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Millie Jackson – Caught Up (Album Review)

Few albums in the history of R&B and soul music have achieved the level of artistry and storytelling that Millie Jackson delivered with Caught Up. Released in 1974, this groundbreaking concept album tells the tale of a love triangle from the perspectives of both the mistress and the wife, offering a dual narrative structure that feels as bold today as it would have been five decades ago.

The album’s structure—a-side for the mistress, b-side for the wife—allows Jackson to showcase her vocal range, interpretive prowess, and ability to convey raw, emotional storytelling. The production features a blend of funk, soul, and lush arrangements that create an immersive soundscape that complements the lyrical themes perfectly. While the album performed well, and was Jackson’s most successful release, it has never really received the recognition it deserves for it isn’t just one of the very best R&B/Soul releases of all time, it’s one of the greatest albums ever recorded.

It isn’t all about the music, however, for the album artwork aligns perfectly with the story arc as the artistic vision will capture you in its web even when you’re not spinning the record. While I’ve yet to experience Caught Up on the larger vinyl canvas, there’s little doubt that it is best appreciated in that manner due to the accompanying artwork and the album’s two-sided structure. Nevertheless, the CD-quality Apple Music stream, a counterpart to the Ace Records Expanded Remastered Edition, is a sonic pleasure that shouldn’t be overlooked.

While not presented as an Apple Digital Master, this is a perfect example of where a well-recorded, mixed, and mastered (in this case, remastered), record is more important than the format as it’s sonically flawless. It’s so good that I question the need to seek out a physical release; although that album artwork may be the ultimate reason. Until then, however, the stream is utterly perfect and with that in mind, join me as I take a look at the songs that make up this legendary release.

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A Side: The Mistress

If Loving You Is Wrong I Don't Want To Be Right sets the tone with its sultry funk-meets-soul groove. The slow and melodic tempo, driven by lush instrumentation, deep basslines, and smooth string arrangements, will connect with your soul. Yet, as incredible as the music is, it’s Jackson’s vocal delivery and ability to capture both the vulnerability and defiance of the mistress, balancing sensuality with longing, that elevates this iconic song into a powerful declaration of forbidden love.

The Rap features a seamless transition and is heavenly for those of us who adore the bass guitar. In many respects, The Rap, along with If Loving You Is Wrong I Don't Want To Be Right and the upcoming Reprise could have been a singular tune. While they can be appreciated in that manner, The Rap can also be thoroughly enjoyed on its own, especially considering the layered musical elements go beyond that heard in the opening track. With incredible musical interplay and a touch more funk than the opening track, The Rap will appeal to just about any music lover. It’s so appealing that each time I listen to this classic tune I’m left amazed that it has yet to be sampled by a mainstream Hip-Hop/Rap artist.

If Loving You Is Wrong I Don't Want To Be Right (Reprise) closes out the opening trilogy of songs and when combined can be considered amongst the greatest album openers of all time.

All I Want Is A Fighting Chance flows beautifully from the Reprise. While the songs are exceptional, the seamless nature of the album is particularly appealing for there isn’t a lull to be heard throughout the entire record. If you’re not driven by the music, the interpreted concept will hold your attention as you toe-tap and head-bop along to this incredible tune.

I'm Tired Of Hiding slows things down a little, but the transition between songs isn’t quite as smooth as it has been thus far. Nevertheless, the shifting tempo allows the senses time to recover slightly and is perfectly positioned within the linear structure of the album. Jackson successfully captures the weariness of a woman hiding her love in the shadows with superb pronunciation and clarity, thereby allowing the narrative to be the driving force for not only this song but the entire record.

B Side: The Wife

It's All Over But The Shouting opens what is akin to the second side of the record. It perfectly portrays the wife’s perspective via a slight shift in musical style while the lyrical delivery embodies the heartbreak and anger of a woman scorned.

It's Easy Going is a beautiful song that sees Jackson’s vocals exuding a quiet strength as she delves deeper into the wife’s inner monologue as she begins to accept her circumstances. It’s songs such as this that make me wonder why this classic release wasn’t more popular, for when you listen to It’s Easy Going, you can’t help but sense just how ideal this song would have been at the time of release, for it is timeless when considered from a modern perspective.

I'm Through Trying To Prove My Love To You has an incredible twangy guitar that reminds me fondly of Santo & Johnny, but with a less haunting and foreboding atmosphere. The result is that this is another of the many hidden gems from the record and one song that every music lover needs to listen to, at least once.

Summer (The First Time) is an ideal bookend to this story; one that will compel you to listen to the album again as Caught Up is one of those special records that can be indefinitely listened to on repeat.

From its innovative storytelling to its masterful blending of funk and soul, Caught Up is a landmark achievement in the history of recorded music as Jackson’s ability to inhabit multiple perspectives, while maintaining a cohesive narrative, is nothing short of pure genius. For those drawn into the narrative, Jackson’s follow-up album Still Caught Up (1975) continues the story, offering further depth to this remarkable concept. Together, the two albums form a powerful duet that cements Jackson’s place among the great storytellers of modern music, even if Still Caught Up isn’t as impactful as Caught Up is; an album that is a must-listen for fans of not only R&B, funk, and soul, but music in general.

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