Released in 1989, Bob Dylan’s twenty-sixth studio release, Oh Mercy is amongst his greatest records following a somewhat lacklustre series of albums throughout the 80s. As a significant return to form, Dylan, alongside renowned producer Daniel Lanois, delivered an album that is Dylan to the core while leaning into the layered and textured production Lanois is often associated with. The combination is profound and while Oh Mercy isn’t among Dylan’s best-selling albums, nor is it always at the forefront for consideration as one of his greatest releases, Oh Mercy delivers a tight and cohesive album experience.
There’s no doubt as to the musical prowess of a legendary artist like Dylan, but perhaps one of his greatest qualities throughout the decades has been allowing producers to guide him. Yes, at times, the combination of producer and artist may have been questioned as not all Dylan albums are created equally. In Oh Mercy, however, Lanois' knack for creating mood and atmosphere helps to elevate Dylan’s songwriting, providing a sonic backdrop that feels both timeless and contemporary. Perhaps this is why the record still appeals to many music lovers so many years after its release for the production infuses the album with a lush, ambient sound that complements Dylan’s gravelly voice and poetic lyrics.
As is often the case, I’m not always drawn to Dylan’s lyrical context as much as many of his fans are. Instead, I appreciate his vocal dexterity for its tone and delivery as an instrument within the mix. While I can’t deny his pronunciation is exquisite, I feel it further highlights his skill as a singer/songwriter in that his music can be appreciated from both literal and musical perspectives. That said, you’ll notice that I’ll offer cursory comments on the lyrical meaning for, as with most of Dylan’s music, his intent is often difficult to ignore.
Of course, enjoying the music also comes down to how well it was mastered and in this instance, Oh Mercy is impeccably presented. The Apple Music stream, a Hi-Res Lossless Apple Digital Master, is nothing short of amazing. I’ve no doubt fans of this album will point to the various vinyl editions and the SACD release from 2003, but I implore you to give the Apple Music stream a go as it’s a sonic masterpiece. The soundstage is wide and enveloping with every layered aspect floating in the air as it permeates from the speakers. It’s so surreal that there were moments when I could have sworn Dylan and the band were in the room with me. Of course, when music sounds this good via a stream, other than the ownership element, I don’t feel the need to seek out a better copy, from a sonic perspective. That, naturally, can’t be said about all streamed releases, as the Apple Digital Master for Billy Joel’s Storm Front is atrocious, but it’s certainly valid for Oh Mercy.
Political World opens the album with a slow build comprised of a gritty, driving rhythm with sharp and observational lyrics. While it isn’t the smoothest tune, it’s Dylan 101 and with a mix that focuses on his vocal delivery, you’ll find yourself sitting up and taking notice.
Where Teardrops Fall shifts the tone to that of a more mellow presentation. It’s a soulful tune with a bluesy undertone that sees Dylan’s voice, again, rise above the mix but not detract from the musical bed that is in a similar style to what one would expect from a Santo & Johnny recording.
Everything Is Broken is a brilliant song that addresses the chaos and disintegration Dylan sees in the world around him. With a catchy, upbeat rhythm, the song’s groove and infectious melody contrast, interestingly, with the lyrical direction of the music. Regardless of how you appreciate Everything Is Broken, either from a lyrical or musical standpoint, this is one of the highlights from Oh Mercy and is anything but broken.
Ring Them Bells, again, shifts the tempo of the album, but the song’s gentle piano blends beautifully with the choral musical backing and Dylan’s tender and gruff vocal presentation, making this one of the record’s most moving tracks.
Man In The Long Black Coat is a musical marvel and I dare say one of the greatest songs Dylan has ever recorded; most certainly from a musical perspective. The moody haunting quality of the song rings out as Dylan’s eerie narrative adds to the foreboding atmosphere. It has a gothic folk tale feel to it, one that is thoroughly enjoyable. Man In The Long Black Coat is, most certainly, a hidden gem.
Most Of The Time is a beautiful ballad-focused tune with an arrangement that is subtle and doesn’t detract from Dylan’s vocals. Yet, if you listen to the musical bed alone, you’ll be amazed at just how multi-layered Most Of The Time is.
What Good Am I? is one of my all-time favourite Dylan compositions, yet it is Tom Jones’ interpretation that I think of most when I listen to this classic tune as his weathered vocal adds a little more character to the song than Dylan’s vocal does. That said, had I never heard Jones’ rendition, I’d be smitten with Dylan’s original as it is truly magnificent.
Disease Of Conceit flows seamlessly from What Good Am I? and the song’s slow, dirge-like pace enhances its contemplative nature, especially if you’re following along to the lyrical interpretation, that is. If not, you’ll still be blessed with a sonically beautiful song that adds to the overall album experience of Oh Mercy.
What Was It You Wanted has a most interesting musical composition, particularly during the early stages of the song; an aspect that can make it challenging for the mind to attach itself to a single element. That, however, dissipates as the song progresses and the focus within the mix is placed on Dylan’s magnificent vocal and harmonica performance. As the song comes into its own, What Was It You Wanted will talk to every music lover for when a song deals with communication breakdowns in relationships, we’ve all been there and what better way to deal with the associated frustration and confusion than via this song.
Shooting Star is a wistful ballad that’s straight out of Dylan’s wheelhouse. It’s, subsequently, the perfect closer, one that will see you contemplating the music you’ve just heard, whilst simultaneously feeling compelled to play the record again.
No matter which way you look at it, Oh Mercy is one of Bob Dylan’s greatest releases. Each song contributes to the album’s overarching themes and musical cohesion, thereby making it a compelling work that not only showcases Dylan’s enduring artistry but is a standout within his extensive and celebrated discography. Whether you’re a long-time Dylan fan or a new listener, Oh Mercy is an essential listen, offering a deep and rewarding musical experience.