Released in 1976, Futuristic Dragon, T. Rex’s eleventh studio album is both unique and experimental as it showcases the continued evolving music style of the English rock band. With this change in direction, you may find that it requires repeat listens to fully grasp, and appreciate, the record’s overall intent. Longtime fans will likely feel right at home, despite the differences from T. Rex’s earlier works, but newcomers should look beyond the renowned catchy tunes and appreciate Futuristic Dragon as it was originally intended; as an album experience first and foremost. 

While Futuristic Dragon doesn’t deviate too far from T. Rex’s classic output, the incorporation of elements of soul, funk, and reggae ensure, when mixed with their glam rock original sound, that the album not only remains fresh but becomes a timeless musical experience. 

While there’s little doubt that T. Rex was a band effort, Marc Bolan has again written thirteen memorable tunes that all have the renowned T. Rex quality, but  with the aforementioned shifts. The result is an album that features catchy melodies and an overall groove that not only highlights Bolan’s lyrics, but one that will captivate your soul. Speaking of Bolan’s lyrics and vocal delivery, you’ll likely hear a little John Lennon influence on songs such as My Little Baby, Calling All Destroyers, and Dreamy Lady. Intended, or not, the correlation is fantastic and you’d be forgiven for mistaking these two musical legends, as you listen to the album, for I have even got the two mixed up on various occasions. 

As it pertains to the sonic qualities of the lossless Apple Music stream, I can say with complete honesty that it could be better. Yes, the stream is a direct counterpart to the CD release of the album and while there aren’t any glaring issues and is subsequently adequate, the stream gives off a sense that there is more to be heard, yet elements are concealed in the mix and subsequent master. It’s also a little boxed in as the soundstage is concerned and a remaster, by a skilled mastering engineer, would ensure the stereo soundstage would be wide and enveloping. The recording could also do with a slight bump in the mid to low-end range of the audio spectrum and while I acknowledge that this can be done in the digital domain, modern EQ settings often lack fine manual controls meaning that the preset options can boost audible elements too far. The result of such extreme measures is that it can be detrimental to other aspects of the recording that are otherwise perfect; hence, my recommendation for a remaster by a well-respected mastering engineer who can ensure the intent of the original recording is maintained.

Forgoing a remaster, for the moment, it is plausible that Futuristic Dragon would be best delivered on vinyl for the format’s inherent limitations would naturally help to produce a smoother, more fuller, and fluid presentation than the streaming counterpart is capable of. Of course, there’s no guarantee that this would yield greater results, but I have observed such occurrences in the past. That all said, the stream remains thoroughly enjoyable, I simply feel that the reproduction could be better than it already is for the music contained within is exceptional and is deserving of the very best production possible. As it is all about the music, however, join me as I take a look at the songs that make up this incredible release. 

Futuristic Dragon (Introduction) is far from the greatest opening track of all time, but if you listen to the album, with a little Alice Cooper in the back of your mind, it becomes more than palatable. If nothing else, the segue to Jupiter Liar is well presented and much appreciated. 

Jupiter Liar is a groove-based masterpiece. With a mix of funk and rock elements, you’ll quickly find yourself tow-tapping and head-bopping along. As to why Jupiter Liar was never released as a single, I’ve no idea, but it is beyond comprehension for I feel this song would have rocketed to the top of the charts. 

Chrome Sitar takes us on a psychedelic dreamlike journey with an incredible rhythm and sensational hooks. The mix and overall composition of Chrome Sitar is impressive; so much so that I consider Chrome Sitar to be one of the greatest songs T. Rex ever recorded.  

All Alone presents us with a song that’s a little more upbeat. Think the Motown vibe mixed with a little soul and a touch of T. Rex. On paper, it shouldn’t work, yet it does. While All Alone may not be the strongest song from the album, it is nothing if not addictively good. That said, if you struggle to get into this tune, may I suggest you listen to it independently a few times as it grows on you the more you listen to the song. 

New York City is utterly brilliant! Yes, you’ll hear elements of Get It On, from Electric Warrior, but the repurposing of musical techniques, particularly in this instance, isn’t a bad thing. New York City is, subsequently, not only a standout but its energy and catchiness ensure it’s one of the best songs on Futuristic Dragon.   

My Little Baby possesses a romantic styling that doesn’t really suit T. Rex, but I’d be lying if I said that it doesn’t grow on you. If nothing else, it shows us a different perspective to what T. Rex could have been, had they chosen a different direction; one more aligned with pop than rock. 

Calling All Destroyers has a driving rhythm with some killer guitar licks and a vocal style that reminds me fondly of John Lennon. It’s a classic rock tune that is not only one of the best songs from the album but one of T. Rex’s greatest recordings. 

Theme for a Dragon is a lush instrumental piece that suits the album perfectly. Further embracing the album’s boldness, Theme For A Dragon is perfect for its intended purpose but I will say that the faux audience element can be a little grating on the senses and I, for one, would have preferred that aspect to be removed from the mix. 

Sensation Boulevard is another funky tune that adds to the overall style of the album. While it was never going to be a standout recording, it’s groovy and utterly compelling. 

Ride My Wheels is a little more eclectic than the other songs featured on Futuristic Dragon, but don’t let that deter you as it is the album’s diversity that makes it such a fascinating release. 

Dreamy Lady is T. Rex meets disco with a touch of Lennon. It’s brilliant and is without a doubt one of Bolan’s greatest vocal recordings. 

Dawn Storm shifts the musicality again, but the soul-inspired approach, particularly in the vocal department, is nothing short of musical genius. Dawn Storm is, subsequently, one of the most beautiful songs you’re ever likely to hear. 

Casual Agent closes the album on a high note with a dynamically engaging approach that will compel you to play the album again. Yes, the repeated chorus becomes an earworm; but it’s a thoroughly enjoyable one. 

No matter which way you look at it, Futuristic Dragon remains a fascinating release in T. Rex’s celebrated discography. Featuring sonic transitions and musical explorations like that never heard by T. Rex before, this timeless classic remains compelling for fans and newcomers alike. While not as successful as their earlier releases, the artistic boldness and genre-bending approach make for an enthralling musical experience that showcases the evolution of T. Rex and Marc Bolan’s musical journey, thereby ensuring that Futuristic Dragon is not only one of the greatest albums released in 1976 but one of the best releases of all time.