it, take a listen to the stream below, as you peruse my thoughts on each of the eight songs, and I’ve no doubt you’ll be impressed by the music emanating from your sound system.
Fantasy is a musical masterpiece and is the perfect song to boldly open this exceptional release. Whether it’s the overall rhythm, Buzz Shearman’s extraordinary vocals, or the catchy guitar riffs, Fantasy is, without a doubt, one of their all-time greatest tunes.
Sail On Sail Away shifts the tone to a bluesy-country twang, before launching into a killer rock number that further showcases Moxy’s musical diversity and skill. I know I use this term too often, as do so many others, but when you listen to Sail On Sail Away, you can’t help but note that they don’t make music like this anymore. While I’m not suggesting that all modern music should replicate the music that came before it, imagine if we could have more music like this in the modern era. There are some notable examples, such as Rival Sons and The Cold Stares, but they’re the exception rather than the standard. My only criticism of Sail On Sail Away is that the fadeout is a little too abrupt, otherwise, it’s an incredible tune.
Can't You See I'm A Star is an anthemic rocker that exudes charisma and attitude. With its driving rhythm providing a solid foundation for the addictively good guitar riffs and Shearman's commanding vocals, even the most hardened of critics will be drawn in when listening to Can't You See I'm A Star.
Moon Rider kicks things up a notch with some of the very best guitar riffs you’re likely to hear from the 70s. It’s so compelling that I’d suggest it, and the entire album, offers some of the very best rock and roll of the 70s. Exceptional!
Time To Move On is lyrically catchy but as incredible as Shearman’s vocals are, they are the reason why this song will leave you speechless. It is the musical bed and overall performance of the band that truly shines and no more is that evident than during the spectacular mid-song jam session.
Still I Wonder, with its infectious groove and memorable hooks, will grab you from the very first moment. Yes, it’s a little more of a straightforward rock number, compared to the other songs on the album, but that isn’t a critical perspective for the song is magnificent. It just isn’t as multilayered as many of the other songs from the album. However, if all you’re after is a killer rock and roll tune, that you can play your air guitar along to, you’re going to love this hard rock number.
Train is a hard-hitting rocker with a relentless rhythm and gritty guitar riffs. Propelled by thunderous drumming and blisteringly determined guitar playing, amongst other musical aspects, Train is somewhat of a hidden gem and one that keeps getting better the more you listen to the album, especially as it pertains to the closing guitar solo and Shearman’s magnificent vocal delivery throughout the final moments of the tune.
Out Of The Darkness is an uplifting rocker with a driving beat and soaring melodies, featuring powerful vocals and an electrifying guitar performance. It’s so good that you’ll either feel compelled to play the album again or sit and contemplate the music you’ve just heard; the definition of a perfect album closer.
Moxy may have been a debut release but it’s also a classic slice of 70s hard rock that still holds up today as there isn’t a B-side to be heard. From its infectious hooks to its blistering guitar work, it's an album that should be played loud and enjoyed to the fullest. If you haven’t already, consider adding it to your music library for this is one release worth owning.