Billy Joel – The Stranger (Album Review)

Billy Joel's 1977 studio album, The Stranger, is a true masterpiece of the singer-songwriter genre, showcasing Joel’s exceptional talent as both a lyricist and a musician. This iconic album is not only a significant milestone in Joel's career but is a timeless classic in the history of popular music and one of the best albums released in the 70s.

The Stranger is so impressive that it could be seen as Joel’s magnum opus; although, there are so many of his albums that could fall into that category that to categorically make that statement, without further reflection, would be obtuse. Nevertheless, as you listen to The Stranger, Joel’s fifth studio album with nine distinctive tracks, you’ll experience a multifaceted journey through a wide range of emotions and storytelling. It’s, subsequently, a difficult album to fault for every track is worthy of inclusion and the combination contributes to the album's overall brilliance. 

Also impressive is the sonic reproduction of the Hi-Res Lossless Apple Music stream; an Apple Digital Master. While there are countless releases of The Stranger, the Apple Music stream does offer a reproduction that I consider to be perfect. Having listened to these songs for decades, I can attest that while there may be a better mastering to be heard, the Apple Music stream is so good that I see no reason to explore over 200 editions to find the one that best suits my subjective tastes. It is one of those moments when I’m reminded that the greatest enjoyment in the appreciation of listening to music is the music itself. Hence, if this version excites you as much as it does me, then that is all we will ever really need. 

Movin' Out (Anthony's Song) launches the album with a bang, but it’s also a jolt if you’re not expecting the sudden introduction. Nevertheless, Movin' Out (Anthony's Song) is a catchy tune that is perfectly suited to Joel’s overall style and is a fantastic way to open The Stranger. 

The Stranger has an opening that would suggest it's a softer tune, but as enchanting as that introduction is, The Stranger melds into an incredible pop-rock number that is not only a standout but is also the perfect title track. Additionally, while some may dislike the shifting styles, I adore the reprise towards the end of the song for it is the perfect bookmark to an incredible tune. 

Just The Way You Are is a smooth ballad that has become a timeless classic. Yes, it is a little dated but the patina of another time is part of its appeal for as it continues to age, it becomes even more impressive.

Scenes From An Italian Restaurant is an epic tune and is one of Joel’s greatest hits. It really is a masterpiece and while I acknowledge that term is overused, I can’t think of a better way to describe this wondrous piece of music.

Vienna is a beautiful song that highlights Joel’s vocal and piano performance. If only all B-sides could be this impressive as it's one of Joel’s many hidden gems.

Only The Good Die Young picks up the tempo with an energetic rock ’n’ roll vibe. While one of the more popular tunes from The Stranger, it is far from Joel’s strongest song. Yes, I do enjoy it when playing this album, but I also don’t seek it out on its own. It isn’t the controversial aspect concerning the lyrical interpretation, for I rarely pay attention to lyrical meaning and depth, instead choosing to enjoy the human vocal as another instrument in the mix. It’s just that I consider it to be an album-only tune; a thoroughly enjoyable one, but not one worthy of its reputation. 

She's Always A Woman is the greatest song Joel has ever written and recorded. I could listen to this tune on repeat indefinitely for it is, arguably, the most tender and delicate love song in all of recorded music history. Music, truly, doesn’t get any better than this. 

Get It Right The First Time was always going to be overshadowed by She's Always A Woman and while I would have preferred a different sequencing, whereby this tune appeared before She’s Always A Woman, Get It Right The First Time is a solid album-only song that further enhances The Stranger and ensures that it’s my favourite album from 1977. 

Everybody Has A Dream is a beautiful gospel-inspired closer that leaves a lasting impression and further showcases Joel’s songwriting and musical abilities. While Everybody Has A Dream is largely lost to those who haven’t listened to the album in its entirety, it’s their loss because it not only encourages me to spin the album again but it allows me to sit and contemplate the music I’ve just heard; an aspect that all music lovers should be able to experience every time they play music. It’s even more paramount as Joel’s masterful whistling, from The Stranger, is once again reprised and closes the album out perfectly. 

The Stranger is an album that presents a wide range of musical styles and lyrical themes, showcasing Joel's versatility. Its diversity is a probable factor in The Stranger being an enduring classic that has not only stood the test of time but will remain relevant to music lovers for as long as humanity continues to exist. The Stranger is, subsequently, a must-listen for anyone interested in the singer-songwriter genre or the history of rock and pop music, for they really don’t make music like this anymore.

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Fleetwood Mac – Rumours (Album Review)

Some albums stand as towering achievements, timeless in their appeal and enduring in their impact. Fleetwood Mac's 1977 release, Rumours, is undoubtedly one of those albums. It's an iconic record that transcends the boundaries of time, genre, and taste, weaving a tale of love, heartbreak, and resilience that resonates with listeners across generations. This incredible release showcases the collective genius of Fleetwood Mac, a band that has left an indelible mark on the music industry while continuing to captivate audiences with their irresistible blend of rock, pop, and folk influences.

Of course, Fleetwood Mac has undergone several facets throughout their illustrious career. Some may be surprised to know that Rumours is, in fact, their twelfth studio release. Yet, talk to anyone about Fleetwood Mac and all you’ll likely hear is a discussion relating to how incredible Rumours is. While it is, and I acknowledge that it’s my favourite Fleetwood Mac album, I also appreciate that it wasn’t Peter Green’s Fleetwood Mac by this stage. Fleetwood Mac’s lineup would also change, throughout the following decades, so as much as the band is synonymous with Rumours, it is but one studio album from a diverse selection of 18 album releases. None of this should be seen as casting judgement on any of Fleetwood Mac's lineups, but you may find something subjectively wondrous should you take the time to listen to their entire discography. 

As has already been established, Rumours is one of the greatest albums ever recorded, but it has been remastered too many times. When albums achieve the level of success that Rumours has, it’s not uncommon for the music industry to reissue and remaster the release ad nauseam, for it isn’t good enough to let the original masterpiece sit untouched. It can be a blessing or a curse, depending on your perspective, but one thing is certain, there are too many editions of Rumours. Seriously, Discogs, at the time of this publication, has some 694 different versions. Which one does one get? It’s a simple question, with a complicated answer that is so highly subjective that you’ll come across varying perspectives should you delve into further research online. 

The truth is, I’ve heard multiple versions of this landmark release, over the years, that range from terrible to mind-blowing. Due to a series of circumstances, that I won’t bore you with, I’m currently without a physical release of this masterpiece and it pains me to say that the lossless Apple Music streamed edition just isn’t up to the highest standards. Frustratingly, Rumours was available as an Apple Digital Master, derived from the 2001 remastering, and while memory is fallible, as it pertains to sonic recollection, I do seem to recall it sounded fantastic. Perhaps not as good as other audiophile-based releases, but lovely nonetheless. 

Disappointingly, it has been removed from Apple Music and while the version that remains is adequate, it isn’t quite as spectacular as one would hope. There is, of course, no point in complaining about this, but it is a real-world example of the risks associated with relying on a streaming service for one’s music collection. That said, if you’re still interested, as I am, in the Apple Digital Master, you can still purchase the 2001 remaster on iTunes. If you still prefer streaming and no longer wish to own the music you love, the 2001 remaster is still streaming on Qobuz; but for how much longer, nobody knows. Although, it appears that the removal of the 2001 remaster, from Apple Music, was more about adding the Dolby Atmos mix, which is based on the 2004 remaster (a non-Apple Digital Master). 

At this stage, I’d just love for a singular version to exist that is the definitive release; one that matches the original artistic intent. We won’t get it, of course, as that is not how the music industry is run, but fans shouldn’t have to tolerate average-quality releases, nor should they have to spend their time, energy, and money, trying to figure out which of the over 600 editions would yield the greatest level of enjoyment. 

Second Hand News isn’t the greatest song on the album, nor is it amongst Fleetwood Mac’s greatest recordings, yet something is compelling about Second Hand News, that I can’t quite put my finger on. Despite that, Rumours wouldn’t be the same album without it.

Dreams has an incredible introduction and likely would have been a stronger opener for the album. That aside, Stevie Nick’s haunting vocal is beyond reproach and perfectly suited to the style of the song, thereby ensuring her harmonious vocal intertwines well with the backing vocals. Dreams, also, is amongst my favourite songs from a drum perspective. Mick Fleetwood is a master musician and while his precision timing here may be akin to a click track for many, his delivery is the definition of perfection from my perspective. John McVie’s bass tracking is similarly masterful and, in many ways, Dreams is the enduring classic we all know and love because of the collaborative efforts of all band members. 

Never Going Back Again is an acoustic gem with Lindsey Buckingham not only providing an incredible vocal performance, but his fingerpicking is taut and amongst some of the greatest guitar work I’ve ever had the pleasure of hearing.

Don’t Stop is a piece of sensational writing from Christine McVie. I’ve never been convinced, however, with Buckingham’s vocal on this tune. It’s not that it’s bad, and his guitar work is sensational, it’s just that the mix isn’t particularly solid. Buckingham’s vocal, subsequently, sounds as if he’s recording his vocals from another building, aside from the studio the song was recorded in. That said, Don’t Stop is a solid pop-rock tune.

Go Your Own Way needs no introduction, for you’ve been living under a rock if you’ve never heard this song. It’s sensational, one of Lindsay Buckingham’s best, and is a perfect tune to accompany life’s ups and downs. 

Songbird is a tender ballad that showcases Christine McVie's extraordinary vocal talents. It's a moment of vulnerability on an otherwise emotionally charged album; a true masterpiece in every sense of the word.

The Chain is a killer tune that mixes rock and pop elements with a touch of country and is somewhat reminiscent of the sound the Eagles’ achieved on Desperado. However, The Chain is more than that correlation for its unmistakable bassline, harmonies, and anthemic chorus have made it a rock staple; one of the greatest ever recorded. 

You Make Loving Fun is a great toe-tapping head-bopper and one that you should most certainly play as loud as you can. Rhythmically magical with a gorgeous vocal, and a killer guitar solo, You Make Loving Fun is one of the best songs off Rumours and another by McVie; arguably Fleetwood Mac’s greatest songwriter and songstress.

I Don’t Want To Know is a short but sweet burst of energy. Its brisk tempo and catchy hooks ensure it’s perfectly suited to Rumours despite being an album-only tune.  

Oh Daddy is Fleetwood Mac 101. There is no other song that I identify more with the band than this one. It's career-defining and as much as I praise Christine McVie’s vocal contributions, Stevie Nicks’ vocal style was the correct choice for this classic track.

Gold Dust Woman is a haunting closing tune with Nicks’ ethereal vocal that leaves a lasting impression while simultaneously encouraging you to spin the album again.

Even Fleetwood Mac, themselves, could never replicate the success of Rumours and it’s highly unlikely that humanity, certainly in our lifetimes, will ever see such an era-defining album again. That isn’t to suggest it can’t be done, but Rumours was akin to lightning in a bottle and is not only one of the greatest albums ever recorded, but one that is a highlight of the 70s and will continue to stand the test of time as it is more than just an album; it’s a cultural remnant.  

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ABBA – ABBA: The Album (Album Review)

Released in 1977, ABBA’s fifth studio album, The Album, stands as one of the Swedish pop group’s most iconic and enduring records. Filled with infectious melodies, harmonious vocals, and a blend of disco and pop influences, The Album was destined for classic status due, primarily to its masterful collection of songs, but also its production qualities.  

The Album was, ultimately, perfectly positioned between Arrival and Voulez-Vous as ABBA was riding a wave of international success, thanks to a string of chart-topping hits including Dancing Queen, Fernando, and Mamma Mia. The Album while still whimsical in places, showcased a further musical evolution with a more mature and diverse sound that incorporated elements beyond the confines of the traditional pop style ABBA was known for. Songs like Eagle introduced a cinematic and symphonic quality to their repertoire, while tracks like Take A Chance On Me and The Name Of The Game continued to embrace the disco trend that was sweeping the globe. This versatility not only allowed ABBA to appeal to a broad audience, transcending genre boundaries and resonating with fans of all ages, but is also the very reason why their music is enduring.

Speaking of being timeless, the production qualities for The Album ensured that the record not only sounded modern for the time, but in a miracle that I can’t fully explain, certainly not well, The Album doesn’t appear to have aged at all. Similarly, the cover art, designed by Rune Söderqvist, is exquisite, timeless, and is amongst the very best of ABBA’s career. The entire production is so high that this album really could have been released in the modern era and no one would be the wiser. That said, the various masterings of The Album have left some, myself included, perturbed. Thankfully, I feel that I’ve now got two versions of the album that I can appreciate. The 2020 vinyl reissue, from The Studio Albums boxset, is enjoyable, but I much prefer the sonic qualities of the Apple Digital Master, streamed from Apple Music. 

Blasphemy, I hear vinyl fans saying, but there’s a key difference between the two editions; beyond the fact that one is digital while the other is analogue (albeit digitally remastered and then pressed to vinyl). The vinyl counterpart, by comparison, simply has too much bass that results in a muddier low end. Seriously, I never thought I’d be complaining about too much bass when it came to ABBA’s music as that is normally a shortfall of prior masters, but it is off-putting enough to note. The Apple Music stream, however, is cleaner with just the right amount of bass. It simply sounds right, clear and crisp (without being fatiguing). As much as it pains me to admit it, given the price I paid for the box set, the stream is my go-to edition for this classic album.

Eagle is majestic! Featuring soaring vocal harmonies and a lush orchestral arrangement, Eagle is a song that will capture your soul from the very first note to the last. While it may not have set the charts on fire when released as a single, it’s one of their greatest recordings and in many ways could be considered their magnum opus.

Take A Chance On Me is an irresistible pop gem. The catchy chorus and dynamic vocal interchange between Agnetha and Frida ensure that it has remained a standout in ABBA’s exceptional catalogue of music.

One Man, One Woman is a beautiful melancholic ballad that is sure to pull at the heartstrings. Frida’s lead vocals are superb, as is the unique musical accompaniment. However, One Man, One Woman is a song that, depending on the mastering of the album you’re currently listening to, can be a little too shrill to the senses. Nevertheless, the aforementioned vinyl release and the Apple Digital Master don’t suffer from this aspect in the same way that the 2001 remasters do. 

The Name Of The Game blends pop and disco elements seamlessly creating a unique structure. Moving from a slow introspective beginning to a catchy, more upbeat chorus, The Name Of The Game will keep you engaged throughout as it ebbs and flows.

Move On is underrated, but most likely because it plays akin to a tune that would have ideally been suited to ABBA’s earlier career releases. Even with that in mind, Move On showcases ABBA’s continuous evolution to compose incredible music and is a lovely addition to ABBA: The Album. 

Hole In Your Soul is a spirited energy-packed tune with a rock-inspired sonic presentation. With an infectious rhythm, and incredible lyrical harmonies, Hole In Your Soul will grab your attention and not let go until the very end. That said, the vocal pitch can be a little high and nagging on the senses. It’s particularly noticeable on certain remasters, as previously mentioned, but is restrained via the Apple Music stream. 

Thank You For The Music has become an anthem for music lovers worldwide; despite being one of the corniest songs ever recorded in all of music history. The truth is, we all love it and we know we do. So let’s not hide our appreciation for this song; let’s sing out loud Thank You For The Music!

I Wonder (Departure) is a beautiful tune and is one of ABBA’s most coveted hidden gems. Simply stunning!

I'm A Marionette shifts the album’s musical style, but it seamlessly flows from I Wonder (Departure). With a more upbeat presentation, I'm A Marionette is a thrilling theatrical tune that further showcases ABBA’s willingness to experiment with different styles, thereby ensuring that their catalogue of music not only evolved throughout the years but remained fresh and relevant to music lovers across various eras. 

From start to finish, ABBA’s The Album is a masterful collection of tunes that demonstrate the group's ability to craft diverse yet cohesive music. From the soaring heights of Eagle to the introspective moments of One Man, One Woman and the infectious pop sensibilities of Take a Chance on Me, every song on this album showcases ABBA's talent and enduring appeal. It's no wonder that The Album remains a cherished classic in the world of pop music, captivating generations of fans with its timeless melodies and heartfelt lyrics.

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Bob Marley & The Wailers – Exodus (Album Review)

It’s fair to say that for most music lovers, Legend is all they will ever need to fully enjoy the musical marvel that was Bob Marley & The Wailers, but limiting oneself to a compilation means that you’ll miss out on the timeless classic that is their 1977 release, Exodus.

While much of Exodus, five songs in fact, were included on Legend, their ninth studio album encapsulates the essence of reggae music, not just the widespread radio-friendly tunes, thereby further solidifying Marley and Co's status as musical legends within their assigned genre. However, at its core, Exodus is not just an album; it's a journey, a spiritual experience, and a cultural monument. 

As you listen you’ll hear how Exodus expertly combines Marley's signature blend of catchy melodies, profound lyrics, and infectious rhythms to create an album that is both musically exceptional and socially relevant. You won’t be able to prevent being swept away by these incredible tunes for Exodus will fuse with your soul, the way all great music does. 

Turning our attention to the Hi-Res Lossless Apple Music stream, an Apple Digital Master, it’s simply exquisite. While I do not doubt that a well-produced vinyl release would offer the same wow factor, perhaps with slight improvements to the smoothness of the album, when a stream is this enjoyable, one does need to question the need to attain a physical copy; especially if funds are limited.

As it pertains to the Dolby Atmos mix, my thoughts are similar to those I made within the Kaya review for there really isn’t anything notable to mention. It sounds fine. Fuller, certainly, but also muddier in the mid to low-end range of the recording. Some may very well like the tonal quality of the surround version but I’m going to stick with the Hi-Res Lossless stereo mix as it simply sounds right. 

Natural Mystic has an ethereal and mystic atmosphere that not only plays into the song but offers an incredible opening to Exodus. 

So Much Things To Say could be a song about any aspect of life, but this politically charged tune, with its groovy rhythm, will have those, who appreciate literal meaning, captivated throughout. 

Guiltiness is a, somewhat, seamless transition from the sharp ending of So Much Things To Say. While that can be a deterrent, especially if you’re new to the album, the mellow tempo of Guiltiness quickly calms the senses, thereby allowing for thorough enjoyment.

The Heathen is a musical marvel and is one of Marley’s most overlooked tunes. While I don’t often focus on the literal meanings, instead choosing to listen to the human vocal as an instrument within the mix, it’s the entire composition that makes The Heathen a standout on the album and one of the best songs Marley & The Wailers ever recorded.

Exodus is the perfect title track featuring an infectious rhythm and catchy melody. There’s little wonder as to why it is one of Marley’s most recognised and beloved songs as it epitomises not only his unique sound but reggae music itself.  

Jamming is a joyful and upbeat tune that embodies the spirit of unity and togetherness; if only all music could be this pure!

Waiting In Vain is a timeless ballad with beautiful melodic arrangements.  

Turn Your Lights Down Low is a lovely romantic ballad that, while not uncommon to Marley, is a departure from Exodus’ overall thematic core. Regardless, it’s simply beautiful!

Three Little Birds radiates optimism and hope. The simple yet profound lyrics, matched by the laid-back reggae groove, ensure that this is one song you’ll find yourself singing along to. 

One Love / People Get Ready closes the album perfectly with an uplifting anthem that promotes unity and love among all people. Music truly knows no bounds and this universal message will stay with you well after the album has ended, thereby compelling you to play Exodus again for it gets even better the more often you listen to it.

There’s a reason why half the songs from Exodus made it to Legend, for this 1977 release is nothing short of a masterpiece that continues to resonate with audiences across generations and cultural bounds. Its timeless messages of love, hope, and social consciousness continue to inspire and uplift. Bob Marley's genius as a songwriter and performer shines through in every note, making this album an essential part of music history.

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Alice Cooper – Lace And Whiskey (Album Review)

Released in 1977, Lace And Whiskey is Alice Cooper's tenth (third solo) studio album. Following his previous landmark solo works, Welcome to My Nightmare and Alice Cooper Goes To Hell, Cooper continued to explore theatrical and conceptual approaches to his music. While Lace And Whiskey may not have achieved the same level of commercial success as its predecessors, it offers a unique blend of rock, with influences from the 40s and 50s, and a theatricality that showcases Cooper's versatility as an artist. 

For the physical music collectors amongst us, Lace And Whiskey may not be the most elaborately designed vinyl release of the 70s, but it’s extremely compelling. The 2018 vinyl Rocktober reissue, which I’m fortunate to own, is a lovely replica, albeit with modern elements such as a barcode and in place of black vinyl, you’ll get a magnificent whiskey brown-coloured vinyl record that looks as good as it sounds. The result is that these design choices further captivate the mind and draw you into the album experience. 

Sonically, while it may not be quite as remarkable as Dada, it’s not too far behind and is a considerable improvement over its digital counterpart. That isn’t to suggest that the lossless Apple Music stream isn’t enjoyable, for it’s a solid facsimile that is clean and detailed. It is, however, the vinyl distortion (warmth) that adds to the sonic smoothness of the album. Nevertheless, I can’t take the record with me everywhere and for those moments the stream is more than adequate; although I usually need to adjust the EQ slightly, particularly in the low to mid-range, to get the stream sounding as good as it possibly can.  

Of course, if you wish to keep your sanity in check, your aim should be to never compare the two as I have done. With that in mind, let’s just say that if you have no interest in vinyl, you won’t feel disadvantaged for Lace And Whiskey sounds more than acceptable via the Apple Music stream. It would be nice, however, if Cooper’s back catalogue was given the white glove treatment across the board for the lossless Apple Music stream is nothing more than the CD counterpart as Warner has yet to go back to the master tapes and deliver a higher resolution version. 

It's Hot Tonight kicks the album off with a song that can only be described as a rock classic; had it been more widely accepted, of course. Although, the Beastie Boys did sample the tune on their second album, Paul’s Boutique, on the song What Comes Around. I’ve no doubt my following statement will irritate Beastie Boys' fans but as it pertains to What Comes Around, the best thing about that song is Cooper’s sample.

Lace And Whiskey is a thoroughly enjoyable title track that has a bluesy rock swagger that is not only compelling but works seamlessly with Cooper’s vocal presentation. 

Road Rats is a high-energy gritty garage rocker. It’s one of Cooper’s most overlooked masterpieces but it is with hope that it will no longer be cast aside for it was reworked for his 2023 release Road; featuring a heavier rock sound that works perfectly for the song.

Damned If You Do is another of the album’s highlights for it is immediately appealing with its catchy melody and infectious chorus. Yes, it’s a little campy, but if you consider it as part of a concept album, that leans into the music of yesteryear, then it makes perfect sense with its country twang and rockabilly styling.

You And Me is a masterpiece! Cooper may be commonly referred to as a shock rocker, but his ballads are impeccable and, in many cases, best that of his broadly accepted rock persona. Either way, You And Me is soft rock at its very best.

King Of The Silver Screen is sensational and is musical storytelling at its very best. The theatrical and cinematic elements of the song play into the tune and while some may consider these aspects to be cliché, I consider the mix to be the very definition of perfection. Additionally, there are some killer guitar licks to be heard on this tune that will light up your stereo. Incredible!

Ubangi Stomp is a lively rockabilly number. It’s fun and energetic, but one has to question if it was ideally suited to the record as it’s quite a shift from the rest of the tunes. As such, it’s the weakest song from the album, but that doesn’t stop me from enjoying it when I play the record.

(No More) Love At Your Convenience is a touch of pop with a dash of soft rock and a dollop of disco. It works!

I Never Wrote Those Songs is another of Cooper’s masterful ballads that is simply gorgeous. Only Cooper could have recorded such a wonderful tune for even Barry Manilow couldn’t match Cooper’s performance here. The band is on fire, the mix is perfect, and it is one of the greatest ballads ever recorded, by anyone. 

My God starts as if it were a tune for British Royalty. While that can be a distraction, the song doesn’t maintain the cathedral focus for long as the song quickly comes into its own grandiose musical moment that is perfectly aligned with Cooper’s overarching style. Subsequently, it’s a great closer that encourages you to contemplate the music you’ve just heard while also compelling you to play the album again. 

Lace And Whiskey may not be amongst Cooper's most celebrated works, but it offers a diverse range of songs that demonstrate his artistic versatility and is a personal favourite of mine. From hard-hitting rock numbers to heartfelt ballads, Cooper's ability to convey emotion and tell stories through his music never ceases to amaze. Lace And Whiskey is, subsequently, a worthwhile addition to any Alice Cooper fan's collection and if you’ve previously overlooked this masterpiece, may I suggest you give it another chance for it's one of the best albums released in 1977. 

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Andy Gibb – Flowing Rivers (Album Review)

Released in 1977, Flowing Rivers is Andy Gibb’s debut studio album and is a timeless classic that showcases Andy's remarkable vocal prowess and undeniable songwriting skills. Carrying the weight of expectations that naturally come with being part of such an illustrious musical lineage, Andy not only rose to the occasion but also carved out a unique niche with this remarkable collection of songs.

From start to finish, each of the album's ten tracks carries a unique charm that will immediately captivate you with unforgettable hooks and a vocal delivery that oozes with sincerity. Yes, you’ll hear audible correlations to the Bee Gees when listening to Andy Gibb, but fans of both artists will likely attest that the association is merely complementary and that Andy’s recordings give fans a window into a different style that the Bee Gees simply could not present. From that perspective, Flowing Rivers is a unique masterpiece that shouldn’t exist in the shadows of the Bee Gees for it’s a notable release on its own. 

As it pertains to the availability of the album, sadly physical music fans are not covered as an official reissue, outside of the Japanese music industry, hasn’t been released since the late 90s. Yes, Flowing Rivers can be purchased via iTunes et al, but an artist with such a legacy deserves to have their music remain in print and it’s a travesty that Andy’s back catalogue is only available via digital means. 

Turning our attention to the lossless Apple Music stream, it’s almost certain that this release is derived from prior CD reissues and while it’s adequate, it isn’t going to set your sound system on fire. In reality, Flowing Rivers could be improved with a delicate remaster; not one that merely reduces the overall dynamic range and increases the volume. The album simply needs a little more oomph in its presentation and while some will point to EQ settings, they can often be too harsh; particularly those within the digital realm. The result is that you’re more likely to add a blanket of muddiness to the overall presentation than you are to address any of the existing shortcomings. A skilled mastering engineer is what’s ultimately needed to make this record sound even better than it already is. Nevertheless, it’s all about the songs that ensure Flowing Rivers is so compelling, so join me as I take a look at each song from the album.

I Just Want To Be Your Everything was a chart-topper the world over and there is little doubt as to why, as Barry Gibb penned this masterpiece with the infectious rhythm and catchy melody he’s renowned for. That said, had it not been for Andy’s smooth vocals, you’d find it impossible to sing along to. The result is that I Just Want To Be Your Everything is one of the best songs from the Gibb family camp. 

Words And Music is a lovely and timeless ballad. Describing it as magnificent would be an understatement. It’s certainly one of Andy’s greatest recordings and as music lovers, we are so fortunate to have such incredible music to appreciate and carry with us throughout our lives.

Dance To The Light Of The Morning is a fun and lively tune that highlights Andy’s versatility, but it’s ultimately an album-only tune that was never going to be a standout. While Dance To The Light Of The Morning is unlikely to compel you to listen to Flowing Rivers, the album wouldn’t be the same without it.

Too Many Looks In Your Eyes has a beautiful arrangement that highlights Andy’s emotive vocal throughout. When I suggest that the album and Andy Gibb’s music are hidden gems, it’s songs such as this one that I am referring to, for Too Many Looks In Your Eyes is one of the greatest songs from the 70s. Had it been released as a single, I’ve no doubt it would have gone to the top of the charts; it’s that good! 

Starlight has a dreamy quality about it and while it may get off to a slow start, it builds into a magical piece of music that, again, highlights Andy’s incredible vocal prowess.  

(Love Is) Thicker Than Water is one of Andy’s most memorable and enduring classics and features some beautiful guitar licks courtesy of Joe Walsh. It’s pop meets rock and is so thoroughly pleasing to the senses that you’ll find your body moving involuntarily to the rhythm of this masterful tune. Yes, it could be said that it is dated to the era, but good music stands the test of time and from my perspective, it sounds as fresh today as it always has. 

Flowing Rivers was an interesting choice for the title track for it isn’t the strongest song from the album or within Andy’s overall back catalogue. Don’t get me wrong, it’s a solid tune but isn’t worthy of being the album’s title track as it simply isn’t a standout, nor is it memorable. Still, it’s another of those songs that is enjoyable when listened to in the album’s sequencing; you just won’t look for it outside of the album structure.

Come Home For The Winter flows seamlessly from Flowing Rivers but the musical arrangement and pacing of this tune is far more appealing. You get a touch of pop, and classic rock, along with a country twang; the culmination of which becomes an addictively good tune that you’ll appreciate every time you play the album. 

Let It Be Me is a great little tune. Nothing to write home about, but thoroughly enjoyable nonetheless. 

In The End is a beautiful tune to close the album on as it encourages you to listen to the record again as it leaves you wanting more. It’s also contemplative, so should Flowing Rivers be the final album you listen to in the evening, you’ll be whisked away on a musical cloud of relaxation.  

Flowing Rivers is a timeless, and somewhat hidden, gem from the pop music landscape of the late 70s. Andy's incredible vocal talent, combined with the quality of songwriting on this album, cements his status as a pop icon. Yes, the renowned production team of Gibb-Galuten-Richardson (Barry Gibb, Albhy Galuten, and Karl Richardson) had a role to play here but as you listen to the album, each track showcases a different facet of Andy's natural talent, from his ability to deliver catchy pop hits to his knack for heartfelt ballads. Flowing Rivers is, subsequently, an album that shouldn’t be overlooked.

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Neil Diamond – I'm Glad You're Here With Me Tonight (Album Review)

Neil Diamond's 1977 release, I'm Glad You're Here With Me Tonight, is a remarkable blend of heartfelt ballads and pop-rock anthems. This record showcases Diamond's signature style along with his ability to convey raw emotions through his distinctive voice. With 11 tracks that traverse love, longing, and introspection, this is one timeless gem from Diamond's extensive discography.

It’s, however, disappointing that I'm Glad You're Here With Me Tonight has been out-of-print for decades, with the last official physical reissue being released on both CD and Vinyl in 1988. While purists and collectors will suggest seeking out a used copy, I prefer to make my own memories with music and subsequently look forward to classic albums being reissued. While one can never say never, the massive reissue and remastering campaign of much of Diamond’s back catalogue (circa 2014-2016) was primarily focused on delivery via the iTunes Store and other Hi-Res digital download stores such as HDTracks. While I don’t have a problem with that, for the Hi-Res Lossless Apple Music stream, an Apple Digital Master, is simply exquisite, I do wish legacy formats weren’t omitted for music lovers should always be given a choice. That said, the Apple Music stream is so good that I dare say, from a sonic perspective, there is no need to look elsewhere. Although, I do really want this album on the larger vinyl canvas if for no other reason than the incredibly well-designed album artwork. 

God Only Knows is one of the greatest songs ever written and as an original Beach Boys tune, from their acclaimed 1966 album Pet Sounds, nothing really compares; that is, until you listen to Diamond’s rendition. Yes, dear reader, I’m going to frustrate many dedicated fans of the Beach Boys, but as lovely as their original is, I do feel that Diamond recorded the song with the highest level of respect and covered it in such a way that it not only pays homage to the original but it becomes his own. Diamond also sings the song in a slightly lower register and the more lush orchestration plays a key role in my preference here for Diamond’s interpretation simply sounds right. If nothing else, God Only Knows is the perfect opening track for the album. 

Let Me Take You In My Arms Again is a warm and soulful love song. Diamond is, of course, renowned for this style of music, but I never tire of it for songs like Let Me Take You In My Arms Again are instant classics.

Once In A While presents a shift in tempo, but captures the essence of nostalgia. They don’t make music like this anymore is an apt assessment, but music lovers also don’t need imitators when we have such emotive and poignant ballads to appreciate til the end of time.

Let The Little Boy Sing is a catchy, upbeat, jazzy song that brings a sense of hope and optimism. It may be an album-only tune, but don’t let that deter you for it’s the strength of the filler material that ensures this album is one of the very best released in 1977.

I'm Glad You're Here With Me Tonight is a lovely title track that is a declaration of love. While love songs are a dime a dozen, Diamond ensures his sincerity shines through and that aspect alone is a partial reason for his success over the years. Linda Press’ backing vocals are also beautifully mixed into this song, although I do wish she was featured more prominently. 

Lament In D Minor / Dance Of The Sabres is nothing short of a masterpiece. The lengthy instrumental introduction showcases Diamond's versatility, blending classical elements, with a contemporary rock sound, to add depth to the album's overall presentation. It’s also one of Diamond’s most overlooked tunes and that’s an incredible shame for I consider it to be not only one of his greatest, but one of the best songs in all of recorded music history. 

Desirée is iconic! Diamond is absolutely captivating as he delivers this passionate and dramatic love song. 

As If has an air of simplicity with a folksy charm, but it isn’t great. It’s not so bad, however, that it detracts from the overall album experience, but it just doesn’t sing to me as the other songs from the album do. 

You Don't Bring Me Flowers (Solo Version) is simply beautiful, and as incredible as Diamond’s duet with Barbra Streisand is, from his 1978 album You Don’t Bring Me Flowers, this original composition is still magnificent.

Free Man In Paris is a cover of Joni Mitchell’s original. My only quibble with the song is the unnecessary first minute. If it could have started at the one-minute mark, I feel it would have been a stronger closer.

Overall, I'm Glad You're Here With Me Tonight is an incredible album that effortlessly weaves through various emotions, from love and longing to optimism and celebration. Diamond's powerful vocals and compelling songwriting shine throughout, as do the cover songs, thereby making this album a must-listen for fans and a timeless addition to Diamond's remarkable discography.

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