Journey – Journey (Self-Titled) [Album Review]

Released in 1975, Journey’s eponymous debut marked the beginning of a musical journey that would contribute to the sound of arena rock in the late 70s and 80s, yet this album is somewhat different in that it is jazz meets progressive rock; a combination that gives the record a compelling uniqueness.

While the sonic presentation of the album has a greater focus on the instrumental aspects, than their later albums would, this release laid the groundwork for the band’s subsequent rise to fame and set the stage for their signature blend of melodic rock, soaring vocals, and intricate instrumentation. It wasn’t, however, a commercial success but is amongst their greatest recordings and is a top-tier release from the mid-70s.

From the first track to the last, the complex musical arrangements and extended instrumental sections have created an album experience that should be heard within that context. While we’ll delve into the individual songs shortly, this is one album that is best heard in its intended linear structure. Perhaps this was apparent at the time of release for the only song to be released as a single was To Play Some Music; a tune that is good, but not great and is, arguably a poor showcase of Journey’s ability to convey human emotion through audible art.

While there are few criticisms to note, it wouldn’t surprise me if some listeners don’t enjoy this release due to the extended song lengths that, admittedly, could have been shortened. Nevertheless, Journey is an experience in and of itself and the lossless Apple Music stream goes a long way to ensuring that you’ll thoroughly enjoy the music. Every aspect of the mix is clear and the soundstage is well-defined. Perhaps the strongest praise that can be made is that it just sounds right; a very technical declaration, naturally, but one that signifies just how well this album was recorded, mixed, and mastered. Apple Music doesn’t indicate the provenance of the album but it’s fair to say that this CD counterpart is about as good as the album is going to sound sans a remastered/reissue campaign. Additionally, the sonic presence of the album is so well delivered that I simultaneously don’t want a remaster as, again, it sounds just as it should; perfect!

With all that in mind, dear reader, join me as I explore the songs that make up this exceptional, yet underrated, release.

Of A Lifetime opens the album with an incredibly dynamic fusion of rock, jazz, and progressive elements that set the tone for the entire record. Gregg Rolie’s vocal is the perfect accompaniment to the musical bed, as is Neal Schon’s sensational lead guitar riff, but it’s the combination of all musicians that makes this song one of the very best that Journey has ever recorded.

In The Morning Day is a bluesy rock number that includes an infectious groove and catchy melody. Rolie’s vocal is perfectly suited to the song, and the era, but don’t get too comfortable because around the midway point, In The Morning Day turns into a high-spirited psychedelic number that, despite shifting the tone of the song, is thoroughly enjoyable.   

Kohoutek slows the tempo somewhat with an audible journey that is best heard firsthand for the atmospheric aspect, along with the multiple layers of the song, require significant unpacking that words alone cannot adequately convey. Kohoutek is also the most progressive jazz tune, bordering on jazz fusion, from the album and the shifts may, or may not, appeal to everyone. My only criticism is it makes the song a little long, but if we focus on the jazz aspect, and the associated jamming elements of the genre, then the length and complexity make perfect sense.

To Play Some Music is, as I eluded to earlier, a solid tune but one that I wouldn’t consider being single material. It isn’t bad, it’s just an album-only tune.

Topaz opens with a marvellous sonic presentation, the musical shifts, throughout, are a little rougher than I’d ideally like for if you allow yourself to listen in a relaxed manner, you’ll likely be shocked when the tempo shift occurs. Yes, you get used to it the more you listen to the album, but it’s still there and mildly bothers me each time I listen to this song.

In My Lonely Feeling / Conversations is a musical marvel and Aynsley Dunbar’s drumming on this tune is sensational. Of course, the whole band is on fire with Schon’s lightning guitar riffs and Rolie’s smooth vocals being amongst the highlights of what can only be referred to as another of Journey’s most underrated tracks.

Mystery Mountain is the perfect album closer, one that blends the elements of rock, jazz, and blues, thereby creating a song that is not only memorable but one that will encourage you to listen to this self-titled debut again, for Journey can never be listened to only once.

Overall, Journey's self-titled debut is a strong introduction to a band that would go on to become one of the most successful rock acts of the late 20th century. While it may not have achieved commercial success, it did lay the groundwork for the band's future success and remains a testament to their musical talent and creativity. With its blend of melodic rock, virtuosic instrumentation, and emotive vocals, Journey is a classic album that deserves a place in every music lover's collection.

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Fleetwood Mac – Fleetwood Mac (Self-Titled, 1975) [Album Review]

Released in 1975, Fleetwood Mac, the band’s second self-titled album, marked a pivotal moment in Fleetwood Mac's history as it presented a transition from their blues roots to a more commercially successful sound that included a new lineup that featured Lindsey Buckingham and Stevie Nicks alongside remaining band members, Christine McVie, John McVie, and Mick Fleetwood. While everyone points to Rumours as their magnum opus, and from a sales perspective it is, Fleetwood Mac is a far stronger album with a slower overall styling that really embraced the mid-70s soft rock scene.

It’s important to note that this is the second eponymous album by Fleetwood Mac, the first being their self-titled debut release from 1968. While it is far from common to have two self-titled releases, given the lineup and structural changes of the music Fleetwood Mac had made with this 1975 release, it makes perfect sense as they were essentially relaunching the band.

While early 70s era Fleetwood Mac fans would undoubtedly have been perturbed with regard to Bob Welch’s departure, and another lineup change, the dynamic interplay between the remaining and new band members is remarkable. Buckingham's guitar work is masterful, blending intricate fingerpicking with powerful riffs, while Christine McVie's keyboards add depth and texture to the arrangements. Stevie Nicks' distinctive vocals soar on tracks like Rhiannon and Landslide, infusing them with emotive intensity. John McVie and Mick Fleetwood, however, should not be overlooked for a song is only as good as its rhythmic backbone; one in which these two master musicians constructed perfectly.

Naturally, the songwriters and musicians are the focal point of the record, but credit has to be given to legendary producer Keith Olsen who co-produced and engineered this release. His production style can be heard throughout, yet it doesn’t detract from Fleetwood Mac themselves. The result of this collaboration is an album that, so many decades later, remains a wonder, in and of itself, for it strikes a perfect balance between the raw energy of the band's live performances and the studio sheen that was characteristic of the era.

With well over 7 million copies sold, Fleetwood Mac was a monster of an album that would only be outsold by Tango In The Night (over 15 million), and Rumours (over 40 million), and has subsequently been reissued countless times. With almost 300 different known editions, it’s somewhat impossible to declare which version is the best. Therefore, this is one time when I appreciate the lossless Apple Music stream for I need not concern myself with tracking down the very best version as my ears have already told me that I thoroughly enjoy the edition delivered via the streaming service.

Should I wish to further entangle myself, however, in different versions, the 2004 remaster and 2018 Deluxe Edition are also available on Apple Music, but in briefly comparing them I find that I prefer the release labelled with 1975 as the published date. It, coincidentally, is also the release containing the Dolby Atmos version of the album; a mix that I don’t feel compelled to listen to for this album is beautiful in the original stereo mix. Interestingly, however, it isn’t an Apple Digital Master, for that particular labelling has been given to the 2004 remaster. The problem I have with that edition is that it is mastered too loud, whereas my preferred edition, which is shared below, is lovely and smooth with a warmth that one would usually expect from an analogue medium.

Your preferred version, however, may differ from mine but I have found my preferred edition and any further exploration would only cause additional confusion, particularly when you factor in the Atmos release and the plethora of physical counterparts. The good news is that you too can sample the available editions, via streaming, and decide for yourself as to which digital version is more pleasurable. But first, join me as I take a look at the songs that make up this exceptional release.

Monday Morning opens the album with an infectious upbeat tempo that sets the stage for the entire album. Buckingham’s vocals are divine and are amongst his greatest vocal performances.

Warm Ways shifts the tone somewhat, but the mellower lush presentation, following Monday Morning, isn’t a shock to the senses as Warm Ways has an inviting atmosphere. While it isn’t Christine McVie’s strongest song, Warm Ways has a lovely musical accompaniment that is perfectly suited to the era and her vocal styling.

Blue Letter is an energetic rock number with Buckingham on vocals. It may not have been written by any member of Fleetwood Mac, but this Michael and Richard Curtis tune suits the album’s style perfectly.

Rhiannon is one of Fleetwood Mac’s most iconic songs for the mesmerising blend of folk and rock, along with Nick’s haunting and poetic vocals, is captivating.

Over My Head has a magnificent slow build to this breezy pop-rock tune. Christine McVie once again shines as Over My Head has catchy hooks and an infectious chorus that should have made it an instant classic. The backing vocal harmony, however, is a little campy, thereby causing distraction from an otherwise exceptional tune.

Crystal is a song that first appeared on Buckingham Nicks’ debut album; prior to them joining Fleetwood Mac. While this version is different, one thing is for certain, Buckingham’s vocal presentation is second-to-none and the backing vocals, particularly those provided by Nicks, are extraordinary as the musical bed allows your mind to drift into a sonic wonderland. They, most certainly, don’t make music like this anymore!

Say You Love Me has an upbeat, feel-good rhythm, that is amongst Fleetwood Mac’s most recognisable songs. The irresistible melody and sing-along chorus drive the song forward and make it impossible to not be moved by this classic tune.

Landslide is a magical piece of songwriting and audible art. Credit for this tune, naturally, has to be given to Nicks for it is her at her most vulnerable; an aspect that comes through crystal clear in her beautiful performance.

World Turning is a funky folk meets country groove-driven track that has a playful vibe and adds a dose of energy and spontaneity to the album. Despite being an album-only tune, it’s also a hidden gem and one that deserves more attention than it generally receives.

Sugar Daddy is a rock number that showcases the band’s blues roots. While the entire album is exceptional, Sugar Daddy is one song that, while it would be missed, should have been omitted for it sounds more like a demo than a fully-fledged song.

I'm So Afraid closes the album on a high note with Buckingham's searing guitar solos and raw, impassioned vocals. While there’s no shortage of exceptional songs written by Buckingham, I’m So Afraid is a personal favourite as it showcases that Fleetwood Mac can go beyond the blues-based pop-rock that defined their career and take on an even bolder composition that will leave you reflecting on this incredible tune whilst simultaneously wanting to spin the record again. Of course, in the modern era, it is easier than ever to put this song on repeat and it’s worthy of such appreciation because it is one of the greatest, and most underrated, songs Fleetwood Mac ever recorded.

Fleetwood Mac not only rejuvenated the band's career but also laid the foundation for the iconic lineup that would go on to create some of the most enduring music of the 20th century; along with this very record. With a blend of catchy hooks, heartfelt lyrics, and masterful musicianship, Fleetwood Mac is easily one of the greatest albums of the 70s. Whether you're a longtime fan of the band or new to their music, this album is essential listening for anyone who appreciates classic rock.

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Eloy – Power And The Passion (Album Review)

Released in 1975, Eloy’s Power And The Passion, their fourth studio album, is a masterpiece of progressive symphony rock that has to be heard firsthand to be fully appreciated. The musical structure and compositions are exceptional, yet the concept album approach doesn’t quite grab me. Granted, I appreciate the human vocal as another instrument in the mix, rather than a storytelling device, but the idea of a drug-fueled time traveller and an encounter with a wizard doesn’t grab me at all.

What does captivate me, however, is the cover art and music contained within this release. Eloy has always had captivating artwork, primarily targeted at the larger vinyl canvas. Yet, in a surprising omission, Power And The Passion hasn’t been reissued on vinyl since 1982. Those of you who aren’t enamoured with this legacy format may question what all the fuss is about, but I’d argue that Eloy is one of those bands that would see many collectors, particularly of their classic 70s era recordings, clamour for the chance to get updated copies of the albums they love; if for no other reason than to have an unadulterated piece of captivating visual art.

As it stands, the lossless Apple Music stream will have to suffice for the modern music lover as this CD counterpart is derived from the last CD remaster from the year 2000. Perhaps suffice is the wrong word to use because the sonic prowess of the lossless stream is magical. It may not be an Apple Digital Master, but it’s enveloping, with a soundstage that goes well beyond your speakers and is so impressive that I can see why another remaster hasn’t been issued. While I haven’t heard an original mastering of the Power And The Passion, when music sounds this good, I’m in pure sonic bliss and truly hope that the band, and record label, leave well enough alone. That said, this album, and Eloy’s classic era releases, are most certainly long overdue for being reissued on vinyl.

Introduction sets the stage perfectly for the songs that are to come. With its masterfully composed ethereal synthesised sounds and spacey textures, Introduction creates a sense of anticipation and mystery that flows beautifully into Journey Into 1358.

Journey Into 1358 is a killer tune with an incredible vocal presentation and musical bed that gives a sense of grandeur to the song.

Love Over Six Centuries is a lovely musical experience that is not only flawless and epic but must be heard firsthand in order to be fully appreciated. It’s so good, that it is easily one of the greatest songs Eloy ever recorded.

Mutiny, as with the other songs, flows so seamlessly that you could be mistaken for appreciating the album as a single body of work, and while I wouldn’t necessarily seek any song out on its own, as Power And The Passion is best heard in its intended album structure, songs such as Mutiny are so powerful that I could see them being easily added to a playlist, or played on repeat for hours on end.

Imprisonment has a rather creepy introduction but, thankfully, it doesn’t continue for it is one song that gives me the heebie-jeebies. After the anxiety has ceased tormenting my senses, Imprisonment comes into its own and while not a standout, it’s a solid album-only tune.

Daylight, in contrast to Imprisonment, is a little too campy and upbeat. It’s also fair to say that it’s my least favourite song from the album, but I can appreciate it in the record’s linear structure and the album wouldn’t be the same without it.

Thoughts Of Home is short but is an absolute masterstroke of creative genius with a composition that I never tire of.

The Zany Magician will encourage you to get out your air guitar for this is a killer rock number with attitude to burn. Not only is it memorable, but it’s one of the greatest songs that Eloy ever recorded. Yes, the vocal aspects could have been removed entirely, and it could have been a masterful instrumental number, but that aspect adds context for those who are following the story arc.

Back Into The Present doesn’t truly embrace the setup that was heard in The Zany Magician, but there are some redeeming qualities, such as that killer guitar solo.

The Bells Of Notre Dame is an ideal closer; one that permits contemplation whilst simultaneously encouraging you to play the record again. Incorporating aspects heard throughout the entire album, The Bells Of Notre Dame is nothing short of a sonic masterpiece.

Overall, Power And The Passion is a masterful work of progressive rock that continues to enthral listeners with its timeless appeal. While I may not be convinced of the album’s thought-provoking themes, the epic compositions ensure the album remains a classic of the genre and is a testament to Eloy's enduring creativity and innovation. Whether you're a seasoned prog enthusiast or a newcomer to the genre, Power And The Passion is essential listening for anyone who appreciates ambitious and adventurous music.

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Eagles – One Of These Nights (Album Review)

Released in 1975, One Of These Nights was the fourth studio album from the Eagles and their greatest achievement in the era prior to Hotel California’s release. It would also become the Eagles’ first number-one record, and without a B-side to be found, is best described as a masterpiece. Yes, One Of These Nights has forever resided in the shadow of Hotel California, released a year later, but in many ways, as much as I adore the latter album, I feel One Of These Nights offers music lovers a stronger all-round album experience. 

While the Eagles were one of those bands that consistently built upon the success of their previous releases, their ability to seamlessly blend various musical styles, including rock, folk, and country, not only demonstrated their versatility as musicians but also broadened their appeal to a vast audience. Add to that their songwriting mastery and what you have is a record whereby each track offers a compelling narrative alongside memorable melodies.

Of course, killer songwriting would be for nil if the vocal harmonies that the Eagles are renowned for were, in any way, flawed. Whether it's the soaring choruses of Take It To The Limit or the soulful interplay in After The Thrill Is Gone, the band's harmonies elevate each song to new heights, heights that are perfectly matched by their instrumental prowess. 

Even detractors would have to admit that the production values of the Eagles, throughout their entire career, have been exceptional. The recording, mix, and mastering of each album have been impeccably done thereby ensuring that every vocalisation is clear within the mix. Every instrument is given room to breathe and at no time is an element overwhelming in the mix. While the band members were exceptional musicians in their own right, credit has to be given to producer extraordinaire Bill Szymczyk. His work with the Eagles, amongst others, is legendary and he would produce five of the Eagles’ most well-received studio albums throughout the years. 

As the Eagles are one of my all-time favourite bands, it’s likely no surprise that I find myself fortunate to own the 2014 vinyl re-issue (RRM1-1039). Sonically, it’s lovely! You’ll get the analogue warmth that is a trademark of the vinyl format and you’ll also notice the instrumental and vocal separation is spot on, meaning it’s a solid edition to consider. Is it the best? Well, I can’t tell you as I haven’t had the opportunity to listen to other vinyl editions. What I can say is that I’m content with this vinyl reissue, and the associated Apple Music stream, and feel no need to seek out another copy of this classic album.  

Turning our attention to the Apple Digital Master on Apple Music, it also sounds thoroughly enjoyable. It’s a little muddier than I’d ideally like, particularly in the low-end audible range of Too Many Hands, but it’s a minor quibble that may not apply to you, depending on how you have your music playback system configured. If, however, I compare it to the vinyl reissue, the analogue format doesn’t exhibit the dull thud heard on the stream. Instead, Too Many Hands delivers depth to Don Henley's drum track, along with clarity and separation of Randy Meisner’s bass track, when listening to it on the turntable. It isn’t necessarily off-putting, but something that you should be aware of if you care about such minute elements. 

Regardless, it’s all about the music and with that in mind, join me as I explore the songs that make up one of the greatest albums the Eagles ever recorded.

One Of These Nights has an incredible introduction with a sultry groove that creates the backbone of the tune. Add in the haunting vocal harmonies, Don Henley’s magnificent lead vocal, and a memorable guitar riff, and this title track quickly becomes not only a standout but an instant classic. 

Too Many Hands is a gritty rock number that features a driving rhythm section and blistering guitar work that’s masterfully mixed with the Eagles’ trademark sound, incorporating country and soft rock elements, magical harmonies, and melodic mastery.  

Hollywood Waltz slows down the pace with this incredible melancholic ballad. The lush instrumentation, including subtle percussion, gives Hollywood Waltz a cinematic quality. While it was never destined to be a hit, and is subsequently an album-only tune, you’ll find yourself captivated as you sit and listen to the enveloping soundstage; one that would be sorely missed if this song had been omitted from the album.

Journey Of The Sorcerer can, and should only, be described as one of the Eagles’ greatest recordings. The mix of folk and country influences, driven by intricate acoustic guitar picking and a whimsical, almost mystical atmosphere, ensures that this song is not only memorable but is a hidden gem for those Eagles fans who have never delved into the album or gone beyond their greatest hits. 

Lyin’ Eyes is one of the Eagles’ most iconic songs, and for good reason as it has an addictive rhythm; one that you’ll find yourself toe-tapping and head-bopping along to. With its memorable melody, lush arrangement, and poignant lyrics, the song perfectly captures the complexities of human relationships and remains a timeless classic. 

Yes, the shift from Journey Of The Sorcerer to Lyin’ Eyes can be a little abrupt, for the modern digital music lover, as these editions don’t permit the longer pause that is present if you have a vinyl edition. Nevertheless, it doesn’t take long for the senses to adjust and by the time the first chorus is reached, you’ll be in sonic heaven, most likely singing along to the chorus. 

Take It To The Limit is a powerful ballad that showcases the vocal prowess of bassist Randy Meisner. As with Lyin’ Eyes, Take It To The Limit has become an anthemic number for the Eagles with a soaring chorus, magnificent vocal harmonies, and a musical bed that will encourage anyone to embrace, and overcome, life's many challenges. 

Visions is a lesser-known track on the album but is a solid album-only tune. 

After The Thrill Is Gone is a beautiful ballad with a stripped-down arrangement that ensures Henley and Glenn Frey’s vocal mix thoroughly explores the emotional depth of the tune.

I Wish You Peace is a stereo panning nightmare, when listening on headphones. Via a stereo, it fills the room and immerses you in the soundstage. Nevertheless, I Wish You Peace is a lovely closer that allows for both contemplation as well as encouragement to play the record again as it’s a gentle, acoustic-driven song that offers a message of goodwill and is one of Bernie Leadon’s greatest lead vocal performances. 

One Of These Nights is a timeless masterpiece that showcases the Eagles at the peak of their creative powers. With diverse musical influences, impeccable songwriting, and flawless production qualities, this album remains a classic that continues to captivate audiences around the world; particularly those who venture beyond Hotel California. If you're a fan of classic rock, or simply appreciate great music, One Of These Nights is a must-listen.

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Bee Gees – Main Course (Album Review)

Released in 1975, Main Course marks a significant turning point in The Bee Gees' career; one that would also contribute to major shifts within the music industry during the following years. Departing somewhat from their signature harmonious ballads and melodic pop, Main Course ventures into the realm of disco, a genre that would soon catapult the brothers Gibb to even greater international stardom than they had already experienced. Funk, rhythm and blues elements are also present throughout, but it was the Bee Gees’ musical skill that permitted a merging of the genres into a coherent sound that was not only startling at the time, but long-lasting and thoroughly appreciated by music lovers to this very day. 

There’s no doubt that the shift in style would have had its detractors but part of an artist’s journey should be an evolution, for few are successful in recording the same type of music over and over again. The stylistic shift would also revitalise their career, following a few less-than-stellar releases in the prior years. Whether or not you embrace the disco-infused sounds of the Bee Gees, one thing is for certain, they embraced the new sound that was not only fresh but also timely, aligning with the disco fever that was sweeping the globe during the mid-70s.

Naturally, Main Course boasts several iconic hits that were perfectly aligned with the zeitgeist upon release, but songs such as Jive Talkin’, Nights On Broadway, and Fanny (Be Tender with My Love) remain as fresh today as when they were released. While there may never be another band, or artist, quite like the Bee Gees, their music lives on for generations of music lovers to enjoy as they make their way to the dance floor. 

While a focus is most certainly on the disco vibe, to say that Main Course is solely a disco album would be disingenuous for the melodies and harmonies still exist with a touch of funk, soul, and pop. Main Course is, really, quite a diverse record. 

Aside from the music itself, part of the album’s appeal is due to its slick and polished production values. Working with the legendary producer, Arif Mardin (who also produced their 1974 release, Mr. Natural), the Bee Gees were helped in elevating their music to new heights and that included a greater focus on Barry Gibb’s falsetto vocal. Of course, with such a producer behind the scenes, and the Bee Gees already well-established by this time, the result is a sonic wonderland that is best heard firsthand as words are insufficient to describe the musicality that will be emitted from your speakers. 

The high production qualities thankfully make their presence felt on the CD-quality stream and while Main Course isn’t presented as an Apple Digital Master, the record is delivered nicely with an enveloping sound stage, clarity between elements, and a boogie rhythm that will get you moving. Is it perfect? Well, that aspect is truly subjective, but I wouldn’t reject a respectfully remastered edition with a little boost to the low and mid-range aspects of the sonic spectrum. Of course, adjusting one’s EQ settings can bring it into line with expectations but what I can say is that if this is the only master available to music lovers, then we’re incredibly fortunate for it's quite lovely. 

Nights On Broadway opens with a funky bassline and pulsating rhythm that’s a masterful accompaniment for Barry’s falsetto and Maurice and Robin’s vocal harmonies. It’s a magnificent tune that is not only an ideal opener but harks back to the mid-70s and the emerging musical styles of the era.

Jive Talkin’ is, arguably, the most iconic track from the album as this disco anthem showcased the Bee Gees' transition into the genre. With its infectious groove and catchy guitar riff, there’s little doubt as to why Jive Talkin’ became an instant hit.

Wind Of Change is best described as lush. The musicality, the vocals, and every aspect have a succulent appeal that immediately grabs your attention. While Wind Of Change was never released as a single, the catchiness of the song had the potential to be a minor hit had it been released. It, subsequently, is a hidden gem and is deserving of more recognition than it has received. 

Songbird is a departure from the disco sound that dominates the album. Instead, we’re met with an absolutely beautiful tender ballad that is saturated with raw emotion and sincerity. It really is one of the greatest vocal-focused performances the Bee Gees ever recorded and is another song that is severely underrated. 

Fanny (Be Tender With My Love) returns the album to its more upbeat groove and while it has all the hallmarks of a disco tune, it’s the melding of rhythm and blues, with a touch of soul, that ensures this song remains memorable with it’s catchy melody and infectious rhythm. 

All This Making Love would traditionally have opened side two of the vinyl release and while it makes perfect sense in that format, as there’s a longer pause between songs when flipping sides, it can present a slight jolt to the senses in the modern era. On its own it’s magnificent but in the flow of a digital album, be it streaming or CD, the funky, upbeat tempo rhythm that exudes energy and swagger is too much of a sonic shift to ignore and the subsequent brilliance of this song can be lost as a result.

Country Lanes offers listeners a sonic respite filled with a folk-inspired melody and evocative lyrics that make for an ideal reflective ballad. The song's gentle instrumentation and lush harmonies create a sense of intimacy and nostalgia, transporting listeners to a simpler time and place.

Come On Over continues the ballad-inspired style with a touch of country influence. It’s the quintessential album-only tune and while not filler, it’s unlikely that you’ll seek it out on its own.

Edge Of The Universe is a fantastic atmospheric number that works masterfully with the song's hypnotic rhythm and swirling synthesisers. It’s a hidden gem, certainly, and if it doesn’t connect with you immediately, may I suggest you listen to the song a couple of times as unpacking this multi-layered recording will allow you to fully explore the magnificence of the song.  

Baby As You Turn Away closes the album on a high note with a ballad style that has a haunting melody accompanying the emotive lyrics. It’s masterful and is the perfect album closer; one that permits reflection whilst simultaneously encouraging you to play the record again.  

No matter which way you look at it, Main Course is a landmark release that showcased the Bee Gees during one of their most creative periods. With its irresistible grooves, magnificent vocals, and captivating lyrics, Main Course remains a classic album and is a testament to the enduring legacy of one of the world's most iconic groups.

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Art Garfunkel – Breakaway (Album Review)

Released in 1975, Breakaway, Art Garfunkel’s second solo release, showcases the artist's remarkable vocal prowess, emotive storytelling, and timeless appeal. While fans may have been hoping that a resolution would once again see the legendary duo of Simon & Garfunkel record and release another album, that wasn’t to be, but Breakaway does include the Simon & Garfunkel duet; My Little Town. That duet aside, we are blessed to have Breakaway; an album that can be best described as a classic record. 

While music lovers will declare that the music is the most important aspect, by the mid-70s, albums were primarily released on the vinyl format and Breakaway’s cover art would have looked exceptional, and would have stood out from the crowd, in any record store. It’s album covers such as this that make me wonder how many people would have purchased the record based on the artwork alone, without knowing or having heard the music at all. Nevertheless, the imagery is spectacular and there likely isn’t a straight man alive who wouldn’t have wanted to be vicariously ensconced between actresses Helena Kallianiotes and Laurie Bird. Unfortunately, by the time 1979 rolled around, Bird had taken her own life but her spirit continues to live on via Breakaway’s artwork. 

As it pertains to the sonic qualities of the release, the CD-quality lossless Apple Music stream is exquisite. While I don’t have access to another edition of this classic album, I can’t imagine seeking one out for the stream is more than anyone could expect as the soundstage is wide and enveloping and every musical element is perfectly positioned within the mix. Flawless, is one way to describe it, yet one can’t help but wonder how the album would sound quadraphonically. 

When released in 1975, quadraphonic vinyl and 8-track releases were issued alongside the stereo edition. While the quadraphonic mix was out-of-print for decades, a Hybrid Multichannel SACD was reissued in 2018 by Vocalion (under license from Sony Music Entertainment UK Limited) and was extremely well received by quadraphonic music aficionados. Due to the numerous glowing reviews, I wish that Sony Music would issue the quadraphonic mix to Apple Music for the streaming service supports Dolby Audio which can deliver up to 5.1 channel mixes. An Atmos mix need not apply, especially when the existing quadraphonic mix is already so well respected. 

While I understand that Sony Music may wish to hold onto certain editions, for a variety of reasons, I’m the type of music lover who would like to see the most compelling versions of an album released everywhere so that everyone can enjoy it. While the SACD release is not overly priced and is still available, not every fan will have access to an SACD player; particularly one that is capable of multichannel playback. Apple Music, however, has the potential to allow many more people to listen to, and enjoy, these multichannel mixes; even if in a semi-psuedio playback environment for those without extensive surround sound systems. 

As previously mentioned, the lossless CD-quality stream is thoroughly enjoyable and it is the music, after all, that is the most important aspect, not the delivery format. With that in mind, join me as we take a look at the songs that make up this incredible release. 

I Believe (When I Fall In Love It Will Be Forever) is a magnificent cover of Stevie Wonder’s original from his 1972 release Talking Book. As pleasurable as Wonder’s recording is, however, it pales in comparison to the masterpiece that Garfunkel has recorded. It isn’t just in the chosen vocal styling, but in the musicality, as Garfunkel’s interpretation is bolder, smoother, and more uplifting than the original. It’s a perfect opener that sets the tone for the music that is to follow. 

Rag Doll is a beautiful tune that’s perfectly suited to Garfunkel as it showcases his ability to infuse music with emotion and sincerity. Rag Doll is, subsequently, a timeless, and somewhat hidden, gem. 

Break Away is a stunning upbeat ballad that is worthy of being the album’s title track. The inclusion of David Crosby and Graham Nash, on backing vocals, particularly on this recording, enhances the song and creates a captivating atmosphere to go along with the pleasing musical backdrop. 

Disney Girls, a Beach Boys cover, is stunning! The original, however, is quite the song in its own right. It’s so good that, at times, I prefer the original. Let’s just say that it’s a killer tune and both The Beach Boys and Garfunkel performed it masterfully. 

Waters Of March is one of those songs that you’ve most likely heard on numerous occasions for it has a long legacy and many artists have recorded it. While it’s a perfectly adequate song for the album, and I wouldn’t like to see Breakaway sans Waters Of March, I’m not entirely convinced that it was worthy of Garfunkel, or that his interpretation added anything new to this classic tune. I, therefore, have a love/hate relationship with the song for it flows well within the album’s context, but it isn’t a song that I would seek out on its own. 

My Little Town, a collaboration with Paul Simon, was also released on Simon’s 1975 studio release; Still Crazy After All These Years. While we can lament the cessation of the duos’ collaboration, My Little Town is a lovely tune that harks back to a beloved era. No, it isn’t the strongest song that Simon & Garfunkel ever recorded, nor is it a standout, but it’s lovely nonetheless.  

I Only Have Eyes For You is another well-known tune for this soppy love song has been recorded and aired ad nauseam. Still, Garfunkel’s interpretation is lovely as his vocal control is utterly perfect and the lush, but tepid, orchestration provides a dreamy atmosphere that not only perfectly suits the song but also captures the essence of love and devotion.

Looking For The Right One is a Stephen Bishop composition that Bishop would later record beautifully and release on his 1978 studio album Bish. As for Garfunkel’s original recording, it too is stunning and is another example whereby either version can be thoroughly appreciated.

99 Miles From L.A. is a cover of Albert Hammond’s recording; also released in 1975. Hammond’s is a lovely interpretation, but it isn’t quite as fulfilling as Garfunkel’s rendition. Garfunkel’s musical bed is a little more recessed while his vocals were recorded with an ethereal echo. The result is a thoroughly more pleasing musical experience. 

The Same Old Tears On A New Background closes the album with a reflective ballad that continues to showcase Garfunkel’s emotive vocals. Add to that the beautiful instrumental backing and the amalgamation creates a poignant conclusion to the album's emotional journey; one which will encourage you to play the record again.

Breakaway, subsequently, stands as a timeless masterpiece showcasing Art Garfunkel's exceptional musical talent. With its captivating melodies, heartfelt lyrics, and impeccable craftsmanship, Breakaway continues to resonate with audiences decades after its initial release, solidifying Garfunkel's legacy as one of the preeminent voices in the history of recorded music.

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America – Hearts (Album Review)

Released in 1975, Hearts is a masterpiece of 1970s soft rock, showcasing America during their most prominent years. While it’s another impressive collaboration with George Martin, in the production chair, Hearts is most notable for seamlessly blending acoustic guitar-driven compositions with lush harmonies and subtle instrumental arrangements. The result is an album that, much like the rest of their 70s catalogue, is easy listening soft rock folk music that will appeal to just about any music lover. 

As previously mentioned, Martin’s contribution here, along with Geoff Emerick's engineering of the album, ensured that the production quality of Hearts was top-notch, with each instrument and vocal harmonisation meticulously arranged to create a cohesive and immersive listening experience. Hearts, subsequently, has a timeless appeal and while not presented as an Apple Digital Master, sounds lovely via Apple Music. It is, of course, up to Warner Records as to which edition of an album is delivered to Apple Music, but one would expect more with Apple Music not only supporting Hi-Res Lossless delivery but also Spacial Audio; particularly as Hearts had been released in the 70s as a quadraphonic edition alongside the stereo release.

Given the classic album status of this record, Warner may wish to keep additional versions in the archives for anniversary releases on physical media. However, one can’t help but wonder if this isn’t a missed opportunity for a Dolby Atmos mix need not apply as Apple Music fully supports Dolby Audio; a legacy surround format that can deliver up to 5.1 channel mixes via the streaming service.  

Given Hearts has been reissued for the audiophile fans amongst us, higher-quality versions of this album do exist. That said, some of these releases are now out-of-print and command significant prices on the secondhand market. Interestingly, however, Qobuz has a Hi-Res Lossless 24-bit / 192 kHz edition of the album available to stream or purchase so if attaining the highest quality reproduction is the most important aspect to you, you may wish to check out that version. As to why Apple doesn’t have access to the same version as Qobuz, I’ve no idea. It is yet another minor quizzical frustration that streaming-focused music lovers must contend with. 

Turning our attention back to the Apple Music stream and what you get is a CD facsimile that reproduces the album’s analogue-era warmth and fullness with lovely separation between instruments and a pleasurable stereo soundstage. While I’ve no doubt there are advantages to the other, aforementioned, releases, the stream is so lovely that I question if I need to seek out other editions. At any rate, it’s all about the music, so join me as I take a look at the songs that make up this incredible mid-70s release. 

Daisy Jane sets the tone for the album with its gentle acoustic guitar intro and soft melodic vocals. It’s one of America’s most beautiful ballads and the song's catchy chorus and lush harmonies ensure that it’s not only a standout from the album, but is amongst the greatest songs that America ever recorded.

Half A Man shifts the tempo slightly and while the initial shift presents a jolt to the senses, you quickly meld into the soft rock elements that are, in some ways, reminiscent of Alice Cooper; particularly in his solo ballad-styled 70s and 80s recordings. Whether or not Half A Man is an exceptional song will be determined by your subjective tastes, but it’s ideal for the era in which it was released as the upbeat horn delivery and backing vocals pigeonhole it perfectly to the sounds that were prominent during the mid-70s. 

Midnight is captivating with its dreamlike haunting melody and atmospheric instrumentation. The vocal harmonies are stunning and when merged with the musical bed, it makes for a standout tune that’s a hidden gem of, not only, America’s back catalogue, but of the 70s. 

Bell Tree flows beautifully from Midnight as this song continues the serene atmosphere with gentle acoustic guitar melodies, subtle percussion, and delicately delivered vocals. It may not be a standout, but it’s songs such as Bell Tree that make for an exceptional album experience. 

Old Virginia has folk-focused instrumentation that combines seamlessly with America’s vocal delivery and harmonies; a beautiful song! 

People In The Valley features a more upbeat tempo and rhythmic groove than the prior songs, yet the catchy chorus and infectious melody make it a compelling listen and showcase America's ability to craft memorable pop-rock tunes; even if it presents a minor shock to the senses when listening to the album in its linear structure.

Company is an interesting tune for it isn’t the greatest song America ever recorded, yet there’s an intriguing aspect to it that I can’t quite explain. It isn’t a B-side, nor is it filler. It does, however, work perfectly within the flow of the album and I like it; even if I can’t communicate why. 

Woman Tonight, with its energetic rhythm and infectious groove, is a standout tune as the musicality is off-the-charts good. While it doesn’t seem that it should work on paper, the Caribbean and reggae-influenced undertones work surprisingly well with America’s style.

The Story Of A Teenager slows things down again and while I don’t mind the uptempo numbers, more melodic tunes, such as this one, are much more well-aligned with America’s vocal-focused presentation.

Sister Golden Hair is, arguably, the most iconic track from Hearts. Featuring a catchy guitar riff, and memorable chorus, Sister Golden Hair is a timeless classic and a standout within the classic rock sub-genre. 

Tomorrow is the perfect song to follow on from Sister Golden Hair as it doesn’t detract from the brilliance of the previous track but is magnificent in its own right. While the musical bed is stunning, it is the harmonious vocal delivery that makes Tomorrow an exceptional tune. 

Seasons is an interesting closer as part of me would suggest that Tomorrow would have been a stronger final track, if for no other reason than to allow the listener time for contemplating the music they’ve just heard. Instead, Seasons will pique your attention with its theatrical nature that sounds as if it would have been better placed in a different sequenced position. Nevertheless, Seasons is a lovely album-only tune that will encourage you to play the record again. 

With its memorable melodies, heartfelt lyrics, and impeccable production, Hearts continues to captivate audiences and stands as a testament to the band's enduring legacy; one that has its peers but one that sees America at the very top of the folk-rock movement of the 70s. 

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