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Eagles – Self-Titled (Album Review On Vinyl & Apple Music)

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Eagles – Self-Titled (Album Review On Vinyl & Apple Music)

Some of the most interesting albums are debuts as they can either make or break an artist. Regardless of the outcome, it’s always interesting to see how an artist evolves, especially from a retrospective viewpoint. That said, I don’t believe I’d be wrong in suggesting that the Eagles had already found their sound on this Self-Titled debut and went about refining their talents on each subsequent release.

Album covers in the 70s were probably as unique as they have ever been, with artists and record labels seeing what would work and what wouldn’t on the large vinyl canvas. The Eagles’ debut is no exception as the cover would not only encompass the bands country meets rock musical style perfectly but would fold out to a larger poster that one could hang or admire while listening to the album. Over the years, the Eagles’ Self-Titled release has been reissued numerous times and the edition I’m fortunate enough to own is the 2015 vinyl re-issue with the original album artwork. 

Yes, it looks impressive, but as the record doesn’t sit in a dedicated enclosure, one has to be careful not to pick the record up, out of its outer sleeve, and watch as the record slips from one’s hand across the room. Okay, so perhaps that’s an exaggeration, but if you’re new to vinyl, these unique designs can be a challenge when dealing with the larger format. 

The inner sleeve, while not used to house the record, is plain and somewhat lacklustre if I’m to be honest. The red text on the natural background is incredibly difficult to read and subsequently wasn't well thought out in my opinion. The label itself is plain but elegant and I must admit that I love looking at record labels. I even lust over Compact Discs and in a bygone era, it wasn’t uncommon for me to appreciate the designs of the Compact Cassette. I'm not sure why it’s such a fascination, but I find it a thoroughly enjoyable part of the record collecting process.

Of course, as impressive as the record looks, it would be pointless if the audio quality wasn't up to par. Well, I think we can all agree as to just how sonically stunning the Eagles are, and this debut is no exception. The record is as black as the ace of spades, perfectly flat, and has no noticeable inner groove distortion or surface noise. While purists may lament that a significant majority of reissues are being sourced from high-resolution digital files, rather than the original master tapes, the pressing of this 2015 reissue is flawless with a full analogue sound that simply has to be heard to be believed. 

Compared to the Apple Music stream, an Apple Digital Master, the vinyl record is far superior and subsequently, you won’t see me part with this vinyl record anytime soon. Yes, it is that good and for fans of the band, I highly recommend this particular reissue. That isn’t to say, of course, that the album can’t be enjoyed via Apple Music, or another streaming service, it most certainly can, but if you have the opportunity to own this album on vinyl, you really should pick it up.

SIDE ONE

Take It Easy is perfect for a country drive. When I hear this Eagles standard, I can only imagine the excitement of fans when they put the record on for the first time in 1972. It must have blown their minds for it still astonishes me to this day as to how developed the musicality of the Eagles is on this debut. In many respects, it's good that Jackson Browne was unable to finish the song and required Glenn Frey’s involvement. I simply couldn’t imagine the Eagles debut without Take It Easy. Jackson Browne did, however, record a rendition for his 1973 album, For Everyman, and while it’s a lovely interpretation, that doesn’t stray far from the Eagles’ original, Browne’s interpretation failed to set the world on fire as the Eagles’ version did.

Witchy Woman is a killer track that really showcases just how well the vocal harmonies of the Eagles’ members flow together. Witchy Women is, in many respects, the perfect classic rock song that encompasses many musical eras and styles. Seriously, I could be here all day just listing them, but let’s just enjoy listening to this amazing tune, shall we?

Chug All Night is a slow starter but develops into a solid song that is thoroughly enjoyable. While it may not be a fan favourite, the album wouldn’t be the same without the frantic beat and low volume harmonies that are off-the-chart good. A great rock song!

Most Of Us Are Sad is sensational! The drum and bass track blow my mind, as does the guitar strumming and vocal harmonies. Music doesn't get much better than this.

Nightingale was almost not included on the album as producer Glyn Johns felt it was substandard. One could hardly argue with him as it is filler, a B-side at best, but the record label, in this case, won and it’s of course included. In reality, it isn’t fundamentally a bad song, it just isn't of the same calibre as the other songs on the album. 

SIDE TWO

Train Leaves Here This Morning is a lovely country-focused tune that has a beautiful soundstage and depth that envelops you in sound.

Take The Devil is one of the best songs on the album, and in the Eagles catalogue, that very few know about as it doesn't make an appearance in live performances or on career perspective releases. The rhythm is seriously addictive, and the musicality of the entire recording is uncompromising. 

Earlybird has a fun little entrance, but it can be equally infuriating if you're not in the mood for those chirpy bird sounds throughout. Nevertheless, while it may be a B-side, it's a solid song that fits well with the style of the album.

Peaceful Easy Feeling is a lovely song but the guitar twang mid-song is a little too high pitched for my liking and I subsequently find it distracting. A shame considering it is an otherwise exceptional song with yet another beautiful vocal presentation. 

Tryin' is a solid song to close the album with. Nothing to write home about, but a perfect B-side if there ever was one. Tryin' certainly makes me want to listen to the album again and stay within the Eagles’ extensive catalogue of music.

The debut Self-Titled Eagles album is astonishingly good from start to finish and shows a band with a signature sound that normally takes others years to develop. It really is one of their greatest albums and even if you're a casual fan, you'll find something to love on this Self-Titled debut.

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Alice Cooper – Muscle Of Love (Album Review On Vinyl & Apple Music)

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Alice Cooper – Muscle Of Love (Album Review On Vinyl & Apple Music)

Despite being an album focused on juvenile sexual innuendos, Muscle Of Love is one of the greatest Alice Cooper band albums ever recorded and in a way, it’s a shame that it was the last to include the original band lineup. While Bob Ezrin was noticeably absent in the Producer's chair, Jack Douglas and Jack Richardson did a wonderful job of guiding the album, while allowing creative artistry to flourish.

Yes, many of the songs on Muscle Of Love have never been part of Cooper's live set, at least for many years, but I've often found that with Alice Cooper, the best albums, songs, and performances are not necessarily the compilation filling or concert played fan favourites. Therefore, I implore you to give Muscle Of Love, as an album, a shot. I have a feeling you won't regret it.

I know I haven't regretted picking up the Friday Music vinyl re-issue from 2013. While the reissue isn't a perfect replica, sonically it is beautiful with a full analogue sound that will impress even the most hardened critic. It is said to have been mastered from the original Warner Bros. tapes by Joe Reagoso and after listening to it countless times, I have no reason to doubt Friday Music's claims. It really is that good!

The Apple Music stream is, similarly, beautiful with a mastering that is similar to the vinyl record. If there is a difference to report, it would be that the Apple Music stream sounds a little concealed by direct comparison to the vinyl release. That said, regardless of how you choose to enjoy this classic, you’re most likely going to love it. 

SIDE I

Big Apple Dreamin' (Hippo) not only has a great groove, but that psychedelic undertone is superb. I dare you to sit still, without moving a muscle, during this song, I can't do it. The guitar tracking is divine and the inclusion of the violins perfectly suits the song. Plus, that outro = extraordinary!

Never Been Sold Before is your meat and potatoes rock and roll track. I love it! Just as the addition of strings to Big Apple Dreamin' (Hippo) enhanced that song, the horn element in Never Been Sold Before is fantastic and has a similar effect. If I had one complaint, it would be that I'd like to hear a 1 to 2 decibel increase in the bass guitar.

Hard Hearted Alice is a song that slowly builds with a beautiful atmospheric introduction. This is one song where the quadraphonic mix would likely be astonishing, but the vinyl and Apple Music counterparts are no slouch with a soundstage that removes the speakers, creating a spacious sound that has to be heard to be believed.

Crazy Little Child is a fun song. I adore the piano element and I love the overall New Orleans Jazz feel. I'd love to see Cooper do an entire jazz album, even one full of standards would do. He certainly has the vocal chops for it.

SIDE II

Working Up A Sweat continues the lighthearted approach to the overall theme of the album. It's a solid song, but not one to write home about as I find Cooper’s vocals are distant in the mix, although, the music has an addictive and thoroughly enjoyable rhythm.

Muscle Of Love is a killer tune. Both the guitar intro and drum tempo are superb and I find myself playing the air guitar and drums when listening to this song. Exceptional!

Man With The Golden Gun was originally written and recorded for the associated James Bond film but was sadly never used. When you listen to the song, armed with that knowledge, you can immediately hear the James Bond undertones and one can only wonder how the Man With The Golden Gun’s introduction would have differed with this song. Nevertheless, it’s a solid addition to Muscle Of Love and I'm glad it was released and not shelved as it is quite enjoyable, even if it’s not the strongest song on the album.

Teenage Lament '74 has remained somewhat of a fan favourite and while I thoroughly enjoy the song, I feel bemused as to its popularity. I guess it just proves that I should never be asked by an artist, or record label, which songs should be released as a single or be played live.

Woman Machine is an interesting song to close the album on. Yes, it encourages me to listen to the album again and stay within Alice Cooper's extensive catalogue, but I find Woman Machine to be a little repetitive and the outro is a little too much, in my opinion, although I can see the approach the band were going for.

Overall, Muscle Of Love is exceptional and is truly one of the best Alice Cooper band albums ever recorded. 

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Santana - Abraxas (Album Review)

Santana - Abraxas (Album Review)

Rock meets Latin grooves in an atmospheric masterpiece that sounds as fresh today as it was back in 1970; a rare feat by any standard. 

Santana’s Abraxas was not only a music wonder, but that cover art is striking. Yet, for some reason, I don’t have a vinyl copy or even a CD version, subsequently relying on the smaller streaming offering. I’ll certainly have to look at picking up a copy in the near future, but there is so much music that I love, that I should also own, that I’d be broke and homeless if I purchased every album that appealed to me. Nevertheless, Abraxas is special. While it can be catalogued and placed into convenient musical styles, I dare say that Abraxas is almost a genre on its own for even today there isn’t often as much musical diversity on a single album as there is on this release. 

While the musical prowess of Santana (the band and the man) is beyond reproach, one may assume that the Apple Music stream, an Apple Digital Master, would result in a lacklustre presentation. While it’s true that I haven’t been fortunate enough to listen to the MOFI (Mobile Fidelity Sound Lab) reissue, or an original vinyl pressing, I can assure you that the Apple Digital Master is magnificent and I would place it up against any edition of this album as it simply sounds right. That, of course, doesn’t mean that I don’t want to pick up one of the aforementioned releases, or even a surround sound edition, but it’s an acknowledgement that mastering really does matter and in this case, it doesn’t matter that the stream is being delivered in a compressed lossy format. 

Singing Winds, Crying Beasts is a gorgeous opening, the wind chimes get me every time, as does the roaring guitar element. Plus, that rhythmic bass and percussive elements are immersive, offering a full-body experience, especially if you turn the volume up a little. There is no denying just how good Singing Winds, Crying Beasts is and it sets the tone for the entire album; exceptional!

Black Magic Woman / Gypsy Queen is one truly remarkable song and while the Black Magic Woman component is a cover of the Fleetwood Mac original, a masterful recording in its own right, Santana takes the raw rock elements, infuses them with Latin grooves and additional blues elements, that sets in motion a recording that would become one of the very best covers to have ever been recorded. Plus, Gregg Rolie’s vocal delivery on this edition is absolutely perfect; no wonder it became a chart-topper. While Gypsy Queen isn’t always represented when Black Magic Woman is played, I feel that its inclusion amplifies the core song and therefore I feel it is a natural extension of Black Magic Woman. 

Oye Como Va is a fun tune that gets my body moving involuntarily. What’s not to like? 

Incident At Neshabur is a little offbeat, in comparison to the previous tracks, but this isn’t a song you’ll likely be wanting to toe-tap to, but be present with for it demands the listener’s attention. That said, I wouldn’t class Incident At Neshabur as one of my favourite Santana tunes, but it is far from bad. 

Se A Cabo reminds me of Miles Davis. You might think that that is a strange comparison, but some of Davis’ greatest work was in his fusion of styles and Se A Cabo is very similar in that regard as each listen reveals a new layer of musicality that makes you not only question the song but your relationship to it and music in general.

Mother’s Daughter has a killer opening and is an incredible song, although I do feel that Rolie’s vocal is either a little too forward or the musical aspects are a little too shallow in the mix. It just sounds as though there should, or could, be more. 

Samba Pa Ti is simply gorgeous. I could listen to this masterpiece on repeat indefinitely. 

Hope You’re Feeling Better gets better the more you play it. It becomes infectious and ultimately becomes one of the most enjoyable songs on Abraxas

El Nicoya is a solid closer, but I do wish the final track was Hope You’re Feeling Better as I feel El Nicoya is more an interlude than a song in its own right. 

Overall, Abraxas is deserving of the reverence it’s given for it is a masterpiece from start to finish. I’d even go as far as saying that Santana never topped Abraxas; a bold statement, yes, but Abraxas reached heights that only a few musicians and bands ever reach. 

Frank Sinatra – Ol’ Blue Eyes Is Back (Album Review)

Frank Sinatra – Ol’ Blue Eyes Is Back (Album Review)

Having recorded 59 studio albums, Frank Sinatra has one of the most extensive back catalogues to explore and while I implore you to take the time to listen to all his releases, outside of his most successful 50s era recordings, I’d be remiss if I didn’t point you in the direction of Ol’ Blue Eyes Is Back for it is a recording that lives up to its name. 

Despite Sinatra’s short-lived retirement in 1971, by 1973 he had returned to the studio and was in fine form, sounding the best he had in years. While the orchestral elements are spectacular in their own right, Sinatra’s vocal soars above and beyond the musicality with a mix that is utterly perfect. While Ol’ Blue Eyes Is Back may have flown under the radar, especially in recent years, it is one of Sinatra’s greatest works.

Ol’ Blue Eyes Is Back, I believe, would have sounded magnificent on vinyl, but there, unfortunately, hasn’t been a vinyl reissue of this masterpiece in decades. Hence, modern music lovers will need to track down a copy on CD or stream it via a service such as Apple Music. While the Apple Music stream is delivered via a lossy codec, it sounds magnificent and if you close your eyes and simply enjoy the music, you’ll quickly forget that you’re listening to a streaming version for the overall recording and mastering is nothing short of spectacular with a warm analog-like soundstage that will encapsulate you in the performance. 

You Will Be My Music is a lovely opener that sets the tone for the entire album, even if the song is a little slow to get started. That said, the closing moments are spectacular, signalling that Blue Eyes is most certainly back!

You’re So Right (For What’s Wrong In My Life) is such a relaxing tune and while it isn’t anything to write home about, it is one song that works well within the creative body of work that is Ol’ Blue Eyes Is Back.

Winners showcases Sinatra in fine form and while his voice was a little sibilant on You’re So Right (For What’s Wrong In My Life), it is crystal clear here and is simply beautiful with an impressive orchestral element.

Nobody Wins is easy listening 101; sometimes that is all you need. 

Send In The Clowns (From ‘A Little Night Music’) is one of the greatest songs ever written and Sinatra performs it masterfully. I could listen to it on repeat indefinitely and as beautiful as I consider Barbra Streisand’s rendition to be, no-one does it better than Sinatra.

Dream Away is a lovely tune with a beautiful story to tell. Without a doubt, it’s one of Sinatra’s greatest recordings and is a simply stunning song from the songwriting duo of John Williams and Paul Williams

Let Me Try Again (Laisse Moi le Temps) is an incredible song and I don’t know about you, dear reader, but as lovely as the A-Side’s are on Ol’ Blue Eyes Is Back, the B-Side’s are simply spectacular. 

There Used To Be A Ballpark is another easy listening tune that, while not a standout, is thoroughly enjoyable. 

Noah closes out the album perfectly, and while it could be suggested that it is overproduced, especially for a Sinatra song, it is thoroughly enjoyable nonetheless and compels me to listen to the album again. 

Ol’ Blue Eyes Is Back is fantastic from start to finish; an absolute musical masterpiece that feels fresh and inviting and while it may not be seen as a Sinatra classic, I consider it to be one of his greatest. 

AC/DC – '74 Jailbreak (EP Review On Vinyl, Apple Music, and TIDAL Hi-Fi)

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AC/DC – '74 Jailbreak (EP Review On Vinyl, Apple Music, and TIDAL Hi-Fi)

Few EP releases are as strong as AC/DC's '74 Jailbreak. In many respects, one could call this release a mini-greatest hits had it not been for the fact that the included songs were largely unavailable to music lovers outside of Australia. Released in 1984, US audiences were able, for the first time, to conveniently hear five exceptional tracks that were never released in their region during the 70s. While it is difficult to comprehend a fan's joy upon first hearing this release, one only has to spin the record and turn the volume up to hear just how polished AC/DC was in those early years. It is an experience that must be heard to be believed. 

Without a B-side to be found, '74 Jailbreak is one of the greatest AC/DC releases and should be in every fan's collection. Yes, the EP is short but that isn't necessarily a bad thing, especially if you opt to listen via CD or streaming services. From my experience, the Apple Digital Master, available via Apple Music, is the gold standard when it comes to streaming and while TIDAL Hi-Fi delivers the CD-quality counterpart, from the same mastering sessions, the TIDAL Hi-Fi version isn’t any better than the edition presented on Apple Music and subsequently, in this case, I prefer the Apple Music edition as it takes up less storage when using offline play as well as being more accomodating for those of us with restrictive cellular data allowances. That said, you can rest assured that regardless of how you choose to stream ’74 Jailbreak, you’ll be hearing the very best sound that streaming has to offer.

When at home, however, I’m fortunate enough to own the 2003 vinyl reissue and to say it’s spectacular is an understatement. Vinyl rarely sounds better than this, although I don't feel that way about all the AC/DC reissues from 2003 as the inner-groove distortion on the Back In Black reissue is infuriating. Nevertheless, '74 Jailbreak has an incredible soundstage with a perfect mix that ensures the bass and drum beats remain prominent, but never overpowering. Similarly, Bon Scott's vocals have never sounded better and each percussive element is crystal clear. If you’re a vinyl fan, this is one record you should add to your wish list, and your collection, as I know you won’t be disappointed. 

Side One 

Jailbreak may not be the first song fans gravitate towards but it’s an exceptional song that has been featured in AC/DC’s live performances for decades; even if it does appear a little self-indulgent when performed live. This studio recording, however, is the perfect opener for ’74 Jailbreak as it sets the tone for what is to come and never disappoints. 

You Ain't Got A Hold On Me has an incredible rhythm, although, I’ve always thought that Scott's vocal sounds a little too thin and forward in the mix. Interestingly, you may notice when listening to Brian Johnson-era recordings, by comparison, his vocals were always mixed in a more central position in relation to the music, whereas Scott's tend to stand out in the mix. It is a minor difference, but a noticeable anomaly.

Show Business is blues-rock 101. I love it!

Side Two

Soul Stripper is a layered and complex wonderland that presents listeners with a massive soundstage. The entrance, albeit lengthy, never gets dull and Scott's vocal entry and presence in the song is nothing short of perfection.

Baby, Please Don't Go is an incredible cover that I’ve always enjoyed. Is it the best version, however? Well, that is, of course, subjective but I can only reiterate that the Aerosmith rendition is just as good and that if you want the purist recording of this song, you should check out Big Joe Williams' 1935 recording. Nevertheless, Baby, Please Don’t Go is the perfect way to close the EP, extraordinary!

From start to finish, '74 Jailbreak is an exceptional collection of blues-based rock and roll songs that are timeless and will remain part of the social consciousness for generations to come.

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Blue Öyster Cult – Self-Titled (Album Review)

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Blue Öyster Cult – Self-Titled (Album Review)

Released in 1972, Blue Öyster Cult’s eponymous debut failed to garner initial interest from the music-loving public upon release, but as with many albums that are now considered classics we look back and wonder just how such an exceptional psychedelic hard rock album could have been so overlooked, especially with that stunning ‘otherworldly’ cover art.

Bill Gawlik, billed as simply Gawlik, created the cover art that captivates me as much as the music does for there are so many possible interpretations to be read into the spherical design. I’m fortunate enough to own the Music On Vinyl (MOVLP1546) reissue and the cover’s matte finish is stunning and adds to the tactile nature of the record. The vinyl itself is housed in a high-quality anti-static sleeve, thereby preventing dust from accumulating in the grooves. It is nice to see this small additional detail as so many re-issues are presented in substandard inner sleeves in an attempt to save on costs while charging a premium price. Nevertheless, Music On Vinyl outdid themselves with this release. The record is pressed and mastered perfectly with next to no surface noise and an expansive soundstage that really comes alive throughout the entire album but specifically when listening to She’s As Beautiful As A Foot and Cities On Flame With Rock And Roll as these are songs that, if not mastered with kid gloves, can sound muddy and unappealing.

While this review is primarily based on the vinyl re-issue, many music lovers would understandably prefer the convenience of streaming and subsequently, an Apple Digital Master is available on Apple Music. How does it sound? In a word: Exceptional! As much as I adore my vinyl collection, I have to be completely honest and state that I am increasingly impressed with the  transparency of the Apple Digital Masters to the original masters that are delivered from the record label. In this situation, the mastering sounds identical to the vinyl re-issue, minus the usual warm analogue sound signature of vinyl of course. That, believe it or not, is a good thing for it is frustrating when different masterings exist of a single album. I don’t know about you, dear reader, but I just want the original mastering that was intended for a specific album. 

Side One

Transmaniacon MC launches us into the album perfectly, setting the tone, while simultaneously giving the music lover a rhythm to immediately connect with. Transmaniacon MC isn’t the strongest song on the album, but I can’t think of a better opening for a psychedelic hard rock release. 

I’m On The Lamb But I Ain’t No Sheep flows near seamlessly from Transmaniacon MC and is a solid song, albeit nothing to write home about. 

Then Came The Last Days Of May is a sonic wonderland and one of the greatest songs of the 70s in my opinion. 

Stairway To The Stars is a stellar rock song. 

Before The Kiss, A Redcap has some killer guitar riffs, a brilliant rhythm, and an exceptional vocal recording that perfectly suits the song. Before The Kiss, A Redcap is all-round perfection. 

Side Two

Screams is psychedelic gold. 

She’s As Beautiful As A Foot flows seamlessly from Screams with an absolutely stunning drum element by Albert Bouchard. The overall musical style on She’s As Beautiful As A Foot is simply magical. One of the greatest songs on the album and another highlight of the 70s.

Cities On Flame With Rock And Roll has a killer drum and bass introduction that I simply adore and the incredible rhythm and overall performance simply blows my mind every time this masterpiece comes on. A perfect recording!…and, yes, you can hear a correlation between Cities On Flame With Rock And Roll and Black Sabbath’s The Wizard; a song and band which ultimately inspired Blue Öyster Cult.

Workshop Of The Telescopes flows well in the album format but it’s ultimately a song that I wouldn’t seek out on its own for it isn’t quite as strong as many of the other tunes on the album.

Redeemed is a perfect way to close the album, with a slightly more mellow tone, that encourages me to listen to this brilliant eponymous debut again. 

Overall, Blue Öyster Cult’s eponymous debut is a monster of an album and a must-own for all psychedelic hard rock music lovers. There isn’t a bad song to be heard and it doesn’t matter if you’re going for the Music On Vinyl release, or simply streaming this debut, you’re getting an exceptional musical experience that has to be heard to be believed.  

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