Elton John – Madman Across The Water (Album Review)
Released in 1971, Madman Across The Water is not only part of Elton John’s classic era, but it’s arguably his, and long-time collaborator Bernie Taupin’s, creative peak. With a compelling blend of rock and pop and an orchestral musical style, Madman Across The Water is an iconic and distinctive release that would present Elton John as a consummate musician.
Some may logically point to other releases from John’s classic era as being the defining moment of his career. The self-titled Elton John, Don't Shoot Me I’m Only The Piano Player, and Goodbye Yellow Brick Road would be valid examples, but the cohesive album experience felt throughout Madman Across The Water, knows no peer.
Where things get a little rocky, however, is regarding the various masterings and sonic presentation of Madman Across The Water. Most fans are unlikely to concern themselves with such aspects, but for the rest of us who appreciate this release in a far deeper context, it’s important that we seek out the very best version of the album we can find.
While everyone’s preference will differ, my subjective opinion is that the 2016 remaster offers listeners the very best, modern, sonic representation of this classic album. It’s important to note that the 2016 remastering was also the source used for the 50th Anniversary releases in 2022. As I was already fortunate to own this particular mastering on the 2018 vinyl edition (an exceptional reissue in its own right), I decided to abstain from purchasing the album again when the anniversary editions were released. Truthfully, I’m not one for bonus content and given it’s streamable if I wish to hear it, that was adequate enough for me.
While I consider the 2018 re-released record to be the very best version of this album that I’ve had the pleasure of hearing, I can’t take it everywhere with me. Yes, my edition came with a digital download code, but there’s no meta-data to indicate which master was used to encode the lossless WAV files. I could create a needle drop as I have in the past with out-of-print releases, but that time-consuming process has become less appealing since Apple Music turned on Hi-Res and Lossless options at no additional cost. That said, there is a problem with the editions of Madman Across The Water on Apple Music et al that further complicates the attainment of what I consider to be the definitive release.
Long-time readers will note my penchant for Apple Digital Masters, but this is one example where I suggest you avoid it like the plague as it’s the most compromised and least pleasing version of the two available on Apple Music. It simply doesn’t have the depth or presence in the soundstage to leave you in awe. Whereas the 2016 remastering is immersive, engaging, and offers a much smoother reproduction. Regarding the Apple Digital Master edition, the publication date is from 2011 thereby indicating a different mastering to the 2016 remastering sessions. Unfortunately, there’s no additional information relating to a 2011 remaster. It would be a logical assumption to, therefore, propose that this Apple Digital Master was derived from the 1995 remastering, yet without any further validation, this is mere conjecture. As I delved deeper to try and ascertain what was going on, the various streaming services all seem to have different versions of this classic release and while I’d love to give you a comprehensive breakdown of every streaming service and digital download store version available, it would be a tedious read.
When so many variances exist, it creates an unhealthy paradox of choice that becomes overwhelming and leads to decision fatigue. The good news, however, is that all services have the Deluxe Edition and within that version is what I consider to be the superior mastering from 2016. As such, in order to share this review, of the core album, I’ve created a playlist from the Deluxe Edition for you to enjoy.
Tiny Dancer serves as a magnificent opening track. Its soothing and tender melody immediately captures the listener's attention, and John's emotive vocals convey a sense of intimacy that has made it an enduring favourite among fans; even amongst those who associate the song via the well-known mondegreen.
Levon boasts a captivating storytelling narrative, driven by a powerful piano arrangement. John's evocative vocals bring the character of Levon to life, painting a vivid picture of his life and struggles, but perhaps more importantly, it is an incredible performance that is so sonically beautiful that it automatically becomes one of John’s greatest recordings.
Razor Face is a hidden gem with a compelling blend of bluesy undertones and John’s expressive vocal delivery. The song’s raw emotions and subtle instrumentation make it a memorable addition to the album.
Madman Across The Water is a true showcase of John’s musical prowess. Featuring intricate piano work, a sweeping orchestration, and a simply incredible vocal presentation, Madman Across The Water leaves a lasting impression. Additionally, you may also wish to check out the original recording of this tune as it’s got a greater rock edge thanks to the guitar work of Mick Ronson.
Indian Sunset is simply magnificent! John’s vocal throughout, but particularly during the introduction, is the epitome of perfection.
The most powerful aspect, however, is the gradual layering of musical elements with the shift back to the vocal. It’s nothing short of a masterstroke and I remain amazed as to why Indian Sunset remains somewhat hidden, never appearing on any of John’s compilation releases. It’s a shame for it’s one of his greatest songs that few people have heard outside of this album.
Newer audiences were, however, exposed to it in 2004 as it was sampled on the chart-topping posthumous single Ghetto Gospel by Tupac Shakur. If nothing else, Indian Sunset proves that John and Taupin are musical geniuses and a collaborative team like no other.
Holiday Inn shifts the mood of the album but sounds as if it should have been included on Tumbleweed Connection. While it is a little disjointed, in relation to the rest of the songs from Madman Across The Water, it has some exceptional musical shifts with infectious piano riffs and a catchy chorus that make it an enjoyable addition to the album.
Rotten Peaches won’t necessarily be anyone’s first pick when it comes to the best songs from Madman Across The Water, but it grows on you the more you listen to it and is the quintessential album-only tune.
All The Nasties is another of John’s hidden gems. With that in mind, it’s tragic that this masterpiece has been overlooked for so long.
Goodbye is the perfect closer. Short, but beautiful! Goodbye will, undoubtedly, compel you to listen to the album again for Madman Across The Water can rarely be appreciated via a single play-through.
Madman Across The Water is an extraordinary album that epitomises Elton John's artistic brilliance. The album's diverse musical arrangements, poetic lyrics, and powerful vocals further showcase the depth and range of John's talents. Madman Across The Water, subsequently, remains a timeless classic that has continued to captivate audiences across generations, solidifying its place as one of the finest works in Elton John's illustrious career.